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Journal Article
Twentieth-Century Literature (1 June 2000) 46 (2): 125–149.
Published: 01 June 2000
... passed over by critics and anthologists in favor of her apparently more domestic, tranquil pieces concerned with childhood and family. Besides setting, what the two texts have in common is their pe­ culiar spokesmen: Matthew Dante O’Connor and Raoul Duquette, self- styled guides to the Parisian...
Journal Article
Twentieth-Century Literature (1 September 2017) 63 (3): 299–328.
Published: 01 September 2017
... authorial puppet-master. By this point in the novel, readers are wise to Bloom’s half-hearted ambition to write popular stories. His aims are plainly inspired by the reading materials he encounters at home and around Dublin, from his own fascination with Raoul’s steamy adventures in The Sweets of Sin...
Journal Article
Twentieth-Century Literature (1 June 2017) 63 (2): 141–166.
Published: 01 June 2017
... power structures, old and new. 17 As Slothrop observes upon first boarding the Anubis , “It is the same old shit that was going on back at Raoul de la Perlimpinpin’s place, and for all Slothrop knows it’s the same party” (470)—the party that has been going on “ever since this piece of France was...
Journal Article
Twentieth-Century Literature (1 June 2010) 56 (2): 168–195.
Published: 01 June 2010
...-notorious interview with Raoul Mortley, notably published in the same year as Age, in which Levinas confesses: “I often say, though this is a dangerous thing to say publicly, that humanity consists of the Bible and the Greeks. All the rest can be translated: all the rest—all the exotic—is dance...