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Journal Article
Twentieth-Century Literature (1 March 2004) 50 (1): 18–58.
Published: 01 March 2004
...Elizabeth Bergmann Loizeaux Copyright © Hofstra University 2004 w Reading Word, Image, and the Body of the Book: Ted Hughes and Leonard Baskin s Cave Birds Elizabeth Bergmann Loizeaux From Yeats and Pound to Stein and Williams and the writers of the Harlem Renaissance, fine...
Journal Article
Twentieth-Century Literature (1 December 2005) 51 (4): 414–436.
Published: 01 December 2005
...Ryan Hibbett Copyright © Hofstra University 2005 m Imagining Ted Hughes: Authorship, Authenticity, and the Symbolic Work of Collected Poems Ryan Hibbett T e d Hughes’s recently published Collected Poems runs 1331 pages, the table of contents alone taking 29. It sits impressively...
Journal Article
Twentieth-Century Literature (1 June 2014) 60 (2): 243–250.
Published: 01 June 2014
...Mark Whalan Which Sin to Bear? Authenticity and Compromise in Langston Hughes , by Chinitz David , New York : Oxford University Press , 2013 . 269 pages. © 2015 by Hofstra University 2014 Review Reviews Which Sin to Bear? Authenticity and Compromise in Langston Hughes by David...
Journal Article
Twentieth-Century Literature (1 December 2014) 60 (4): 481–512.
Published: 01 December 2014
...Shane Graham Copyright © Hofstra University 2014 A Black Atlantic Web: South African Literature, Langston Hughes, and Negritude Cultural Exchange in a Black Atlantic Web: South African Literature, Langston Hughes, and Negritude Shane Graham Ezekiel Mphahlele once wrote that Ebony...
Journal Article
Twentieth-Century Literature (1 September 2015) 61 (3): 417–423.
Published: 01 September 2015
.... Harris, and Kimberly W. Benston, whose research informs his conceptualization of 1960s African American poetry. He cites as well the recent research of Meta DuEwa Jones (2011) and Amy Abugo Ongiri (2010) that coincides with his study. Concentrating on four exemplary figures, Langston Hughes, David...
Journal Article
Twentieth-Century Literature (1 September 2008) 54 (3): 396–400.
Published: 01 September 2008
... together in the same breath: Mu­ riel Rukeyser, Elizabeth Bishop, Langston Hughes, Gwendolyn Brooks, Thomas McGrath, and George Oppen. Indeed, if one adds a preliminary discussion of Wallace Stevens in the first, more general chapter tided “The Janitor’s Poems of Every Day,” one might legitimately...
Journal Article
Twentieth-Century Literature (1 March 2004) 50 (1): 1–17.
Published: 01 March 2004
... expatriates, one wonders what would have happened to modernist literature if such standards had been widely applied. Like many modernist writers, Lowry is, as Hugh Kenner remarks ofEzra Pound,“a frequenter of Elsewhere Communities” (82): communi­ ties predicated on the notion that a “special and...
Journal Article
Twentieth-Century Literature (1 March 2006) 52 (1): 92–95.
Published: 01 March 2006
... marks throughout the text. Before Langston Hughes rechristened it the Harlem Renaissance in The Big Sea [1940], most black intellectuals called it the Negro Renaissance.) There is really nothing new here—critics have complained for so long that the Harlem Renaissance was really a national and...
Journal Article
Twentieth-Century Literature (1 September 2009) 55 (3): 378–392.
Published: 01 September 2009
... a Willie Hughes, a man all hues. . . . It’s the very essence of Wilde, don’t you know. The light touch. (9.522–30) Wilde’s short story, which suggests that the sonnets were written for (not by) a Willie Hughes, was published in 1889, adding to a controversy more than a...
Journal Article
Twentieth-Century Literature (1 September 2004) 50 (3): 318–324.
Published: 01 September 2004
... volume presents a brief selection of primary documents in the form of the intermittent though nevertheless revealing correspondence between Pound and Langston Hughes. Most important, perhaps, the essays in the collection do not stop at merely documenting Pound’s racism (a simple enough task...
Journal Article
Twentieth-Century Literature (1 March 2008) 54 (1): 47–74.
