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Journal Article
Twentieth-Century Literature (1 June 2015) 61 (2): 173–208.
Published: 01 June 2015
...Elizabeth Steedley Concentrating on characterizations of Catholicism in The Good Soldier , “Fordian Confiteor” argues that Ford Madox Ford’s characters turn to religious stereotypes and unauthorized forms of confession in a disastrous attempt to secure themselves against monumental changes in...
Journal Article
Twentieth-Century Literature (1 September 2010) 56 (3): 371–395.
Published: 01 September 2010
...Karen Jackson Ford Copyright © Hofstra University 2010 The Last Quatrain: Gwendolyn Brooks and the Ends of Ballads The Last Quatrain: Gwendolyn Brooks and the Ends of Ballads Karen Jackson Ford In a 1961 interview with Studs Terkel, Gwendolyn Brooks expressed unqualified...
Journal Article
Twentieth-Century Literature (1 December 2002) 48 (4): 427–460.
Published: 01 December 2002
... cleverest expedient was to ink in additional insults to Henry Ford, so that a novel that began as a satiric rendition of the future ac­ cording to H. G.Wells grew increasingly anti-Fordian.With Ford as syn­ onym and stand-in, each new uncomplimentary use of his name further condemned the...
Journal Article
Twentieth-Century Literature (1 June 2008) 54 (2): 263–272.
Published: 01 June 2008
...Terence Diggory Selected Poems , by O’Hara Frank , New edition . Edited by Ford Mark . New York : Alfred A. Knopf , 2008 . 265 pages. Beautiful Enemies: Friendship and Postwar American Poetry , by Epstein Andrew , New York : Oxford University Press , 2006 . 359...
Journal Article
Twentieth-Century Literature (1 September 2019) 65 (3): 217–236.
Published: 01 September 2019
... military context of the “weather” but the racial context of the “news.” While the auto strikes that filled the news and weather broadcasts in the spring of 1941 were part of a renewed effort to organize labor at the Ford Motor Company [FMC], the 1941 strike at Ford’s River Rouge foundry, Beth Tompkins...
Journal Article
Twentieth-Century Literature (1 June 2009) 55 (2): 145–174.
Published: 01 June 2009
... VanDemarr argue that while the speaker hopes to counter “time’s mutability with the permanence of art,” this project falters as the “world Toomer’s narrators would like to articulate in song continually eludes them” (164). Karen Jackson Ford finds a similar tension between the book’s aestheticizing...
Journal Article
Twentieth-Century Literature (1 December 2011) 57 (3-4): 492–515.
Published: 01 December 2011
... coordinating the cerebral and the social was of course a question that preoccupied early modernist writers who were concerned with providing what Ford Madox Ford called a “record of the impression of a moment” (174), but without turning away from the world of material action and ethical accountability...
Journal Article
Twentieth-Century Literature (1 March 2002) 48 (1): 77–99.
Published: 01 March 2002
... ideology, particularly its ma­ levolent paternalism and belief in rigid hierarchies. In the novel, howev­ er, the car is not a Daimler but an enormous Ford. After Stevens’s first instance of car trouble, his encounter with the new breed of postwar English butler (“a plain old batman...
Journal Article
Twentieth-Century Literature (1 December 2016) 62 (4): 448–454.
Published: 01 December 2016
... heart of Saint-Amour’s insistence on the perpetual interwar. In a later chapter on Ford Maddox Ford he writes, “ Parade’s End will admonish its readers through its portrait of worry” (287). Much as Teresa Brennan does in her work on the transmission of affect, he describes “worry” as “eternally self...
Journal Article
Twentieth-Century Literature (1 March 2000) 46 (1): 115–124.
Published: 01 March 2000
... (1997): 394-405 Ford, Ford Madox. See Witkowsky Fomataro-Neil, M. K. “Constructed Narratives and Writing Identity in the Fic­ tion of Katherine Anne Porter.” 44.3 (1998): 349-61 117 TWENTIETH CENTURY LITERATURE Forster, E. M. See...
