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Issue
Spring - Volume 47, Issue 1
Summer - Volume 47, Issue 2
Fall - Volume 47, Issue 3
Winter - Volume 47, Issue 4
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Volume 47, Issue 3
Fall 2001
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ISSN
0041-462X
EISSN
2325-8101
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Articles
Sexual Politics and Confessional Testimony in
Sophie’s Choice
Lisa Carstens
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titled, Sexual Politics and Confessional Testimony in <em>Sophie’s Choice</em>
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“Sparse and Geometric Contour”: Transformations of the Body in H.D.’s
Nights
Miranda B. Hickman
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titled, “Sparse and Geometric Contour”: Transformations of the Body in H.D.’s <em>Nights</em>
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Racial Stock and 8-Rocks: Communal Historiography in Toni Morrison’s
Paradise
Rob Davidson
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titled, Racial Stock and 8-Rocks: Communal Historiography in Toni Morrison’s <em>Paradise</em>
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Creolizing Homer for the Stage: Walcott’s
The Odyssey
Robert D. Hamner
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titled, Creolizing Homer for the Stage: Walcott’s <em>The Odyssey</em>
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The Artful Equivocation of William Golding’s
The Double Tongue
J. H. Stape
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titled, The Artful Equivocation of William Golding’s <em>The Double Tongue</em>
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Shakespeare’s Grave: The British Fiction of Hollywood
Christopher Ames
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titled, Shakespeare’s Grave: The British Fiction of Hollywood
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Hurston’s Art of Controversy in
Dust Tracks on a Road
British Authorship and Americanization in the Age of Silent Cinema
Empire and the Rhetoric of Total War in Zadie Smith’s
White Teeth
“Words Cluster like Chromosomes”: Marianne Moore and Poetic-Genetic Origination
Free Indirect: The Novel in a Postfictional Age
by Timothy Bewes
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