...Donald A. Daiker Art Matters: Hemingway, Craft, and the Creation of the Modern Short Story , by Lamb Robert Paul , Baton Rouge : Louisiana State University Press , 2010 . 273 pages. Copyright © Hofstra University 2010 Review How a Hemingway Story Works Art Matters...

...Valerie Rohy Copyright © Hofstra University 2011 Valerie Rohy Hemingway, Literalism, and Transgender Reading Valerie Rohy From the 1980s to the turn of the twenty-first century, Hemingway studies underwent a fundamental revision, as new scholarship revealed unimagined...

...Jessica Kent James Baldwin’s Giovanni’s Room participates in a cross-racial call and response with Ernest Hemingway’s The Sun Also Rises , illuminating both shared cultural influences and differences of race and sexuality. David’s struggle between the social force of compulsory heterosexuality...

...Michelle N. Huang Readings of Catherine Barkley, the female protagonist of Ernest Hemingway’s A Farewell to Arms , have focused on her gender without fully considering her medical vocation. In contrast, this article foregrounds Catherine’s work as a Voluntary Aid Detachment (VAD) nurse through...

...Laura Frost Ernest Hemingway: Machismo and Masochism , by Fantina Richard , New York : Palgrave , 2005 . 206 pages. Copyright © Hofstra University 2006 HI Reviews Queer as Papa Ernest Hemingway: Machismo and Masochism by Richard Fantina New York: Palgrave, 2005.206 pages...

...Donald A. Daiker The Letters of Ernest Hemingway, 1907–1922 , edited by Spanier Sandra and Trogdon Robert W. , Cambridge University Press , 2011 . 431 pages. Copyright © Hofstra University 2012 Review “I sure like to get letters” The Letters of Ernest Hemingway, 1907...

...Patricia Yaeger Copyright © Hofstra University 2011 Twentieth-Century Literature’s Andrew J. Kappel Prize in Literary Criticism, 2011 The winner of this year’s prize is Valery Rohy’s “Hemingway, Literalism, and Transgender Reading.” The judge is Patricia Yaeger, Henry Simmons Frieze...

...Todd Onderdonk Copyright © Hofstra University 2006 HI “Bitched”: Feminization, Identity, and the Hemingwayesque in The Sun Also Rises Todd Onderdonk In a letter to F. Scott Fitzgerald after the publication of Tender Is the Night in 1934, Ernest Hemingway urged his friend...

... of his own, but Nick is seldom allowed such imaginative separation from Ernest Hemingway. Au­ tobiographical assumption is virtually automatic among those who write about Nick. On the other hand, those who read the Nick stories gener­ ally become caught up in his experience, and eschew...

.... — Robert Graves (287) terrain is what remains in the dreaming part of your mind. — Ernest Hemingway, Across the River and into the Trees (92) P a u l Fussell argues that World War I was an inescapable part of post­ war poetry. For instance, he says that Eliots...

... (242) In the passages above, Ernest Hemingway’s celebrated metaphor for Paris has traveled from the tide page of A Moveable Feast to settle into the dialogue of a contemporary detective novel, Masquerade, by Walter Sat­ terthwait. In the course of the trip, moreover, Ernest Hemingway...

... of international fiction. I also situate Porter’s Mexican writings at the center of the US literature of experience because, along with the writings of Ernest Hemingway, they served as the most successful examples of fiction set in “foreign” countries that continued to be recognized as “American” literature...

...” (243), Frederic’s telling of his past instead goes “all to pieces” (322) in the enduring presence of pain and trauma too “well remembered” to be left behind. For years, analysts of the novel understood that Hemingway himself was doing the remembering—the author recalling his Great War experi­...

... illustrates these points through readings of four canonical authors, Fitzgerald, Hemingway, Faulkner, and Cather. These convincing readings employ biographical, historical, and textual analysis to reveal each text as a failed attempt to recall a lost fluidity in gender—a failure that ironically...

... a transition to a new economic regime, one that we might broadly identify as Keynesian in its concern with consumerism and the stimulation of demand. It’s illuminating in this regard to contrast Bishop’s relationship to the New Deal with that of Ernest Hemingway, whose presence in Key West had achieved...

... Stein, Mary Antin, Jean Toomer, O. E. Rølvaag, Richard Wright, Ernest Hemingway, and Zora Neal Hurston, among others, building on earlier insights to construct what ultimately reads like an extended conversation about the nature and limitations of our standard definition of modernism. He...

... and emotional style of Ernest Hemingway; and the convention-making novels of Dashiell Hammett, in particular The Maltese Falcon. Part II traces the flowering of crime fiction. There’s a chapter on James M. Cain and Raymond Chandler, whose Philip Marlowe will be the tipping point between the hard-boiled...

... its impressively wide range, which encompasses not only literary novels and short fiction but also Hollywood films, documentaries, and midcentury science fiction. Although in his opening chapter he analyzes works by canonical white, male modernists such as Ernest Hemingway and William Faulkner, he...

.... “Hemingway’s Debt to Cézanne: New Perspectives.” 45.1 (1999): 65-78 Garvey, Johanna X. K. “City Limits: Reading Gender and Urban Space in Ulysses. ” 41.1 (1995): 108-23 Gaskell, Elizabeth. See Witkowsky Gass, William H. See Saltzman Genet, Jean. See Plotz Gerard, Bonnie Lynn. “From Tea...

..., William Faulkner, F. Scott Fitzgerald, Ernest Hemingway, Langston Hughes, Sinclair Lewis, Claude McKay, Gertrude Stein, Edith Wharton, William Carlos Williams, Floyd Dell, John Dos Passos, Josephine Herbst, Meridel Le Sueur, Ruth McKenney, Tess Slesinger, Agnes Smedley, Jessie Fauset, George...