Skip to Main Content
Close
Explore Subjects
Books
Books
Browse by Subject
Journals
Journals
Browse by Title
Browse by Subject
About
Information for
Advertisers
Book Authors
Booksellers/Media
Customers
Educators
Journal Authors/Editors
Journal Subscribers
Librarians
Prospective Journals
Licensing and Subsidiary Rights
Societies
Search
search input
Search input auto suggest
search filter
Books & Journals
All Journals
Twentieth-Century Literature
Search
Advanced Search
User Tools
Register
Sign In
Toggle Menu
Menu
Issues
For Authors
Submission Guidelines
Submit Article
Order Article Reprints
Alerts
Purchase
About
About Twentieth-Century Literature
Editorial Board
Advertising
Issues
Select Year
2019
2018
2017
2016
2015
2014
2013
2012
2011
2010
2009
2008
2007
2006
2005
2004
2003
2002
2001
2000
Issue
Spring - Volume 53, Issue 1
Summer - Volume 53, Issue 2
Fall - Volume 53, Issue 3
Winter - Volume 53, Issue 4
Volume 53, Issue 4
Winter 2007
ISSN 0041-462X
EISSN 2325-8101
Close mobile search navigation
In this Issue
Essays
Reviews
Issue Navigation
Essays
The Seduction of Argument and the Danger of Parody in the
Four Quartets
Roger Bellin
View article
PDF
“Thinking Strictly Prohibited”: Music, Language, and Thought in “Sirens”
Stuart Allen
View article
PDF
“Massed Ambiguity”: Fatness in Henry James’s
The Ivory Tower
Daniel Hannah
View article
PDF
“Things That Happen and What We Say About Them”: Speaking the Ordinary in DeLillo’s
The Names
Matthew Mutter
View article
PDF
Reviews
Modernism, Dead or Alive
Robert Boyers
View article
PDF
Above and Beyond
Helen Kapstein
View article
PDF
DeLillo’s Evolution
Mark Osteen
View article
PDF
Cover Image
Cover Image
All Issues
Advertisement
Email alerts
Latest Issue
Close Modal
Latest
Most Read
Most Cited
Using the Rotted Names: Wallace Stevens’s Racial Ontology as Poetic Key
Multidirectional Rememory: Slavery and the Holocaust in John A. Williams’s
Clifford’s Blues
On
Twentieth-Century Literature
’s Andrew J. Kappel Prize in Literary Criticism, 2019
“The Ingenious Unravelling of Evidence”: Empathy, Extinction, and Wells’s
The Croquet Player
Contemporary Drift: Genre, Historicism, and the Problem of the Present
, by Theodore Martin;
Minor Characters Have Their Day: Genre and the Contemporary Literary Marketplace
, by Jeremy Rosen
Close Modal
This Feature Is Available To Subscribers Only
Sign In
or
Create an Account
Close Modal
Close Modal
This site uses cookies. By continuing to use our website, you are agreeing to
our privacy policy.
Accept
