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Volume 65, Issue 4
December 1, 2019
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ISSN 0041-462X
EISSN 2325-8101
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Essays

Ghosts in the Barn: Dead Labor and Capital Accumulation in Helena María Viramontes’s Under the Feet of Jesus
Dennis López
View articletitled, Ghosts in the Barn: Dead Labor and Capital Accumulation in Helena María Viramontes’s <em>Under the Feet of Jesus</em>
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Profile Epistemologies, Racializing Surveillance, and Affective Counterstrategies in Claudia Rankine’s Citizen
Katherine D. Johnston
View articletitled, Profile Epistemologies, Racializing Surveillance, and Affective Counterstrategies in Claudia Rankine’s <em>Citizen</em>
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Risky Business: Accidental Encounters in Heather McHugh’s Poems
Claudia Ingram
View articletitled, Risky Business: Accidental Encounters in Heather McHugh’s Poems
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Knowing Limits: Adrienne Rich in Rhyme
Florian Gargaillo
View articletitled, Knowing Limits: Adrienne Rich in Rhyme
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Queer Reflections on Childhood, Boarding School, and the Nation in Rosemary Manning’s The Chinese Garden
Chris Roulston
View articletitled, Queer Reflections on Childhood, Boarding School, and the Nation in Rosemary Manning’s <em>The Chinese Garden</em>
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Doris Lessing, Antipsychiatry, and Bodies that Matter
Kerry Myler
View articletitled, Doris Lessing, Antipsychiatry, and Bodies that Matter
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Review

Modernism: Evolution of an Idea by Sean Latham and Gayle Rogers, Modernism’s Print Cultures by Faye Hamill and Mark Hussey, Modernism, Science, and Technology by Mark S. Morrison
Lisi Schoenbach
View articletitled, <em>Modernism: Evolution of an Idea</em> by Sean Latham and Gayle Rogers, <em>Modernism’s Print Cultures</em> by Faye Hamill and Mark Hussey, <em>Modernism, Science, and Technology</em> by Mark S. Morrison
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The Modernist Corpse: Posthumanism and the Posthumous by Erin E. Edwards
Clint Wilson, III
View articletitled, <em>The Modernist Corpse: Posthumanism and the Posthumous</em> by Erin E. Edwards
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