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Journal Article
TSQ (2018) 5 (1): 30–48.
Published: 01 February 2018
... trans-theater love migration Germany Sasha Marianna Salzmann's play, Meteoriten ( Meteorites ), closes with love's declaration of revenge. A play set in contemporary Berlin about love, identity, and belonging against the loaded backdrop of both the 2014 FIFA World Cup and the mounting so...
Journal Article
TSQ (2016) 3 (3-4): 611–617.
Published: 01 November 2016
... with regard to the rhetorics and social pressures of gender, takes place in the opening scene of the play, Trans Gender Moves . I watched the play several times at brut im Konzerthaus, an independent theater in Vienna, when it ran during October 17–23, 2014. 1 While the play is directed by Gin Müller...
FIGURES
Journal Article
TSQ (2020) 7 (4): 625–630.
Published: 01 November 2020
..., was on the line. I was optimistic from the beginning, but I did not anticipate how hard it would be not only to prove that I deserve it but also to relive the stories to make that case. Figure 1. Cecilia Gentili, in her one-woman show, The Knife Cuts Both Ways . Dixon Place Theater, New York, July...
FIGURES
Journal Article
TSQ (2020) 7 (2): 192–207.
Published: 01 May 2020
... in general theaters in Europe and the United States, exploitation films had their own specialty venues in urban areas, called “grind house” theaters (Church 2011 : 1). Even though grind houses did swift business by selling cheap tickets and having long hours, they were disparaged by critics. As David Church...
Journal Article
TSQ (2014) 1 (4): 467–468.
Published: 01 November 2014
..., architecture, dance, theater, performance art, new media, and curation. These essays offer the field of transgender studies a useful point of departure for the ongoing and potentially vast undertaking of trans cultural criticism and the interpretation of trans cultural production. ...
Journal Article
TSQ (2015) 2 (4): 565–577.
Published: 01 November 2015
... Mission Theater in San Francisco, Secret History has been performed in twenty cities across the United States, a tour schedule that has allowed Dorsey to continue to collect trans oral histories as part of a long-term archival project ( Sean Dorsey Dance 2015b ). The Secret History of Love builds...
Journal Article
TSQ (2018) 5 (1): 1–8.
Published: 01 February 2018
... and actualization of a less polarized present. In “On the Politics of Love and Trans-Migrant Theater in Germany,” Olivia Landry reviews, critiques, and analyzes Sasha Marianna Salzmann's 2016 play Meteoriten ( Meteorites ), billed as both a key text of the so-called postmigrant theater and the first...
Journal Article
TSQ (2018) 5 (4): 638–647.
Published: 01 November 2018
... the all-male kabuki theater, which was initially strongly associated with prostitution and cross-dressing wakashu (Matsuba 2016 ; Morinaga 2002 ; Mezur 2005 ). Figure 3. Kai-zukushi ( A Compendium of Shells ), unknown artist, attributed to Kan'ei period (1624–44). Private collection Figure 3...
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Journal Article
TSQ (2020) 7 (4): 598–604.
Published: 01 November 2020
... that both describes the current situation and shifts that situation as it is spoken (promises, bets, orders, etc.). When a promise is made, it describes a current arrangement and creates a new situation, a bond of trust. When Lou recounts in his diary a brief tryst in a porno theater, for example, he also...
Journal Article
TSQ (2014) 1 (1-2): 86–89.
Published: 01 May 2014
... in traditional theaters across East Asia, such as Farewell My Concubine and The King and the Clown (dir. Joon-ik Lee, 2005)? How do we speak of subjectivities that do not neatly differentiate between same-sex desire and cross-gender identification, like that of the protagonist in The Blossoming of Maximos...
Journal Article
TSQ (2018) 5 (4): 707–711.
Published: 01 November 2018
... in theater, narrative, and cinema. These chapters offer thought-provoking insight to understand the role of literary theory and cultural studies in addressing the intersections between identity work, the burden of the colonial experience, and the racialization of desire. The “Crossing Borders/Crossing...
Journal Article
TSQ (2014) 1 (4): 469–481.
Published: 01 November 2014
... of political theater can propose and enact a shared transgender identity for the purposes of resistance. In an interview with Dominic Johnson, contemporary conceptual artist Tobaron Waxman notes the widespread expectation that trans artists will in fact represent trans bodies, and especially their own...
Journal Article
TSQ (2019) 6 (3): 315–337.
Published: 01 August 2019
... the cisnormative claim that transness and trans history is so rare as to be irrelevant. The fact that many people engaged in what trans scholars have called “trans-ing” cultural practices does not mean that such practices are therefore not part of trans history (Sears 2014 ). 11 Rather, the mass practice...
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Journal Article
TSQ (2021) 8 (3): 277–282.
Published: 01 August 2021
... of transition as a chaotic choreography in which trans belongs to the realm of capacity or open flows, themselves generative of possibilities. Throughout, Miller offers an empirical case of the ways that these hybridized forms of cisnormativity spread like algae through discourses that usher in transness yet...
Journal Article
TSQ (2014) 1 (4): 586–589.
Published: 01 November 2014
... imperative is born a double frustration with a film like Thick Relations . The audience is not getting an experience they can definitively say is theirs, nor are they given a tool they can offer to someone else as a way to understand them. And it is here, in the dark of the theater, where so many viewers...
Journal Article
TSQ (2014) 1 (4): 620–626.
Published: 01 November 2014
..., a salon, or a cabaret. The whole event had elements of all of those things. I did not do theater seating. Instead, I had a big stage and then I had this smaller area with risers, and on the risers were café tables and people sat around in little groups of threes and fours at the tables. It was set up like...
Journal Article
TSQ (2017) 4 (3-4): 472–496.
Published: 01 November 2017
... status” (161). Thus, if the theaters of drag and S/M set an encounter with the real into motion, it is not to render it visible. The “reality-effects” of these practices are visible, but only as second-order phenomena. Stryker's personal narrative thus reveals the way in which transgender embodiment can...
Journal Article
TSQ (2015) 2 (4): 725–728.
Published: 01 November 2015
... Buddhist and Daoist imaginings of gender androgyny; the problem of writing eunuchism and castration into history; transgender representations in literature, art, theater, film, and television; to transgender activism in present-day Hong Kong. The diversity in periods, representational genres, and methods...
Journal Article
TSQ (2020) 7 (4): 605–610.
Published: 01 November 2020
... in preparation for my first performance of Reflections at the University of Pittsburg studio theater in a presentation organized by the Center for African American Poetry and Poetics. One of my friends from Oakland, a deejay, responded to my post that Jesse was her uncle and had been missing for the past...
Journal Article
TSQ (2018) 5 (3): 464–472.
Published: 01 August 2018
..., “Hello, I am Kiki, you can call me da-bo-ren-yao .” 1 Students burst into laughter, for her use of dabo and renyao , I supposed. Instantly, I knew she would make a good guest, for me and for my students. She, with her jokes, her stories, and her embodiment, filled the lecture theater...
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