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Published: 01 February 2021
Figure 4. Daniel Nicoletta, Miss Kitty as Angel ( 1994 ). Archival pigment print, 11 × 14 in. Styling by Scott Pimintel, hair by Deena Davenport, wings by Vando, makeup by Juliet White. Courtesy of Daniel Nicoletta. Figure 4. Daniel Nicoletta, Miss Kitty as Angel (1994). Archival pigment More
Image
Published: 01 November 2019
Figure 2. Harvest of 1519 , 2018. Digital print, 11 × 14 in. Classically inspired portraiture combined with the modern Mestizaje subject. Figure 2. Harvest of 1519, 2018. Digital print, 11 × 14 in. Classically inspired portraiture combined with the modern Mestizaje subject. More
Journal Article
TSQ (2018) 5 (4): 638–647.
Published: 01 November 2018
... questions were central to the process of organizing the exhibition A Third Gender: Beautiful Youths in Japanese Prints at the Royal Ontario Museum (ROM) in Toronto in 2016. The exhibition focused on visual representations of male youths, called wakashu in Japanese, who were the object of sexual desire for...
Image
Published: 01 February 2020
Figure 1. Devin N. Morris, A Seat for Sitting (2018). Proposal sketch printed in exhibition takeaway material. Figure 1. Devin N. Morris, A Seat for Sitting (2018). Proposal sketch printed in exhibition takeaway material. More
Journal Article
TSQ (2014) 1 (4): 539–551.
Published: 01 November 2014
... the darkroom to make positive images (photographic prints), in the outmoded medium Polaroid 665, which Volcano employs, the positive image is used to make a (unique) negative. The generativity of the Polaroid 665 negative in Volcano's hands is not purely photographic; it is also affective. My essay...
Journal Article
TSQ (2018) 5 (1): 100–110.
Published: 01 February 2018
... results at the 2011 symposium of the World Professional Association for Transgender Health. These results are now presented in print. Copyright © 2018 by Duke University Press 2018 transgender descriptive terminology gender diversity In the vibrant world of transgender studies, a year...
Image
Published: 01 February 2021
Figure 3. Olivero Rodriguez, #21 and #22, Belmont Harbor, Chicago, Illinois (2012). The Papi Project . Digital archival prints, 3 × 4 ft. each. Figure 3. Olivero Rodriguez, #21 and #22, Belmont Harbor, Chicago, Illinois (2012). The Papi Project. Digital archival prints, 3 × 4 ft. each. More
Journal Article
TSQ (2017) 4 (2): 296–300.
Published: 01 May 2017
..., walked, and will reach. This is [the] reason we have been fortunate to have people all over the world rock our gear with pride. FG: The photographs featured alongside this interview contain ensembles with vibrant and powerful prints; can you elaborate a bit more on Stuzo Clothing's use of prints...
Journal Article
TSQ (2014) 1 (4): 467–468.
Published: 01 November 2014
...Susan Stryker; Paisley Currah To engage with and enact such concerns in the pages of an academic journal is to confront restrictions in one's mode of expression: we must work in print media, with a few pictures. Printed words stage the body's absence, yet the relationship of creative expression...
Journal Article
TSQ (2019) 6 (4): 556–558.
Published: 01 November 2019
...Figure 2. Harvest of 1519 , 2018. Digital print, 11 × 14 in. Classically inspired portraiture combined with the modern Mestizaje subject. Figure 2. Harvest of 1519, 2018. Digital print, 11 × 14 in. Classically inspired portraiture combined with the modern Mestizaje subject. ...
Journal Article
TSQ (2017) 4 (2): 317–321.
Published: 01 May 2017
... prints that are so zoomed in that we see the photos on a cellular level: their original subjects unrecognizable. She focuses on the mold and the tears in the photos, uses bleach and photo chemicals as a way to ask questions of the images. Davidmann's manipulation of images echoes Ken's handwritten...
Journal Article
TSQ (2019) 6 (1): 117–123.
Published: 01 February 2019
... Congress Name Authority File, s.v. “Big Freedia,” accessed July 11, 2018, id.loc.gov/authorities/names/no2013076308 . References American Library Association . 1904 . A.L.A. Rules—Advance Edition: Condensed Rules for an Author and Title Catalog . Washington, DC : Government Printing Office...
Journal Article
TSQ (2021) 8 (1): 113–120.
Published: 01 February 2021
...Figure 4. Daniel Nicoletta, Miss Kitty as Angel ( 1994 ). Archival pigment print, 11 × 14 in. Styling by Scott Pimintel, hair by Deena Davenport, wings by Vando, makeup by Juliet White. Courtesy of Daniel Nicoletta. Figure 4. Daniel Nicoletta, Miss Kitty as Angel (1994). Archival pigment...
Journal Article
TSQ (2015) 2 (3): 500–502.
Published: 01 August 2015
... and use in schools, and which are currently in print. References McCabe Janice 2011 . “ Gender in Twentieth Century Children's Books: Patterns of Disparity in Titles and Central Characters .” Gender and Society 25 , no. 2 : 197 – 226 . Weitzman Lenore 1972 . “ Sex...
Journal Article
TSQ (2014) 1 (1-2): 26–27.
Published: 01 May 2014
... blogger and advocate for using trans* , has explained, “The asterisk came from internet search structure. When you add an asterisk to the end of a search term, you're telling your computer to search for whatever you typed, plus any characters after.” Though trans* has appeared sporadically in print and...
Journal Article
TSQ (2020) 7 (3): 476–478.
Published: 01 August 2020
... in 1984. It is still in print, still something of a cult classic, and of particular appeal to readers who find little place for themselves in literary culture, not least where questions of gender are concerned. Since her untimely death from cancer in 1997, critical interest in Acker has slowly...
Journal Article
TSQ (2020) 7 (1): 99–104.
Published: 01 February 2020
...Figure 1. Devin N. Morris, A Seat for Sitting (2018). Proposal sketch printed in exhibition takeaway material. Figure 1. Devin N. Morris, A Seat for Sitting (2018). Proposal sketch printed in exhibition takeaway material. ...
Journal Article
TSQ (2015) 2 (3): 522–524.
Published: 01 August 2015
... while being our most fierce and hard-to-read selves. It's really important to me that if the work is in a gallery that it also reach the people it depicts; postcard prints were made of the embroidery and given to Cece's campaign for freedom and the Sylvia Rivera Law Project to sell with all proceeds...
Journal Article
TSQ (2014) 1 (1-2): 216–219.
Published: 01 May 2014
... Serano's Whipping Girl: A Transsexual Woman on Sexism and the Scapegoating of Femininity ( 2007 ). While television appears as an object of pro forma critique in the book's discussion of the print comic Hothead Paisan , with sitcom writing offered as the barometer for instrumentalist uses of gender and...
Journal Article
TSQ (2015) 2 (4): 717–719.
Published: 01 November 2015
... contributes to the intersection of US literary history, disability, gender, queer, and critical race studies. Samuels chronicles a range of methods that were developed to regularize identity and naturalize the belief that identity could be read on the body. Examples include finger printing, the infamous one...