This essay argues that in Henry Adams’s Mont Saint Michel and Chartres (1904)—his seemingly romantic survey of medieval architecture, poetry, and philosophy—the many odious anti-Jewish slurs are grounded in the book’s attempt to trace “American genealogy” to its Anglo-Norman origins in the militant and homogeneous ethnic Christian society he portrays in medieval France. Mont Saint Michel and Chartres affirms Adams’s convictions that Anglo-Christianity is foundational to his ideal of ethnic nationalism in the United States and that the nation’s heritage begins in the medieval Gothic tradition.

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