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dyer

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Journal Article
Twentieth-Century Literature (1 December 2000) 46 (4): 453–469.
Published: 01 December 2000
... suddenly flares up and throws deep shadows across the room. ’’Then the first-person narrative of Nicholas Dyer, architect, religious fanatic, and murderer, is interspersed with a seemingly omniscient recounting concerning murders at the sites of seven London churches. In part 2 of the novel, the...
Journal Article
Twentieth-Century Literature (1 September 2013) 59 (3): 504–512.
Published: 01 September 2013
... concluding “Coda. The Bridge: Motifs in Contemporary Musical Fiction.” Here, he brings into the conversation Geoff Dyer’sBut Beautiful: A Book about Jazz to make a compelling analogy. Graham draws on Dyer’s description of jazz pianist Thelonious Monk’s idiosyncratic style of play: Monk’s “habit of...
Journal Article
Twentieth-Century Literature (1 September 2007) 53 (3): 248–272.
Published: 01 September 2007
... disparities. But globalization has also given rise to new modes o f protest that N ick Dyer-W itheford labels the “new combinations” and Giovanni Arrighi, Terrence K. Hopkins, and Wallerstein call “antisystemic move­ ments.” According to Dyer-W itheford, the “new combinations” are po­ litical...
Journal Article
Twentieth-Century Literature (1 March 2011) 57 (1): 20–33.
Published: 01 March 2011
..., finally, into a self-parody. Geoff Dyer, between retrospective plaudits for Disgrace, averred that Youth lacks a “transforming imaginative dimension,” and because of this is “not wholly satisfactory as either novel or memoir.” And Derek Attridge, though more positively disposed towards it himself...
Journal Article
Twentieth-Century Literature (1 June 2001) 47 (2): 268–292.
Published: 01 June 2001
Journal Article
Twentieth-Century Literature (1 September 2012) 58 (3): 495–514.
Published: 01 September 2012
... in which he wrote “The Poet in the Attic” have a great many more photographs of unclothed dark male bod- ies. Similarly in the cinema, as film historian Richard Dyer has shown, it was quite rare in this period “to see a white man naked,” while non-white male bodies were “routinely on display...
Journal Article
Twentieth-Century Literature (1 September 2013) 59 (3): 414–440.
Published: 01 September 2013
... studio’s most valuable properties. Theorizations of the Hollywood star by film scholars such as Richard Dyer have articulated how the star’s body is constructed or edited much in the same way as are the strips of film on which its images appear. That is to say, the star’s body remains subject to...
Journal Article
Twentieth-Century Literature (1 December 2001) 47 (4): 510–544.
Published: 01 December 2001
Journal Article
Twentieth-Century Literature (1 June 2003) 49 (2): 246–275.
Published: 01 June 2003
Journal Article
Twentieth-Century Literature (1 September 2014) 60 (3): 367–396.
Published: 01 September 2014
... tend to deprive of their faces any persons whom we believe to be at the mercy of our will. In both cases, we are trying to avoid responsibility. (Dyer 62) Prosopopoeia—etymologically, “face making”—is a term still used for personification, though no such etymologically exact term...
Journal Article
Twentieth-Century Literature (1 March 2005) 51 (1): 1–24.
Published: 01 March 2005
... to marrying Dawn Dyer, buying that house and the hundred acres and moving out to Old Rimrock was the most daring thing he had ever done. What was Mars to his father was America to him—he was setding Revolutionary New Jersey as if for the first time. Out in Old Rimrock, all of...
Journal Article
Twentieth-Century Literature (1 December 2015) 61 (4): 436–459.
Published: 01 December 2015