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antonia

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Journal Article
Twentieth-Century Literature (1 June 2000) 46 (2): 193–213.
Published: 01 June 2000
...Lisa Marie Lucenti Copyright © Hofstra University 2000 Willa Cather’s My Antonia: Haunting the Houses of Memory Lisa Marie Lucenti emory is much more than a recurrent or pervasive theme in Willa Cather’s fiction; remembrance is the very essence of...
Journal Article
Twentieth-Century Literature (1 March 2013) 59 (1): 104–125.
Published: 01 March 2013
... focus of traditional Mid- 112 A New Midwesternism in Toni Morrison’s The Bluest Eye western literature. Willa Cather’s Ántonia embodies the region, becoming “the country, the conditions, the whole adventure of childhood” (2), and Sinclair Lewis describes Main Street’s Carol Kennicott as...
Journal Article
Twentieth-Century Literature (1 December 2005) 51 (4): 495–503.
Published: 01 December 2005
... Colette, Southworth examines how women writers of the generation following Woolf and Colette, in both France (Marguerite Yourcenar, Nathalie Sar- raute, Simone de Beauvoir, and Marguerite Duras) and England (Rebecca West, Antonia White, Dorothy Richardson, and others), have received their...
Journal Article
Twentieth-Century Literature (1 March 2005) 51 (1): 114–122.
Published: 01 March 2005
.... See Kertzer Loizeaux, Elizabeth Bergmann. “Reading Word, Image, and the Body of the Book:Ted Hughes and Leonard Baskin’s Cave Birds.” 50.1 (2004): 18-58 Lowry, Malcolm. See Miller Lucenti, Lisa Marie. “Willa Cather’s My Antonia: Haunting the Houses of Memory.” 46.2 (2000): 193...
Journal Article
Twentieth-Century Literature (1 December 2015) 61 (4): 460–483.
Published: 01 December 2015
... of ‘not being in the war’” (2011g, 98). Such a sheerly negative, invented world stalls historical time, binding the characters to an irrecoverable, monumental past and its high Modernist aesthetic. Asked whether “youth really end[ed] with a bang, like that?” Antonia replies, “It used to. Better...
Journal Article
Twentieth-Century Literature (1 June 2007) 53 (2): 182–211.
Published: 01 June 2007
... its concern with the meaning of art. It has often been observed that Cather’s later work, in contrast to O Pio­ neers! (1913) and My Antonia (1918), reflects a more doubtful vision of the individual artist’s power to overcome external constraints.This shift is sometimes traced to the negative...
Journal Article
Twentieth-Century Literature (1 March 2000) 46 (1): 115–124.
Published: 01 March 2000
... Relationship between E. M. Forster’s Howards End and Virginia Woolf’s The Waves. ” 45.1 (1999): 46-64 Holmes, Catherine D. “Jim Burden’s Lost World: Exile in My Antonia. ” 45.3 (1999): 336-46 Hughes, Ted. See Bentley; Eddins Huxley, Aldous. See Paulsell Ishiguro, Kazuo. Seejanik...
Journal Article
Twentieth-Century Literature (1 March 2002) 48 (1): 22–49.
Published: 01 March 2002
Journal Article
Twentieth-Century Literature (1 December 2002) 48 (4): 393–426.
Published: 01 December 2002
Journal Article
Twentieth-Century Literature (1 December 2001) 47 (4): 596–618.
Published: 01 December 2001
Journal Article
Twentieth-Century Literature (1 September 2017) 63 (3): 299–328.
Published: 01 September 2017
Journal Article
Twentieth-Century Literature (1 December 2001) 47 (4): 467–509.
Published: 01 December 2001
... stop listening to the whisper­ ings of his dead twin brother and to start writing his own music (112— 13). Secondly, after he is nearly murdered by the Medea-like Antonia Corinth, wife of Mull Standish, she flies to his hospital bed in England and wakes him from a three-year coma (321...