Despite paying concerted attention to evolutionary mechanisms, literary scholars have rarely focused on forms of “directed evolution” like orthogenesis (evolution along a linear track) and phylogeronty—the parallel between the lifespan of an animal group and the lifespan of an aging individual—analogical concepts reflecting a paleontological manifestation of a wider interest in human decadence. This essay analyzes how these concepts are explored in three areas: popular adventure fiction, social reform novels by Marie Stopes and H. G. Wells, and writings by paleontologists. Across these texts, the essay argues that directed evolution offered a recognizable trajectory with which to render the complexity and strangeness of prehistoric and modern life alike into a familiar linear shape by reading certain extinct animals as moral exemplars of evolutionary failure. While reformers hoped that humans could escape the orthogenetic grooves confining nonhuman animals to extinction, this optimism was shadowed both with fears that humans might inevitably face decadence and with a sense that survival meant mediocrity.
Skip Nav Destination
Article navigation
Research Article|
March 01 2024
Decadent Dinosaurs: Directed Evolution in British and North American Literature, 1890s–1970s Available to Purchase
Richard Fallon
Richard Fallon is a postdoctoral researcher at the University of Nottingham and the Natural History Museum, London. He is the author of Reimagining Dinosaurs in Late Victorian and Edwardian Literature: How the “Terrible Lizard” Became a Transatlantic Cultural Icon (2021).
Search for other works by this author on:
Twentieth-Century Literature (2024) 70 (1): 55–84.
Citation
Richard Fallon; Decadent Dinosaurs: Directed Evolution in British and North American Literature, 1890s–1970s. Twentieth-Century Literature 1 March 2024; 70 (1): 55–84. doi: https://doi.org/10.1215/0041462X-11098327
Download citation file:
Advertisement
101
Views