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o'hara

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Journal Article
Twentieth-Century Literature (1 September 2012) 58 (3): 495–514.
Published: 01 September 2012
...Peter Stoneley 2012 O’Hara, Blackness, and the Primitive O’Hara, Blackness, and the Primitive Peter Stoneley Since the publication of Brad Gooch’s City Poet: The Life and Times of Frank O’Hara (1993), those who care to know about the poet’s personal life will know that O’Hara had...
Journal Article
Twentieth-Century Literature (1 June 2008) 54 (2): 263–272.
Published: 01 June 2008
...Terence Diggory Selected Poems , by O’Hara Frank , New edition . Edited by Ford Mark . New York : Alfred A. Knopf , 2008 . 265 pages. Beautiful Enemies: Friendship and Postwar American Poetry , by Epstein Andrew , New York : Oxford University Press , 2006 . 359...
Journal Article
Twentieth-Century Literature (1 March 2011) 57 (1): 140–147.
Published: 01 March 2011
... 57.1 Spring 2011 140 Review Baraka’s poem “Das Kapital”) and develops in successive stages through works by Frank O’Hara, William S. Burroughs, Kathy Acker, William Gib- son, and nineties rap (52). Burroughs provides a crucial pivot in Clune’s lineage, his aleatoric compositions...
Journal Article
Twentieth-Century Literature (1 June 2013) 59 (2): 260–282.
Published: 01 June 2013
... Series of Younger Poets, had not declared a winner in 1954, which meant he was under extra pressure to name one in 1955, when Ashbery and his friend Frank O’Hara entered their manuscripts in the contest. Auden was disappointed by the finalists, and he wrote to Eugene Davidson at the Yale...
Journal Article
Twentieth-Century Literature (1 March 2005) 51 (1): 105–109.
Published: 01 March 2005
...-era poems in which versions of a private lyrical style by poets as well known as Creeley and as hard to find as Edward Field can be viewed as “attempts to wrest authentic speech away from its more mediated versions within a surveillance culture” (66). Here, O’Hara’s poetic speech “provides an...
Journal Article
Twentieth-Century Literature (1 June 2006) 52 (2): 237–240.
Published: 01 June 2006
... tallies in the acknowledg­ ments, strikes a similar note in Wallace Stevens and the Apocalyptic Mode. In the final pages of this book, Charles Altieri, Daniel O’Hara, and Fredric Jameson (along with Hutcheon) are all enlisted to corroborate the current contention that “‘postmodernism’ is no longer...
Journal Article
Twentieth-Century Literature (1 March 2012) 58 (1): 150–158.
Published: 01 March 2012
... abstract yet substantial personhood subtending all persons requires it to forgo the particularizing pleasure of aesthesis, to resist “for- mal mastery” (16) or even, in its most extreme formulations, to imagine a “poetry without poems.” For this reason, he argues, poets such as Yeats, Oppen, O’Hara...
Journal Article
Twentieth-Century Literature (1 September 2015) 61 (3): 330–351.
Published: 01 September 2015
... links the poem’s effect to a post-Romantic tradition concerned with the formation of the individual consciousness in response to the apprehension of nature’s divine power ( Hartman and O’Hara 2004 , 196; Hartman and O’Hara 1954 ). Yet unlike Wordsworth’s Prelude , the spiritual life of the individual...
Journal Article
Twentieth-Century Literature (1 March 2009) 55 (1): 125–129.
Published: 01 March 2009
... ism, even if represented as naive and childlike, balances the corruption of modernization. In Gone with the Wind, Scarlet O’Hara’s modern ways exist alongside interracial affection based on racial hierarchy and the de­ humanization of African Americans. This provided a picture of the South...
Journal Article
Twentieth-Century Literature (1 June 2010) 56 (2): 269–276.
Published: 01 June 2010
... Critical canonizers of modernism nor the radical protest fiction embraced by recent critics represents the literature that most Americans actually read at the time. The standard histories give us either Faulkner and Djuna Barnes or Steinbeck and James Farrell, but not Pearl Buck or John O’Hara...
Journal Article
Twentieth-Century Literature (1 March 2011) 57 (1): 132–139.
Published: 01 March 2011
... choices of figures for this particular study would have been Charles Olson, Frank O’Hara, Joseph Cornell, and John Cage. When one of his figures has received recent critical attention (such as Duncan and Creeley), Fredman makes a point of highlighting the things about these artists (Creeley’s...
Journal Article
Twentieth-Century Literature (1 September 2012) 58 (3): 532–539.
Published: 01 September 2012
..., Frank O’Hara, John Ashbery, Ted Berrigan, Bernadette Mayer, Robert Hass, Kay Ryan, and Frank Bidart. Given her concerns, Phillips’s study seems more at home with the is- sues addressed by analysts of the relationship between poetry and pragma- tism like Richard Poirier, Elisa New, Jonathan...
Journal Article
Twentieth-Century Literature (1 September 2014) 60 (3): 405–413.
Published: 01 September 2014
... elements—for example, the ecclesi- astical refrain “so be it”—to offset the topicality and provinciality of the newspaper and make a case for poetry’s more universal contribution. In an opposite move, Frank O’Hara’s “The Day Lady Died” takes a newspaper headline as its occasion but moves into a...
Journal Article
Twentieth-Century Literature (1 December 2017) 63 (4): 499–506.
Published: 01 December 2017
... sections on “Poets Theatre and the Beats” and “Early Off-Off Broadway Theatre,” which include chapters on Frank O’Hara, John Wieners, Sam Shepard, Rochelle Owens, and Rosalyn Drexler (all names that, like Adrienne Kennedy, receive only passing mention or no acknowledgment at all in the Cambridge Companion...
Journal Article
Twentieth-Century Literature (1 December 2012) 58 (4): 709–719.
Published: 01 December 2012
... Frank O’Hara on Levy’s flyleaf) cannot quite appease our demand for concrete fact, a demand roused by the book’s relentlessly concrete language of violence. Quantitative evidence of poetry’s demise seems warranted, as does a more certain identification of the allegedly brutalized party, for that...
Journal Article
Twentieth-Century Literature (1 December 2011) 57 (3-4): 328–340.
Published: 01 December 2011
... kill Richard Fariña, the folksinger and novelist (Been Down So Long It Looks Like Up to Me), friend of both Dylan and Thomas Pynchon; the same year, indeed, as the motor vehicle accident that killed the poet Frank O’Hara and changed forever the self-image and group dynamics of the New York School...
Journal Article
Twentieth-Century Literature (1 March 2004) 50 (1): 18–58.
Published: 01 March 2004
... twenti­ eth-century literature: The Waste Land (Eliot and Pound), Look Homeward, Angel (Thomas Wolfe and Maxwell Perkins), Paul Bunyan (W. H. Auden and Benjamin Britten), and Stones (Frank O’Hara and Larry Rivers) are only some of the modern examples of the collaborations among writers, artists...
Journal Article
Twentieth-Century Literature (1 September 2012) 58 (3): 399–438.
Published: 01 September 2012
... the completion of thought—a principle that puts her, at mid-century, in the unexpected literary company of more obviously experimental poets: Charles Olson and, soon after, Frank O’Hara or even the Beats.24 Her model for this poetics of process comes from a writer at the other end of the...
Journal Article
Twentieth-Century Literature (1 December 2008) 54 (4): 448–471.
Published: 01 December 2008
Journal Article
Twentieth-Century Literature (1 December 2008) 54 (4): 472–492.
Published: 01 December 2008