Published: 01 March 2008
... Montague, along with authors from Wales, Scotland, England, and America, including R. S. Thomas, Edwin Muir, George Mackay Brown, Norman MacCaig, Hugh MacDiarmid, Sorley Maclean, William Wordsworth, Philip Larkin,Ted Hughes,Thomas Hardy, and Robert Frost. Thus his regionalist project bursts the...
Journal Article
Twentieth-Century Literature (1 March 2005) 51 (1): 114–122.
Published: 01 March 2005
..., Miranda BSparse and Geometric Contour’transformations of the Body in H.D.’s Nights 47.3 (2001):325-354 Hogan, Patrick Colm. ‘Midnight’s Children: Kashmir and the Politics of Iden­ tity.” 47.4 (2001): 510-544 Hollington, Michael.“Fitzgerald’s French.” 49.1 (2003): 123-130 Hughes...
Journal Article
Twentieth-Century Literature (1 March 2000) 46 (1): 115–124.
Published: 01 March 2000
..., Mariama. See Campbell Barbusse, Henri. See Miller, Eugene E. Bataille, Georges. Seejohnson Beckett, Samuel. See Gontarski Benert, Annette Larson. “Edith Wharton at War: Civilized Space in Troubled Times.” 42.3 (1996): 322-43 Bendey, Paul. “Depression and Ted Hughes’s Crow, or through...
Journal Article
Twentieth-Century Literature (1 March 2006) 52 (1): 22–41.
Published: 01 March 2006
... retained in some way a racial essence or character that preceded modernity. The New Negro was as old as Africa but as contemporary as a jazz club in urban Harlem; his racial soul was as ancient as Hughes’s “dusky rivers” (Voices 155) yet as modern as the Garvey’s Black Star Line ships ready to take...
Journal Article
Twentieth-Century Literature (1 March 2012) 58 (1): 90–116.
Published: 01 March 2012
... Langston Hughes’s “Children’s Rhymes”: What’s written down for white folks ain’t for us a-tall: “Liberty And Justice— Huh—For All.” (390) Less explicit in its critique, Dove’s poem replaces Hughes’s “Huh”—at once angry, and musical, emphatically syncopated...
Journal Article
Twentieth-Century Literature (1 March 2011) 57 (1): 20–33.
Published: 01 March 2011
... effect of this claim can be gauged from the term “International Modernism,” promoted by Hugh Kenner, which has exerted considerable authority in the field of modernist studies.7 From our present-day perspective, the term can be seen as ideological rather than geographical. Susan Stanford...
Journal Article
Twentieth-Century Literature (1 June 2017) 63 (2): 228–236.
Published: 01 June 2017
... second wave of symbolism, Wilson influenced later critics, such as Frank Kermode and Hugh Kenner, who accepted symbolism and ignored decadence as significant for modernism’s emergence. Sherry traces Wilson’s views back to Arthur Symons’s displacement of decadence by symbolism, under William Butler...
Journal Article
Twentieth-Century Literature (1 September 2013) 59 (3): 504–512.
Published: 01 September 2013
... Harlem Renaissance,” offers a reading of Jean Toomer’s Cane and Langston Hughes’s The Weary Blues and Fine Clothes to the Jew, as well as the Harlem Renaissance more generally. Graham deftly avoids the sort of reductive reading that simply states the importance of music to the Harlem Renaissance...
Journal Article
Twentieth-Century Literature (1 September 2010) 56 (3): 428–435.
Published: 01 September 2010
... introduction to Every Goodbye Ain’t Gone, that the African American vernacular tradition needs to expand to include poets even Langston Hughes, the champion of the vernacular, appreciated: “it would seem unseemly for those of us who read after Langston Hughes to be less capacious and more captious in...
Journal Article
Twentieth-Century Literature (1 December 2015) 61 (4): 460–483.
Published: 01 December 2015
...). Depersonalized kisses, asterisks on a page: here, the violence of the kiss performs the reduction of the characters to abstract intensities. But Lois is not the only character whose experience is saturated with the intensity of sexual violation, as others have noted ( Ellman 2003 , 65). Later in the novel, Hugh...