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spiegelman

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Journal Article
Twentieth-Century Literature (1 June 2006) 52 (2): 199–230.
Published: 01 June 2006
... space as possible. The ice might be thinner than one would like to think. —Art Spiegelman (qtd. in D’Arcy 3) In In the Shadow of No Towers, his most recent book of comic strips, Art Spiegelman draws connections between his experience of 9/11 and his survivor parents...
Journal Article
Twentieth-Century Literature (1 September 2012) 58 (3): 546–555.
Published: 01 September 2012
...Brad Prager MetaMaus: A Look Inside a Modern Classic, Maus (Book + DVD-R) , by Spiegelman Art , Pantheon Books . 2011 . 300 pages. Graphic Women: Life Narrative & Contemporary Comics , by Chute Hillary L. , Columbia University Press . 2010 . 297 pages...
Journal Article
Twentieth-Century Literature (1 June 2005) 51 (2): 244–248.
Published: 01 June 2005
...Stephen Cushman How Poets See the World: The Art o f Description in Contemporary Poetry , by Spiegelman Willard , New York : Oxford University Press , 2005 . 238 pages. Copyright © Hofstra University 2005 w Reviews Poets of Every Description How Poets See the World: The...
Journal Article
Twentieth-Century Literature (1 December 2011) 57 (3-4): 354–363.
Published: 01 December 2011
... contemporary comics are “historiographic metafiction,” Hutcheon’s compelling assessment of what constitutes the poetics of postmodernism. (Why hadn’t she included a text like Art Spiegelman’s Maus along with her analyses of J. M. Coetzee’s Foe and Salman Rushdie’s Midnight’s Children, I wondered with...
Journal Article
Twentieth-Century Literature (1 December 2018) 64 (4): 518–526.
Published: 01 December 2018
... authors, including Art Spiegelman, Charles Burns, and Will Eisner and Frank Miller, all of whom reflect on the struggle for cultural legitimacy, in 1995, 2001, and 2005, respectively. The book’s critical insights are most applicable regarding the state of comics culture and comics studies to roughly 2006...
Journal Article
Twentieth-Century Literature (1 March 2015) 61 (1): 138–145.
Published: 01 March 2015
... transcripts. In lieu of a keynote lecture, Art Spiegelman and W. J. T. Mitchell address the question “What the %$#! Happened to Comics?,” considering the recent elevation of comics studies as a line of serious inquiry. Spiegelman suggests that the “mongrel” hybridity of word and image, of legitimacy and...
Journal Article
Twentieth-Century Literature (1 March 2009) 55 (1): 36–57.
Published: 01 March 2009
... river carving a narrow channel through rock forms the expanse of a canyon. Willard Spiegelman writes that Graham’s poems, like a river, “branch easily, luminously” (“Nineties” 234); her “syntactic volume and heavy verbal impasto sweep ever onward” (235), and by means of such “torrents of...
Journal Article
Twentieth-Century Literature (1 June 2010) 56 (2): 277–285.
Published: 01 June 2010
... remains more rooted in the midcentury than her other chapters. What is lost, I think, is the enormous role Israel has played in answering the anxious questions of midcentury, especially after the Six-Day War. Any number of texts—Woody Allen’s Zelig, Art Spiegelman’s Maus, and Michael Chabon’s...
Journal Article
Twentieth-Century Literature (1 June 2011) 57 (2): 277–284.
Published: 01 June 2011
... perfectly useless concentration and end by sliding off into the unknown is precisely the pattern that underlies Bishop’s art of description. Description is a fascinating subject—see Willard Spiegelman’s important study, How Poets See the World: The Art of Description in Contemporary Poetry—and...
Journal Article
Twentieth-Century Literature (1 June 2012) 58 (2): 341–348.
Published: 01 June 2012
... onto vulnerable scapegoats. These works include Russell Banks’s Affliction, Art Spiegelman’s Maus, and Paul Monette’s Love Alone. Forter emphasizes these works’ capacity to mourn for loss without eliding the social causes of loss. He suggests that these authors harness the aggression 347...
Journal Article
Twentieth-Century Literature (1 March 2016) 62 (1): 110–117.
Published: 01 March 2016
...”; Roger Gilbert’s “Science in Contemporary American Poetry: Ammons and Others”; and Willard Spiegelman’s “Amy Clampitt, Culture Poetry, and the Neobaroque”). The other chapters engage with named poetic movements like the Beats and the New York School; cultural groupings (Rigoberto González, “Latino Poetry...
Journal Article
Twentieth-Century Literature (1 September 2012) 58 (3): 399–438.
Published: 01 September 2012
Journal Article
Twentieth-Century Literature (1 September 2004) 50 (3): 239–267.
Published: 01 September 2004
Journal Article
Twentieth-Century Literature (1 June 2005) 51 (2): 142–178.
Published: 01 June 2005
Journal Article
Twentieth-Century Literature (1 December 2016) 62 (4): 379–402.
Published: 01 December 2016