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Journal Article
Twentieth-Century Literature (1 March 2001) 47 (1): 39–71.
Published: 01 March 2001
...Karin E. Westman Copyright © Hofstra University 2001 rA l The First Orlando: The Laugh of the Comic Spirit in Virginia Woolf’s “Friendships Gallery” Karin E. Westman The Comic Spirit laughed meanwhile. — “Friendships Gallery...
Journal Article
Twentieth-Century Literature (1 December 2002) 48 (4): 363–392.
Published: 01 December 2002
...Patrick Collier Copyright © Hofstra University 2002 HI Virginia Woolf in the Pay of Booksellers: Commerce, Privacy, Professionalism, Orlando Patrick Collier irginia Woolf’s Orlando (1928) stages one of the central conflicts of modernism. It puts into play the opposing...
Journal Article
Twentieth-Century Literature (1 March 2015) 61 (1): 32–62.
Published: 01 March 2015
...Emily J. Orlando This essay examines Harlem Renaissance novelist Nella Larsen’s career-long conversation with the fiction of Edith Wharton. Although Larsen cared little for the suggestion that she “had gone to Mrs. Wharton for her lessons in writing,” likely because the comparison cast doubt on the...
Journal Article
Twentieth-Century Literature (1 March 2009) 55 (1): 137–144.
Published: 01 March 2009
...Jill Kress Karn Edith Wharton and the Visual Arts , by Orlando Emily J. , Tuscaloosa : University of Alabama Press , 2007 . 250 pages. Copyright © Hofstra University 2009 Edith Wharton and Victorian Visual Culture Edith Wharton and the Visual Arts by Emily J. Orlando...
Journal Article
Twentieth-Century Literature (1 June 2010) 56 (2): 131–167.
Published: 01 June 2010
... emphasis on the social realities of gendered embodiment in A Room of One’s Own and Orlando suggests that she rejected it. Theorizing women’s sexuality and constructing female sexual identity categories are now considered distinguishing traits of modernism.1 Yet Woolf opposed both the...
Journal Article
Twentieth-Century Literature (1 June 2010) 56 (2): vi–x.
Published: 01 June 2010
... instead a deliberate authorial strategy on Woolf’s part, in both Orlando and A Room of One’s Own, to offer an antiessentialist alternative—aesthetic, epistemological, and political—to the limiting binary of hetero/homosexuality that came to undergird even theories of androgyny. In order to...
Journal Article
Twentieth-Century Literature (1 June 2004) 50 (2): 141–166.
Published: 01 June 2004
... undercurrent in all three writers, a tug toward “gypsiness” that functions, I argue, as a hint of same-sex desire. Their allusions to gypsies, whether in letters to each other or in texts such as Orlando, formed part of a private discourse centered around Sackville-West’s alleged gypsy heritage, which...
Journal Article
Twentieth-Century Literature (1 September 2017) 63 (3): 299–328.
Published: 01 September 2017
... scourge which dwells in the inkpot and festers in the quill. The wretch takes to writing. —Virginia Woolf, Orlando Writing with pen and ink favors a steady hand and steadfast resolve. In a utopian scene of writing, the ink flows from pen to paper in a metered economy: precisely fluid enough for...
Journal Article
Twentieth-Century Literature (1 September 2018) 64 (3): 317–346.
Published: 01 September 2018
... the series, complete with accounts of earlier members of the illustrious group dating back to the Renaissance. The centerpiece of the collection, “The Life of Orlando,” traces Virginia Woolf ’s immortal, gender-bending hero(ine) through centuries of outlandish adventures. We learn, for instance, of...
Journal Article
Twentieth-Century Literature (1 March 2005) 51 (1): 114–122.
Published: 01 March 2005
...’: Eugene O ’Neill and the Working Class.” 49.4 (2003): 520-546 Cohen, Samuel. "Mason & Dixon &The Ampersand.” 48.3 (2002): 264-292 Collier, Patrick. “Virginia Woolf in the Pay of Booksellers: Commerce, Privacy, Professionalism, Orlando. ” 48.4 (2002): 363-392 Conrad, Joseph. See Atkinson...
Journal Article
Twentieth-Century Literature (1 March 2008) 54 (1): 105–114.
Published: 01 March 2008
... Peter Nohrnberg point” in The Voyage Out, Jacob’s Room, and Orlando, she herself lived in what Marshik deems a “literary panopticon” (92). Marshik traces the interplay between Woolfs need as a publisher to anticipate what might attract the attentions of the censor and her own self...
Journal Article
Twentieth-Century Literature (1 September 2010) 56 (3): 405–413.
Published: 01 September 2010
... with Eliot.3 Our understanding of major works like To the Lighthouse, Orlando, and Between the Acts is deepened and enhanced—in fascinating and often surprising ways—but not, perhaps, fundamentally altered by McIntire’s readings. The treatment of Orlando, which unpacks Woolf’s complicated...
Journal Article
Twentieth-Century Literature (1 September 2003) 49 (3): 277–297.
Published: 01 September 2003
... produced around it” (372)—including, presumably, Woolf s own covertly “Sapph­ ic” Orlando, published shortly after The Well of Loneliness.2 But the terms ofWoolf’s critique beg more questions about boundaries than they re­ solve: With respect to what counter-possibilities of motion and heat...
Journal Article
Twentieth-Century Literature (1 December 2016) 62 (4): 403–428.
Published: 01 December 2016
... Dedalus’s epiphanies, Orlando’s sex change, Gregor Samsa’s transformation) with contemporary paradigm shifts in biology, Huxley imagines a form of Bildung capable of meeting or preventing the ever-greater threats of “fascism,” “communism,” and “nationalism” ( EG 523). Where David Daiches feels in...
Journal Article
Twentieth-Century Literature (1 December 2010) 56 (4): 437–461.
Published: 01 December 2010
Journal Article
Twentieth-Century Literature (1 March 2000) 46 (1): 115–124.
Published: 01 March 2000
..., Investing in the Orient: Margaret Drabble’s The Gates of Ivory.” 45.3 (1999): 278—98 Boxwell, D. A. “(Dis)Orienting Spectacle: The Politics of Orlando’s Sapphic Camp.” 44.3 (1998): 306-27 Brandt, Peter. “Somewhere Else in the Forest.” 42.1 (1996): 145-64 Brecht, Bertold. See Eubanks...
Journal Article
Twentieth-Century Literature (1 September 2008) 54 (3): 401–409.
Published: 01 September 2008
... arbitrariness” (147). Working through the historical romance of Orlando and the feminist polemic of A Room of One’s Own, Froula boldly interprets The Waves from the angle of “its complex genesis” and disinters, through various draft versions, the original female voice of Woolf’s “mystical” and...
Journal Article
Twentieth-Century Literature (1 March 2000) 46 (1): 56–77.
Published: 01 March 2000
... historic London as a setting appropriate to ex­ periment rather than to convention, a setting that Woolf will subsequently Jictionalize through the ruse of nonfictional biography in Orlando. LITERARY GEOGRAPHY, LONDON HISTORY, AND BLUE PLAQUES lthough literary and historic London is not the only...
Journal Article
Twentieth-Century Literature (1 March 2015) 61 (1): 63–91.
Published: 01 March 2015
Journal Article
Twentieth-Century Literature (1 March 2014) 60 (1): 27–58.
Published: 01 March 2014
... mock-biographies Orlando (1928) and Flush (1933) or her full-length life of Roger Fry (1940). And so “a great part of 33 Mary Jean Corbett [Katharine’s] time was spent in imagination with the dead” (35), sorting materials, among which “the most private lives of the most interesting...