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Published: 01 August 2018
Figure 1. Stephen Chen showcases his falsetto voice literally “behind closed doors.” Photograph by Stephan Chen
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Journal Article
TSQ (2020) 7 (1): 20–36.
Published: 01 February 2020
... text relied on a very different kind of proliferation of text. Written about, affectionately, as “she of the pants and no voice,” Garland claimed to be unable to speak and communicated solely in writing. In newspapers throughout the Bay Area, the mystery of the “truth” about Garland's silence generated...
Journal Article
TSQ (2015) 2 (3): 431–446.
Published: 01 August 2015
... how our voices as trans* educators were missing from the conversation. Reading about a roundtable discussion called “Sister Circles” ( Niskode-Dossett et al. 2012 held between diverse women hosted by College Student Educators International's (formerly known as American College Personnel Association...
Journal Article
TSQ (2014) 1 (4): 614–619.
Published: 01 November 2014
... to evoke transformation, boundaries, and negotiations of power through a focus on gesture, movement, and the voice as a site of regulation and its resistance. This work also engages with the politics of nationalism and ethnicity, which Waxman sets in relation to other policing and transgressing of borders...
Journal Article
TSQ (2014) 1 (1-2): 262–263.
Published: 01 May 2014
... fields; and some map the productive tensions between trans studies and other interdisciplines. Copyright © 2014 by Duke University Press 2014 Voice is an apropos keyword for transgender studies, as the field rests on the demand that “the embodied experience of the speaking subject” subtend any...
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in Documenting the Dead: Call Her Ganda and the Trans Activist Afterlife of Jennifer Laude
> TSQ: Transgender Studies Quarterly
Published: 01 February 2021
Figure 5. Investigative journalist Meredith Talusan, mind and voice of Call Her Ganda , reads from one of her essays.
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in Documenting the Dead: Call Her Ganda and the Trans Activist Afterlife of Jennifer Laude
> TSQ: Transgender Studies Quarterly
Published: 01 February 2021
Figure 9. An eerily empty bed creepily clashes with a voice-over on the violence of Jennifer's death in Call Her Ganda .
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Journal Article
TSQ (2018) 5 (1): 111–120.
Published: 01 February 2018
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in Trans Sonorities in Grey Grant's “Drones for the In-Between Times”
> TSQ: Transgender Studies Quarterly
Published: 01 August 2021
Figure 2. The word between is split between the two soprano voices.
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in Trans Sonorities in Grey Grant's “Drones for the In-Between Times”
> TSQ: Transgender Studies Quarterly
Published: 01 August 2021
Figure 3. The word between and the following text are ricocheted between the two bass voices.
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Journal Article
TSQ (2021) 8 (3): 394–402.
Published: 01 August 2021
...Figure 2. The word between is split between the two soprano voices. ...
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Journal Article
TSQ (2022) 9 (3): 507–516.
Published: 01 August 2022
..., with reference to the legacy media's more general cancel-culture narrative, described by Sara Ahmed as a “mechanism of power.” Concluding on the experience of having no personal voice or access to the kind of influence enjoyed by a transphobic legacy media, the article refers to Andrew Anastasia's conception...
Journal Article
TSQ (2015) 2 (4): 607–613.
Published: 01 November 2015
... (and do not find) as well as encourage more discussion about strategies for diversifying GLBT voices in our collections. I explore the strategies I have used to begin filling gaps in the archive, focusing on the inclusion of transgender voices. Copyright © 2015 by Duke University Press 2015...
Journal Article
TSQ (2018) 5 (3): 311–320.
Published: 01 August 2018
... finds itself caught between the fading voice of precolonial and colonial history on the one hand, and the strong pull of globalization on the other, creating what can perhaps be imagined as a knotted relation of the (transgender) subject with historicity and temporality. A rather confounding gap lies...
Journal Article
TSQ (2015) 2 (2): 297–316.
Published: 01 May 2015
..., an upright Euro-American hero. Inviting conversation that turns away from flattening and globalizing aspects of dominant Anthropocene discourse, we add our voices to recent feminist science and technology studies queries and work to learn from the ongoing decolonizing praxis of Native American and indigenous...
Journal Article
TSQ (2014) 1 (4): 517–522.
Published: 01 November 2014
...Kareem Khubchandani Abstract This essay analyzes narrative scenes and aesthetic choices in Because We Have a Voice Too , an activist play staged at Bangalore Pride 2012. By linking the experiences of hijra s and transmen, the play enables solidarities across gender through an overarching critique...
Journal Article
TSQ (2022) 9 (1): 101–118.
Published: 01 February 2022
... of social and systemic change. This approach to t4t enabled Roberts to center trans voices, trans needs, and trans thriving while also demanding accountability from all communities that intersect with the lives of Black trans women. What emerges is an understanding of justice as built and sustained...
Journal Article
TSQ (2022) 9 (2): 255–263.
Published: 01 May 2022
... examines the personal, political, and pedagogical exigency for a pedagogy that centers voices from overlapping and interlocking intersex, queer, trans, nonbinary, and feminist communities of color, and takes a critical approach to examining paradigms of power, sovereignty, and “the science of sex...
Journal Article
TSQ (2022) 9 (3): 443–459.
Published: 01 August 2022
... that human beings embrace religions because they cannot think without direction. TERF voices echo this explanation as they seek to right what they determine are wrong figurations of gender. The freethinker's ritual presentation requires standing at a pulpit determined by their claimed associations...
Journal Article
TSQ (2016) 3 (3-4): 611–617.
Published: 01 November 2016
... in the words of the people who lived them, brings trans voices into the realm of authority. Moreover, it is especially noteworthy that the performers and the audience are involved in a form of engagement that begins from multiplicity. The author suggests that the play might be used to further reflect...
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