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Image
Published: 01 August 2019
Figure 1. Levush Project: Tallit gadol , 2017. Hand-woven textile, installed as a mechitza (gender partition), 6 × 2.5 ft. Heather MacKenzie and Vincent Tiley, advisors.
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Image
Published: 01 August 2019
Figure 2. Levush Project: Tallit gadol , 2018. Textile sample, 36 × 12 in. Heather MacKenzie, mentor.
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Image
Published: 01 May 2022
Figure 2. Skin (2016). Sublimation print on textile, 200 × 300 cm.
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Journal Article
TSQ (2019) 6 (3): 400–402.
Published: 01 August 2019
...Figure 1. Levush Project: Tallit gadol , 2017. Hand-woven textile, installed as a mechitza (gender partition), 6 × 2.5 ft. Heather MacKenzie and Vincent Tiley, advisors. ...
FIGURES
Journal Article
TSQ (2022) 9 (2): 266–288.
Published: 01 May 2022
... in the United States. Focusing on the project's memorialization of the late Tyra Trent, a black transgender woman who was murdered in a city-owned vacant property in the Central Park Heights neighborhood, the essay considers the textile design of Project 42’s “memorial garment” for Tyra Trent, which includes...
FIGURES
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Journal Article
TSQ (2022) 9 (2): 184–186.
Published: 01 May 2022
...Figure 2. Skin (2016). Sublimation print on textile, 200 × 300 cm. ...
FIGURES
Journal Article
TSQ (2016) 3 (3-4): 618–627.
Published: 01 November 2016
..., “finding sequins in the rubble” is both about materiality—textiles and synthetic materials like sequins, and rubble (physical debris left after a catastrophe or the wrecking ball)— and about a particular form of consciousness. Inspired by Chela Sandoval ( 2000 ), it is a US Third World feminist...
Journal Article
TSQ (2015) 2 (3): 519–521.
Published: 01 August 2015
..., the use of fashion and textiles in diasporic communities, as well as the use of the zoot suit among Mexican-American, Filipino-American, Japanese-American, and African American youth. As the editor of this section, I welcome essays that hold fashion as ephemeral and that look (fashion) forward, seizing...
Journal Article
TSQ (2015) 2 (3): 365–366.
Published: 01 August 2015
... autobiographical reflection on what trans fashion means to him and what it can teach all of us, before interviewing textile, text, and film artist L. J. Roberts, whose embroidery of a photo of Jackie Mautner carrying a sign at the 2012 New York Drag March expressing solidarity with incarcerated trans woman Cece...
Journal Article
TSQ (2019) 6 (3): 403–408.
Published: 01 August 2019
... also thinking about aspects of bleeding and purity related to the traditional usage of the cloths. The cloths are also sewn together into a “quilt topper,” which I read as a reference to the creation of textiles as “women's work,” but are there other reasons you wanted the piece to take this form...
Journal Article
TSQ (2024) 11 (1): 135–140.
Published: 01 February 2024
..., the cofounder of the Nadia Echazú Textile Cooperative, and the creator of El Teje: Primer periódico travesti de Latinoamérica ( El Teje: First Latin American Travesti Newspaper ). She has pioneered the development of Latin American travesti-trans theory as an independent field, distinct from other theoretical...
Journal Article
TSQ (2017) 4 (2): 170–180.
Published: 01 May 2017
... ( 1997 ) anthology that brought together queer black authors in Canada entitled Má-ka: Diasporic Juks: Contemporary Writing by Queers of African Descent , the piles of historic video, the vivid textile banners and art by black queer and trans people created for Blockorama 6 (currently housed in local...
Journal Article
TSQ (2022) 9 (2): 160–171.
Published: 01 May 2022
... of the sexes to which they are assigned. We might envisage sexual difference as a structure like a quilt or a textile, rather than a binary framework. Indeed, trans* forms of embodiment make clear that it is possible to see oneself as belonging to a sex without this being visible on one's body, or even inside...
Journal Article
TSQ (2021) 8 (4): 516–531.
Published: 01 November 2021
... She grew up in a rural, poor working-class family who worked in the sugarcane harvest. Like many others, her family migrated to work in the emerging industries. They moved to Quilmes, an industrial suburb in the Buenos Aires metropolitan area, where her father became a cook in a textile factory...
Journal Article
TSQ (2024) 11 (3): 502–525.
Published: 01 August 2024
... culturally and economically. It had a thriving textile industry at this time. Over the nineteenth century, immigration from Europe was prioritized and people from Spain, Italy, Germany, France, and Lebanon came to live in the city. In 1987, the historic center of Puebla was declared a World Heritage Site...
