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Virginia

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Journal Article
Twentieth-Century Literature (1 March 2000) 46 (1): 34–55.
Published: 01 March 2000
...Nick Montgomery Copyright © Hofstra University 2000 Colonial Rhetoric and the Maternal Voice: Deconstruction and Disengagement in Virginia Woolfs The Voyage Out Nick Montgomery t the heart of Virginia Woolf s The Voyage Out is a...
Journal Article
Twentieth-Century Literature (1 March 2000) 46 (1): 56–77.
Published: 01 March 2000
...Andrea P. Zemgulys Copyright © Hofstra University 2000 “Night and Day Is Dead”: Virginia Woolf in London “Literary and Historic” Andrea P. Zemgulys [We] don’t want the [Hogarth] Press to be a fashionable hobby patronised and inspired...
Journal Article
Twentieth-Century Literature (1 March 2001) 47 (1): 39–71.
Published: 01 March 2001
...Karin E. Westman Copyright © Hofstra University 2001 rA l The First Orlando: The Laugh of the Comic Spirit in Virginia Woolf’s “Friendships Gallery” Karin E. Westman The Comic Spirit laughed meanwhile. — “Friendships Gallery...
Journal Article
Twentieth-Century Literature (1 December 2002) 48 (4): 363–392.
Published: 01 December 2002
...Patrick Collier Copyright © Hofstra University 2002 HI Virginia Woolf in the Pay of Booksellers: Commerce, Privacy, Professionalism, Orlando Patrick Collier irginia Woolf’s Orlando (1928) stages one of the central conflicts of modernism. It puts into play the opposing...
Journal Article
Twentieth-Century Literature (1 September 2002) 48 (3): 348–361.
Published: 01 September 2002
...Craig Smith Copyright © Hofstra University 2002 m Across the Widest Gulf: Nonhuman Subjectivity in Virginia Woolf’s Flush Craig Smith I n 1933 Virginia W oolf published Flush: A Biography, an experim ent in genre that purports to tell the life story o f Elizabeth...
Journal Article
Twentieth-Century Literature (1 September 2003) 49 (3): 298–327.
Published: 01 September 2003
...Leena Kore Schröder Copyright © Hofstra University 2003 HI Tales of Abjection and Miscegenation: Virginia Woolf s and Leonard Woolf s “Jewish” Stories Leena Kore Schröder T h e r e can be no straightforward account of attitudes toward Jewishness in the work of Virginia...
Journal Article
Twentieth-Century Literature (1 June 2004) 50 (2): 141–166.
Published: 01 June 2004
...Kirstie Blair Copyright © Hofstra University 2004 41 Gypsies and Lesbian Desire: Vita Sackville-West,Violet Trefusis, and Virginia Woolf Kirstie Blair Long Barn, Knole, Richmond and Bloomsbury. All too familiar and entrapping. Either I am at home, and you are strange; or...
Journal Article
Twentieth-Century Literature (1 September 2008) 54 (3): 273–306.
Published: 01 September 2008
...Lara Trubowitz Copyright © Hofstra University 2008 H \ Concealing Leonard s Nose: Virginia Woolf, Modernist Antisemitism, and “The Duchess and the Jeweller” Lara Trubowitz “Although I loathe anti-semitism, I do dislike Jews.” —Harold Nicolson...
Journal Article
Twentieth-Century Literature (1 December 2018) 64 (4): 449–482.
Published: 01 December 2018
... philosophy and literature Virginia Woolf ’s To the Lighthouse (1927) and The Waves (1931) challenge George Steiner’s 1961 “death of tragedy” thesis—the idea that we moderns are too self-sufficient and optimistic to contend with ancient tragedy’s overpowering forces, irremediable conflicts, and...
Journal Article
Twentieth-Century Literature (1 June 2013) 59 (2): 283–308.
Published: 01 June 2013
...John Nash © 2015 by Hofstra University 2013 Exhibiting the Example:  Virginia Woolf’s Shoes Exhibiting the Example:  Virginia Woolf’s Shoes John Nash It would appear that Virginia Woolf had a thing about footwear. Shoes, slippers and boots, “old,” “shabby,” or lost, recur in her...
