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Journal Article
TSQ (2018) 5 (1): 30–48.
Published: 01 February 2018
... and resonates well beyond the theater space. For theoretical grounding, the author turns to recent theories of love, in particular the work of Chela Sandoval, Michael Hardt and Antonio Negri, and Lauren Berlant, as a means of conceptualizing love as social will for political change. UDI: Ich habe nochmal...
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Published: 01 November 2020
Figure 1. Cecilia Gentili, in her one-woman show, The Knife Cuts Both Ways . Dixon Place Theater, New York, July 24–26, 2018. Styling and makeup by Gogo Graham. Photograph by Serena Jara. Courtesy of the artist.
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Journal Article
TSQ (2016) 3 (3-4): 611–617.
Published: 01 November 2016
... with regard to the rhetorics and social pressures of gender, takes place in the opening scene of the play, Trans Gender Moves . I watched the play several times at brut im Konzerthaus, an independent theater in Vienna, when it ran during October 17–23, 2014. 1 While the play is directed by Gin Müller...
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Journal Article
TSQ (2014) 1 (4): 517–522.
Published: 01 November 2014
... play devised by activists Kaveri Indira Rajaraman and Gee Ameena Suleiman and performed by community members as part of the Bangalore Pride celebrations in November 2012. Hijra Bangalore India activism theater performance NGOs Copyright © 2014 by Duke University Press 2014 ...
Journal Article
TSQ (2018) 5 (4): 638–647.
Published: 01 November 2018
... the all-male kabuki theater, which was initially strongly associated with prostitution and cross-dressing wakashu (Matsuba 2016 ; Morinaga 2002 ; Mezur 2005 ). Figure 3. Kai-zukushi ( A Compendium of Shells ), unknown artist, attributed to Kan'ei period (1624–44). Private collection Figure 3...
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Journal Article
TSQ (2020) 7 (4): 625–630.
Published: 01 November 2020
...Figure 1. Cecilia Gentili, in her one-woman show, The Knife Cuts Both Ways . Dixon Place Theater, New York, July 24–26, 2018. Styling and makeup by Gogo Graham. Photograph by Serena Jara. Courtesy of the artist. ...
FIGURES
Journal Article
TSQ (2020) 7 (2): 192–207.
Published: 01 May 2020
... in general theaters in Europe and the United States, exploitation films had their own specialty venues in urban areas, called “grind house” theaters (Church 2011 : 1). Even though grind houses did swift business by selling cheap tickets and having long hours, they were disparaged by critics. As David Church...
Journal Article
TSQ (2020) 7 (4): 598–604.
Published: 01 November 2020
... that both describes the current situation and shifts that situation as it is spoken (promises, bets, orders, etc.). When a promise is made, it describes a current arrangement and creates a new situation, a bond of trust. When Lou recounts in his diary a brief tryst in a porno theater, for example, he also...
Journal Article
TSQ (2014) 1 (4): 467–468.
Published: 01 November 2014
..., architecture, dance, theater, performance art, new media, and curation. These essays offer the field of transgender studies a useful point of departure for the ongoing and potentially vast undertaking of trans cultural criticism and the interpretation of trans cultural production. ...
Journal Article
TSQ (2015) 2 (4): 565–577.
Published: 01 November 2015
... oral history choreography “Secrets were our greatest industry,” begins Sean Dorsey's The Secret History of Love (2011), a dance-theater piece developed during a two-year residency at the LGBT Elders Oral History Project. Claiming the dance stage as one place to reveal what has been hidden from...
Journal Article
TSQ (2019) 6 (3): 448–454.
Published: 01 August 2019
... at the time had perhaps been rather in jest. That gave me courage, and I continued to dress as a woman every day for two months. I made visits everywhere: church, sermons, the opera, the theater, and it seemed that people became used to me. I had my servants call me Madame de Sancy. I had a few women's...
Journal Article
TSQ (2018) 5 (1): 1–8.
Published: 01 February 2018
... and actualization of a less polarized present. In “On the Politics of Love and Trans-Migrant Theater in Germany,” Olivia Landry reviews, critiques, and analyzes Sasha Marianna Salzmann's 2016 play Meteoriten ( Meteorites ), billed as both a key text of the so-called postmigrant theater and the first...
Journal Article
TSQ (2018) 5 (3): 464–472.
Published: 01 August 2018
..., “Hello, I am Kiki, you can call me da-bo-ren-yao .” 1 Students burst into laughter, for her use of dabo and renyao , I supposed. Instantly, I knew she would make a good guest, for me and for my students. She, with her jokes, her stories, and her embodiment, filled the lecture theater...
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Journal Article
TSQ (2014) 1 (1-2): 86–89.
Published: 01 May 2014
... in traditional theaters across East Asia, such as Farewell My Concubine and The King and the Clown (dir. Joon-ik Lee, 2005)? How do we speak of subjectivities that do not neatly differentiate between same-sex desire and cross-gender identification, like that of the protagonist in The Blossoming of Maximos...
Journal Article
TSQ (2015) 2 (4): 725–728.
Published: 01 November 2015
... Buddhist and Daoist imaginings of gender androgyny; the problem of writing eunuchism and castration into history; transgender representations in literature, art, theater, film, and television; to transgender activism in present-day Hong Kong. The diversity in periods, representational genres, and methods...
Journal Article
TSQ (2014) 1 (4): 586–589.
Published: 01 November 2014
... imperative is born a double frustration with a film like Thick Relations . The audience is not getting an experience they can definitively say is theirs, nor are they given a tool they can offer to someone else as a way to understand them. And it is here, in the dark of the theater, where so many viewers...
Journal Article
TSQ (2018) 5 (4): 707–711.
Published: 01 November 2018
... in theater, narrative, and cinema. These chapters offer thought-provoking insight to understand the role of literary theory and cultural studies in addressing the intersections between identity work, the burden of the colonial experience, and the racialization of desire. The “Crossing Borders/Crossing...
Journal Article
TSQ (2014) 1 (4): 469–481.
Published: 01 November 2014
... critiques made by Aoki, Ross, Red Durkin, Sara Ahmed, and others to highlight specific political violences of whorephobia, racism, transmisogyny, and classism that have subtended and arguably enabled the appearance of queer feminist collectivities. Political theater mixes with fiction in T. L. Cowan's...
Journal Article
TSQ (2023) 10 (3-4): 449–483.
Published: 01 November 2023
...-cultural-political boundaries that inform the sex/gender system. Lastly, a note on the genre of aerial arts. Unlike “theater” and “circus,” whose identities as genres are bound to their physical spaces, or “ballet” and “dance,” which centers the human body itself as the site of action, 11 I...
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Journal Article
TSQ (2014) 1 (1-2): 245–248.
Published: 01 May 2014
... Rivera, Kit Yan, Wu Tsang, Felix Endara, Shawna Virago, Sean Dorsey, Sin Kabeza Productions and Coco Rico, Leeroy K. Y. Kang, Tobaron Waxman, the Electronic Disturbance Theater, Chris Vargas, Cayden Mak, and Jacolby Satterwhite, have created works that express dimensions of transgender and gender...
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