Journal Article
Twentieth-Century Literature (1 March 2011) 57 (1): 20–33.
Published: 01 March 2011
... Pound forsakes in Hugh Selwyn Mauberley; and the “world town” (12) that Ford describes, in The Soul of London, as an immensity without beginning or end. What John experiences, by contrast, is an all- too-real urban space, marked by notorious middle-class philistinism and hostility to anything...
Journal Article
Twentieth-Century Literature (1 September 2015) 61 (3): 330–351.
Published: 01 September 2015
... of that “gentleman with red whiskers who always went first through a doorway,” Ford Madox Ford’s exemplary case of impressionistic characterization in Guy de Maupassant. 13 Woolf displaces the Levinasian encounter with the persona , as exteriorized locus of ethical recognition, into the furniture...
Journal Article
Twentieth-Century Literature (1 December 2009) 55 (4): 572–596.
Published: 01 December 2009
... against the backdrop of hoary old Greek preoccupations.3 If, however, as Deery continues, Huxley’s Island pits “Darwin against Ford” (112), then I would want to suggest that Ape and Essence more problematically pits Darwin avec Ford—Darwin as both 573 Keith Leslie Johnson antagonist and...
Journal Article
Twentieth-Century Literature (1 June 2013) 59 (2): 309–342.
Published: 01 June 2013
..., with mystery, or with emotions” (133), but instead prove that beauty could be found in “small, dry things” (131). Pound began with early Imagism’s faith in subjective perception and individual genius, but his trajectory was influ- enced by Ford Maddox Ford’s literary impressionism, which he...
Journal Article
Twentieth-Century Literature (1 March 2003) 49 (1): 46–81.
Published: 01 March 2003
... egoist, studying for himself alone” (qtd. in Ford 278). Ander­ son, who frequently remarked that she was a creature of ego, found her­ self attracted by Gurdjieff’s promise to teach his students to “act rather than be acted upon” (qtd. in Ford 262). She recalls a conversation with Madame de...
Journal Article
Twentieth-Century Literature (1 December 2013) 59 (4): 596–618.
Published: 01 December 2013
..., and in both cases this attraction ends disastrously. In the original 1948 edition of The City and the Pillar, Jim Willard murders Bob Ford, the man he has loved since high school, when Bob rejects his sexual advances; in the revised edition of 1965, Jim rapes Bob instead of murdering him.1 And...
Journal Article
Twentieth-Century Literature (1 March 2008) 54 (1): 31–46.
Published: 01 March 2008
... polite private letters. Apparently Joyce felt he could not af­ ford to alienate such an important critic, one whose influence, as Olga Broomfield notes,“cannot be overestimated” (136).6 The unusualness of Bennett’s physical presence and demeanor can­ not be overestimated either. Rebecca West...
Journal Article
Twentieth-Century Literature (1 June 2011) 57 (2): 255–263.
Published: 01 June 2011
... Woolf during the time of composition. Fordham shows how Woolf’s drafts of the novel gradually eliminate any material or class-bound demar- cations of her characters, as she writes the novel during a state of relative material ease. This effacement of matters of money or class leads, Ford- ham...
Journal Article
Twentieth-Century Literature (1 September 2018) 64 (3): 379–386.
Published: 01 September 2018
... cease. One of the many virtues of Jesse Matz’s earlier book, Literary Impressionism and Modernist Aesthetics (2001), is its demonstration of Impressionism as an influence persisting through the modernism of writers such as Proust, the later James, Conrad, Ford, and Woolf. The avant-garde view that...
Journal Article
Twentieth-Century Literature (1 September 2019) 65 (3): 289–298.
Published: 01 September 2019
... anomalous, inclement weather such as blizzards. However, twenty-first-century Westerns—Andrew Dominik’s The Assassination of Jesse James by the Coward Robert Ford (2007), Takashi Miike’s Sukiyaki Western Django (2007), Joel and Ethan Cohen’s True Grit (2010), Quentin Tarantino’s Django Unchained...