... poorly understood in the academy. Turning a historicist eye toward the novel’s portrayal of the sixties, we see that it dramatizes actual debates among the New Left between anarchist figures, such as Paul Goodman and Murray Bookchin, and emergent neo-Leninist factions such as the Weather Underground and...

... through an essay by Paul Goodman, “Advance-Guard Writing, 1900-1950,” which O ’Hara recommended enthusiastically to his friends. As Epstein acknowl­ edges, I have taken the same essay as a starting point for a study of the concept of community in New York School poetry, which I mention here 270...

... Paul Goodman gave the notion a still more millenarian gloss. In the growing restiveness o f “the new professional and technological class” (22) Goodm an saw the promise not just o f appealing political outcomes but o f a whole spiritual transformation o f the m odern world— a “N ew Reform...

... (1863), 19th ed. (Paris: Calmann-Lévy, 1893); a copy of Saint Paul (1869), 13th ed. (Paris: Calmann-Lévy, 1893), unopened; Les évangiles et la seconde génération chrétienne (1877), 2nd ed. (Paris: Calmann-Lévy, 1877); Nouvelles études d’Histoire Religieuse (1884), 2nd ed. (n. pub with a marked...

... never felt more convinced of his power to write a great poem; but now it was Undine’s hand which held the magic wand of expression. (88) Later, after his encounter with Undine following the disappointment of Paul’s birthday party, Ralph reflects back on this moment in Italy: “He...

... which we assimilate into the mainstream of Ameri­ can life that which was once unspeakable. —Michael Barry Goodman (1) A final glossary, therefore, cannot be made of words whose in­ tentions are fugitive. —William Lee [William S. Burroughs], final line of...

... interventionism ( Atanasoski 2013 ). As it points to intersections with other US multiethnic immigrant writing, postsocialist literature thus also calls for a rethinking and broadening of notions of US immigrant literature. We would like to thank Anna Cichopek-Gajraj, Brian Goodman, Anna Holian, Laurie...

... into clich he did, in his “personal poetry,” find “useful, usable connections between what was going on in jazz” and O’Hara’s own idea, derived from Goodman, of the close relation between artist and audience (706). While O’Hara may have been more at home with jazz than is sometimes supposed...