...Benjamin Bateman Copyright © Hofstra University 2011 Benjamin Bateman Beyond Interpellation: Forster, Connection, and the Queer Invitation Benjamin Bateman I shall then suggest that ideology “acts” or “functions” in such a way that it “recruits” subjects among...

...Ambreen Hai HI Forster and the Fantastic: The Covert Politics of The Celestial Omnibus Ambreen Hai each human mind has two personalities, one on the surface, one deeper down. The upper personality has a name It is con­ scious and alert, it does things like...

...Quentin Bailey Copyright © Hofstra University 2002 m Heroes and Homosexuals: Education and Empire in E. M. Forster Quentin Bailey H e had brought out the man in Alec, and now it was Alec’s turn to bring out the hero in him .They must live outside class...

...Henry S. Turner Copyright © Hofstra University 2001 Empires of Objects: Accumulation and Entropy in E. M. Forster’s Howards End H enry S. Turner [T] here seems something else in life besides tíme, something which may conveniently...

...A. A. Markley Copyright © Hofstra University 2001 hi E. M. Forster’s Reconfigured Gaze and the Creation of a Homoerotic Subjectivity A . A . Markley Would you care to read my novel? .. .To you it will reveal a new and painful world, into which you will hardly...

...Stephen Ross This article argues that the central episode in E. M. Forster’s A Passage to India is not the incident at the Marabar Caves, as decades of critics have argued, but the car accident preceding the expedition to the caves. Focusing on the specifics of the accident, and especially...

...Christopher J. Knight Copyright © Hofstra University 2010 Concerning E. M. Forster , by Kermode Frank , New York : Farrar, Straus and Giroux , 2009 . 180 pages. Christopher J. Knight Two Sides to Every Story Concerning E. M. Forster by Frank Kermode New York...

... the promise of the famous epi­ graph “Only connect as having been realized. Others, of course, have found the conclusion forced and implausible, and the novel’s achievement undermined by plot contrivances, inadequate character development, and most notably by Forster’s alleged cultural elitism.1...

.... —E. M. Forster in his Commonplace Book The desire to think in binary terms seems to be a part of human na- ture with respect to belief: we see things—or want to see things—in black and white, yes or no, either/or terms. We want people to believe or not, to be religious or secular, to appeal...

...Kim Shirkhani M The Economy of Recognition in Howards End Kim Shirkhani I n recent years, interest in E. M. Forster has revived among scholars working in postcolonial and race studies, with new attention being paid to anti-imperialist and pro-Eastern strains in his...

... University. By 1946, Lionel had published books on Matthew Arnold and E. M. Forster, as well as many of the essays that would be collected in the influential The Liberal Imagination, which established him as a public intellectual in the mold of George Orwell and Edmund Wilson. Twentieth-Century...

... of the most oppressed members of British society. While suchVictorian exemplars may now seem dated, the template itself has been repeatedly pressed into service by writers of the ensuing century and a half, from Edwardians like E. M. Forster to moderns like Martin Amis, William Boyd, Zadie Smith...

... Blumenberg’s term) the god-shaped hole in an increasingly secular culture (10). Ultimately, Adams demonstrates that even though Conrad, like oth­ ers including Evelyn Waugh and E. M. Forster, was “unable to dispense with questions about the totality of the world and history,” he was “able to expose...

...Jacob Hovind I Do I Undo I Redo: The Textual Genesis of Modernist Selves in Hopkins, Yeats, Conrad, Forster, Joyce, and Woolf , by Fordham Finn , Oxford University Press . 2010 . 281 pages. Copyright © Hofstra University 2011 Review Reviews Modernism’s Two Versions...

... literary productions, which lack the self-conscious defenses of formalism that can be found in a Roger Fry or a Clive Bell. Bloomsburian fictions from E. M. Forster’s Howards End to Virginia Woolf’s Mrs. Dalloway turn inward to intimate, domestic settings that seem to elude public classification...

... the older, already well-known Trillings on a train and briefly dis­ cusses with them E. M. Forster’s homosexuality and why it didn’t appear in Lionel’s book on Forster. The essay then goes on to analyze how this episode is remembered by Capote (in various let­ ters) and by Diana Trilling...

...): 374-95 Campbell, Elizabeth. “Re-visions, Re-flections, Re-creations: Epistolarity in Novels by Contemporary Women.” 41.3 (1995): 332-48 Caporaletti, Silvana. “The Thematization of Time in E. M. Forster’s ‘The Eter­ nal Moment’ and Joyce’s ‘The Dead 43.4 (1997): 406-19 Carden, Mary...

...): 421-448 Bailey, Quentin. “Heroes and Homosexuals: Education and Empire in E. M. Forster.” 48.3 (2002): 324-347 Baker, James R. “Golding and Huxley:The Fables of Demonic Possession.” 46.3 (2000): 311-327 Barnes, Djuna. See Henstra Barth, John. See Worthington Beckett, Samuel...

... 74). Similarly, Newman’s third chapter on E. M. Forster’s Howard’s End (1910) and Mendelism allows us to hear in the modernist mantra “Only connect” a significant shift in its zone of operation from synchronic heterogeneity and diachronic historicism to heterochronic combinations in and as time...

... a dubious control over his umbrella in Howards End (losing it at a concert before retrieving it at the cost of his honesty), Forster partially echoes Dickens’s complaint against the social regulation of culture and adds to it his own scepticism about the ability of institutions to direct individual...