Search Results for Paul Goodman

... poorly understood in the academy. Turning a historicist eye toward the novel’s portrayal of the sixties, we see that it dramatizes actual debates among the New Left between anarchist figures, such as Paul Goodman and Murray Bookchin, and emergent neo-Leninist factions such as the Weather Underground...

... to connect them with specific sources in the pragmatist tradition than is the case with Baraka. However, both Magee and Epstein, following O’Hara’s biographer Brad Gooch, identify a key channel of influence through an essay by Paul Goodman, “Advance-Guard Writing, 1900-1950,” which O ’Hara...

... alternatives” (364) open to well-educated young people and praised a coming “insurgency” led by professional labor against bureaucratic insti­ tutions.8 W ithin a few years, countercultural thinkers like Paul Goodman gave the notion a still more millenarian gloss. In the growing restiveness o f...

... Renan that Wharton owned include annotated copies of Averroès et l’averoîsme (1852), 3rd ed. (Paris: Lévy, 1866) and La Vie de Jésus (1863), 19th ed. (Paris: Calmann-Lévy, 1893); a copy of Saint Paul (1869), 13th ed. (Paris: Calmann-Lévy, 1893), unopened; Les évangiles et la seconde génération...

... with which we assimilate into the mainstream of Ameri­ can life that which was once unspeakable. —Michael Barry Goodman (1) A final glossary, therefore, cannot be made of words whose in­ tentions are fugitive. —William Lee [William S. Burroughs], final line...

... and the Ethnography of Old New York.” Studies in American Fiction 13.1 (1985): 57-69. Goodman, Susan. Edith Wharton’s Women: Friends and Rivals. UP of New Eng- land, 1990. Gordon, Scott Paul. “The Space of Romance in Lennox’s The Female Quixote” Studies in English Literature, 1500-1900...

.... 15 Sowon S. Park (2005 : 127) points out that “Mary’s sub-plot undercuts the premise on which romance is based”; to Outka (2009 : 144), Mary “turns aggressively to her work, which Woolf makes clear is a substitute for her romantic desires”; Robin Truth Goodman (2015 : 72) goes so far...

... .” American Affairs 1 , no. 4 : 46 – 64 . Furman Yelena . 2011 . “ Hybrid Selves, Hybrid Texts: Embracing the Hyphen in Russian-American Fiction .” The Slavic and East European Journal 55 , no. 1 : 19 – 37 . Giles Paul . 2011 . The Global Remapping of American Literature...

..., derived from Goodman, of the close relation between artist and audience (706). While O’Hara may have been more at home with jazz than is sometimes supposed, and while his writing about “Africa” and African Americans became less flagrantly obscene and fantastical, the elements of primitivism...