Journal Article
Twentieth-Century Literature (1 March 2014) 60 (1): 1–26.
Published: 01 March 2014
...Thomas S. Davis © 2015 by Hofstra University 2014 The Historical Novel at History’s End:  Virginia Woolf’s The Years The Historical Novel at History’s End: Virginia Woolf’s The Years Thomas S. Davis It seems as if there were no progress in the human race, but only...
Journal Article
Twentieth-Century Literature (1 March 2014) 60 (1): 27–58.
Published: 01 March 2014
...Mary Jean Corbett © 2015 by Hofstra University 2014 Virginia Woolf and “The Third Generation” Virginia Woolf and “The Third Generation” Mary Jean Corbett The old are as mysterious as idols in a temple; we take off our shoes before we approach them. The whole of our...
Journal Article
Twentieth-Century Literature (1 September 2018) 64 (3): 317–346.
Published: 01 September 2018
...Mark David Kaufman This article uses the genre of speculative historical fiction as a point of entry into Virginia Woolf’s politics. Two spy novels, Ellen Hawkes and Peter Manso’s The Shadow of the Moth (1983) and Stephanie Barron’s The White Garden (2009), present scenarios in which Woolf becomes...
Journal Article
Twentieth-Century Literature (1 September 2015) 61 (3): 287–304.
Published: 01 September 2015
...Derek Ryan This essay argues that a posthumanist ethics is at the heart of modernist aesthetics. Drawing connections between literary ethics and posthumanist theory, it reads D. H. Lawrence’s poem “Snake” and Virginia Woolf ’s essay “The Death of the Moth” as examples of nonanthropocentric ethical...
Journal Article
Twentieth-Century Literature (1 September 2015) 61 (3): 330–351.
Published: 01 September 2015
... Virginia Woolf’s experimental novel Jacob’s Room . To modernist and poststructuralist ethical positions, this account contrasts a “compositionist” ethics, oriented toward the sustainable assembly of the claims of nonhuman as well as human actors within our accounts of modernist ethics. Copyright...
Journal Article
Twentieth-Century Literature (1 March 2015) 61 (1): 63–91.
Published: 01 March 2015
...Erin Kay Penner In The Wave s, the 1931 novel she called a “playpoem,” Virginia Woolf enacts a drama of modern elegy, using multiple elegists and elegiac subjects to challenge the terms by which speakers and subjects worthy of poetic mourning are defined. In doing so, Woolf frees the genre from the...
Journal Article
Twentieth-Century Literature (1 March 2017) 63 (1): 49–74.
Published: 01 March 2017
...Irene Yoon This essay demonstrates how Virginia Woolf negotiates problems of temporal, spatial, and intersubjective distance through the modern—and increasingly transparent—landscape of interwar London. Through readings of “A Sketch of the Past” and Mrs. Dalloway , I argue that the perceptual...
Journal Article
Twentieth-Century Literature (1 September 2017) 63 (3): 299–328.
Published: 01 September 2017
...Emily James This essay explores the inkblot as a modernist motif, from gothic children’s rhymes to the unlikely source material for Hermann Rorschach’s psychoanalytic measures. In the work of Virginia Woolf and James Joyce, the ephemeral trappings of pen and ink give rise to wayward, even...
Journal Article
Twentieth-Century Literature (1 December 2017) 63 (4): 427–450.
Published: 01 December 2017
...Fiona Green This article focuses on the poems Marianne Moore wrote during and between visits to Virginia in the mid-1930s that were published in The Pangolin and Other Verse (1936). Prompted by an exchange of letters between Moore and Ezra Pound in 1935, the essay considers relationships between...
Journal Article
Twentieth-Century Literature (1 September 2018) 64 (3): 295–316.
Published: 01 September 2018
...Adrienne Brown Beginning with a comparison of Virginia Woolf ’s vision of passing a “fine negress” in “A Room of One’s Own” (1929) to Zora Neale Hurston’s refusal to allow white women to pass her without some roughhousing in her 1928 essay, “How It Feels to Be Colored Me,” this essay grapples with...