... Faber, who as head of Faber & Gwyer took Eliot and his fledging journal under the publishing com- pany’s wing in 1925, takes advantage of his brother-like relation to the poet in order to vent his own misgivings regarding Eliot’s deliberately difficult and oblique aesthetic: “Are you conscious...

... considered. Its opening pages are “what we take to be one of the latest ver­ sions” (Faber & Faber i), and at the end of chapter 4 a manuscript passage is missing. 2. For Millgate, testamentary acts are varied valedictory activities that a writer undertakes to attempt to control posterity’s perception...

.... Corcoran, Neil. The Poetry of Seamus Heaney: A Critical Study. London: Faber, 1998. Dodsworth, Martin. “Edward Thomas, Seamus Heaney, and Modernity: A Re­ ply to Antony Easthope.” English 49 (2000): 143-54. Hart, Henry. Seamus Heaney: Poet of Contrary Progressions. Syracuse: Syracuse...

... . 2003 . The Difficulties of Modernism . New York : Routledge . Eliot T. S. 1948 . Notes Towards the Definition of Culture . London : Faber and Faber . Eliot T. S. 1969 . Complete Poems and Plays . London : Faber and Faber . Eliot T. S. 1988 . Letters . Edited...

... of Seamus Heaney: A Critical Study . London : Faber and Faber . Durkan Michael J. Brandes Rand , eds. 1996 . Seamus Heaney: A Reference Guide . New York : G. K. Hall . Ellis Jonathan . 2012 . “ Alice in Wonderland: The Authoring and Editing of Elizabeth Bishop’s Uncollected...

..., Sigmund. Case Histories 2. Ed. A. Richards. Harmondsworth: Penguin, 1979. 321 Richard Danson Brown Fuller,John. W. H. Auden: A Commentary. London: Faber, 1998. Heinemann, Margot. “Three Left-Wing Poets: Louis MacNeice, John Corn- ford, Clive Branson.” Marxism Today 20:11...

... its current director.) Finally, The Poems of T. S. Eliot , edited and annotated by Jim McCue and Christopher Ricks, was published on November 5, 2015, by Faber and Faber. In short, after many years of feeling frozen out, scholars with an interest in Eliot are seeing the results of a thaw. The next...

... . Edited by Toscano Alberto Power Nina . Manchester, UK : Clinamen . Beckett Samuel . 2006 . The Complete Dramatic Works . London : Faber and Faber . Beckett Samuel . 2009a . Molloy . London : Faber and Faber . Beckett Samuel . 2009b . The Expelled...

... Tzara’s verse translates to “the letters from my mother / which must pass through Russia / through Norway and through England.” 4 A video of Shaw performing the poem is featured on Faber and Faber’s 2011 iPad app for The Waste Land . There are also various clips of Shaw reading the poem available...

... , edited by Tiedemann Rolf and translated by Nicholsen Shierry Weber , 109 – 49 . New York : Columbia University Press . Auden W. H. 1976 . Collected Poems . Edited by Mendelson Edward . London : Faber and Faber . Best Stephen Marcus Sharon . 2009...

.... This break, which also breaks sentence five, is reproduced in Collected Poems 1909–1935 (Faber and Faber), The Complete Poems and Plays, 1909–1950 (in both Faber and Faber and Harcourt Brace, where a period added at the stanza break makes nine sentences). The current break after line twelve (“Dropping...

... is, in fact, not one text but several, the result of a complex compositional process. The Cave Birds that most readers encounter is the 1978 Faber & Faber trade edition (published by Viking in New York in 1979 from the same plates), whose narrative I’ve described above. Its bibliographic face...

...: An Anthology Chiefly of Longer Poems. Oxford: Clarendon, 1909. Donne, John. The Complete English Poems. Ed. A.J. Smith. Harmondsworth: Penguin, 1971. Eliot,T. S. The Complete Poems and Plays ofT. S. Eliot. London: Faber, 1969. Fiedler, H. G., ed. A Book of German Verse from Luther...

... Astley Neil . 2002 . “ Elizabeth Bishop: Chronology .” In Elizabeth Bishop: Poet of the Periphery , edited by Shapcott Jo Anderson Linda , 193 – 200 . Newcastle, UK : Bloodaxe . Auden W. H. 1976 . Collected Poems . Edited by Mendelson Edward . London : Faber...

.... . . (109) The chorus curses woman, the mother, as “breeder of all deformities who is driven by the Blowfly,” goaded “Like the soiled fitchew / Like the sow in her season” (112—IB). We know now that Lord of the Hies was not the title of the manuscript of a novel Golding sent to Faber in 1953...

...: Faber, 1969. Carson, Anne. “The Art of Poetry No. 88.” The Paris Review 171 (2004). 4 Dec. 2012. James, Henry. The Sacred Fount. 1901. London: Rupert Hart-Davis, 1959. Jarrell, Randall. “The Collected Poems of  Wallace Stevens.” The Achievement of Wallace Stevens. Ed. Ashley Brown...

... (2006, 2–3). Most recently, the 2014 Faber publication of Echo’s Bones , the final episode of Belacqua Shua’s career, has taken readers into the afterlife of the protagonist of More Pricks than Kicks (1934). “Echo’s Bones” “is a nightmare,” Charles Prentice wrote to Beckett in 1933, rejecting...

...) while he was an editor at Faber places him awkwardly between the Cambridge academics and the RC converts. Eliot is not, for exam­ ple, interested in the mainstream of British modernists (Woolf, Forster, Lawrence, Conrad, et al with its emphasis on complex inferiority and the individual...

... of material in this manner during the same decades in which the official canon of his po­ etry was established with Faber and Faber. Hughes’s engagement with small press publication extended to the co-ownership of actual presses, as a collaborative, even familial mode of literary...

.... New York: Random, 1956. . The English Auden. Ed. Edward Mendelson. London: Faber, 1977. Barker, George. “Four Elegies.” New Writing ns 3 (Christmas 1939): 41—45. .“Hampton Court,” The New Statesman and Nation 18.455 (Nov. 11, 1939): 675. .“Triumphal Ode MCMXXXIX.” Listener 22 (Oct...