...Quentin Bailey Copyright © Hofstra University 2002 m Heroes and Homosexuals: Education and Empire in E. M. Forster Quentin Bailey H e had brought out the man in Alec, and now it was Alec’s turn to bring out the hero in him .They must live outside class...

...Henry S. Turner Copyright © Hofstra University 2001 Empires of Objects: Accumulation and Entropy in E. M. Forster’s Howards End H enry S. Turner [T] here seems something else in life besides tíme, something which may conveniently...

...A. A. Markley Copyright © Hofstra University 2001 hi E. M. Forster’s Reconfigured Gaze and the Creation of a Homoerotic Subjectivity A . A . Markley Would you care to read my novel? .. .To you it will reveal a new and painful world, into which you will hardly...

...Stephen Ross This article argues that the central episode in E. M. Forster’s A Passage to India is not the incident at the Marabar Caves, as decades of critics have argued, but the car accident preceding the expedition to the caves. Focusing on the specifics of the accident, and especially...

...Christopher J. Knight Concerning E. M. Forster , by Kermode Frank , New York : Farrar, Straus and Giroux , 2009 . 180 pages. Copyright © Hofstra University 2010 Christopher J. Knight Two Sides to Every Story Concerning E. M. Forster by Frank Kermode New York...

.... —E. M. Forster in his Commonplace Book The desire to think in binary terms seems to be a part of human na- ture with respect to belief: we see things—or want to see things—in black and white, yes or no, either/or terms. We want people to believe or not, to be religious or secular, to appeal...

...-class work. —Forster (Two Cheers 83; my emphasis) I n 1911 E. M. Forster published a collection of six short stories titled The Celestial Omnibus. Written between 1902 and 1910, all of the stories had been published before, mostly in The Independent Review (1903-07).1...

... White to share in the quiescent country life of her sister and brother-in-law. Helen’s extremism has been too thoroughly curtailed, leaving her, like her sister, less than, as well as different from, what she was. (Art and Order 119). Works cited Advani, Rukun. E. M. Forster...

...Kim Shirkhani Copyright © Hofstra University 2008 M The Economy of Recognition in Howards End Kim Shirkhani I n recent years, interest in E. M. Forster has revived among scholars working in postcolonial and race studies, with new attention being paid to anti...

... Blumenberg’s term) the god-shaped hole in an increasingly secular culture (10). Ultimately, Adams demonstrates that even though Conrad, like oth­ ers including Evelyn Waugh and E. M. Forster, was “unable to dispense with questions about the totality of the world and history,” he was “able to expose...

...): 421-448 Bailey, Quentin. “Heroes and Homosexuals: Education and Empire in E. M. Forster.” 48.3 (2002): 324-347 Baker, James R. “Golding and Huxley:The Fables of Demonic Possession.” 46.3 (2000): 311-327 Barnes, Djuna. See Henstra Barth, John. See Worthington Beckett, Samuel...

..., fiction writer, and professor at Columbia University. By 1946, Lionel had published books on Matthew Arnold and E. M. Forster, as well as many of the essays that would be collected in the influential The Liberal Imagination, which established him as a public intellectual in the mold of George...

...): 374-95 Campbell, Elizabeth. “Re-visions, Re-flections, Re-creations: Epistolarity in Novels by Contemporary Women.” 41.3 (1995): 332-48 Caporaletti, Silvana. “The Thematization of Time in E. M. Forster’s ‘The Eter­ nal Moment’ and Joyce’s ‘The Dead 43.4 (1997): 406-19 Carden, Mary...

... and the Death Drive. Durham: Duke UP, 2004. Esty, Jed. A Shrinking Island: Modernism and National Culture in England. Princ- eton: Princeton UP, 2004. Forster, E. M. Howards End. New York: Modern Library, 1999. . Maurice. New York: Norton, 1993. .“What I Believe.” Two Cheers...

... literary productions, which lack the self-conscious defenses of formalism that can be found in a Roger Fry or a Clive Bell. Bloomsburian fictions from E. M. Forster’s Howards End to Virginia Woolf’s Mrs. Dalloway turn inward to intimate, domestic settings that seem to elude public classification...

...-year-old Capote meets the older, already well-known Trillings on a train and briefly dis­ cusses with them E. M. Forster’s homosexuality and why it didn’t appear in Lionel’s book on Forster. The essay then goes on to analyze how this episode is remembered by Capote (in various let­ ters...

... privileged but also of the most oppressed members of British society. While suchVictorian exemplars may now seem dated, the template itself has been repeatedly pressed into service by writers of the ensuing century and a half, from Edwardians like E. M. Forster to moderns like Martin Amis...

... network at once populous and phantasmagoric, utterly familiar yet thrillingly off-key. Feminism here crosses paths with imperialism, and characters from E. M. Forster and Virginia Woolf mingle with those from Katherine Mayo and Sylvia Townsend Warner as gendered witchcraft and statecraft collide...

... embodies a lack of resolution and certainty, while still acknowledging the idea of the stable self as the ground upon which such disorientation rests. E. M. Forster’s composition of A Passage to India similarly performs the ambivalence at the heart of modernist identity. Forster, however, could...

..., “as one of the period’s great literary innovators,” and “to show how his writing also clashes with modernist values as they have been enshrined by literary critics over the last seventy years” (4). Her comparative approach discovers Wells’s connections with modernists, including Joseph Conrad, E. M...