Figure 5. New Years Was Infectious, Week 3 Recovery (Setback?) (2022). Colored pencil on paper, 14 × 11 in. Collection of Dr. Geoffery Stiller, Spokane, WA. More

Figure 1. Lulu Walzer (1870–79). New York Public Library Digital Collections, Jerome Robbins Dance Division, New York Public Library. More

Figure 1. Familiar transgender tropes gain new life and global context: Riley (in London) meets Will (in Chicago). Sense8 season 1, episode 2: “I Am Also a We” More

Figure 11. Photo from the first Call Her Ganda brain trust, which took place in New York City, following the premiere of the film at the Tribeca Film Festival in April 2018. Director PJ Raval appears in the center of the first row. I am behind him. More

Figure 2. Wu Tsang, Girl Talk (2015). Installation view. In Trigger as a Tool and a Weapon , New Museum, New York, 2017. Courtesy the artist and Galerie Isabella Bortolozzi, Berlin. Photo © Maris Hutchinson. More

Figure 1. Smerdyakov reveals his white stocking to Ivan. Fritz Eichenberg, illustration from a 1949 edition of Fyodor Dostoevsky's The Brothers Karamazov (New York: Heritage Press). Art © Estate of Fritz Eichenberg/Licensed by VAGA, New York, reproduced courtesy of the Department of Rare Books More

Figure 1. “Tom's Men” t-shirt. © 2024 Tom of Finland Foundation / Artists Rights Society (ARS), New York. More

Figure 1. Cassils, Tiresias , 2013. Performance for the camera. Photographs by Clover Leary. Courtesy the artist and Ronald Feldman Gallery, New York. More

Figure 2. Juliana Huxtable, “Interfertility Industrial Complex 5” (2019). Installation view. Courtesy of the artist and Reena Spaulings Fine Art, New York. More

Figure 1. Juliana Huxtable, COW 3 (2019). Inkjet print mounted on Dibond, 39 ¾ × 26½ in. Courtesy of the artist and Reena Spaulings Fine Art, New York. More

Figure 1. Jan van der Straet, called Stradanus, Allegory of America (ca. 1587–89). Drawing, 7½ × 10 9/16 in. The Metropolitan Museum of Art, New York. More

Figure 1. Cecilia Gentili, in her one-woman show, The Knife Cuts Both Ways . Dixon Place Theater, New York, July 24–26, 2018. Styling and makeup by Gogo Graham. Photograph by Serena Jara. Courtesy of the artist. More

Figure 3. Teresa Margolles, Sansara, pista de baile del club “Irma's” ( Sansara, Dance Floor from the Club “Irma's” ) (2016). Pigmented inkjet print, 47¼ ×70⅞ in. (120 × 180 cm). Courtesy of the artist and James Cohan, New York. More

Figure 2. Theodore Winthrop . From Lillian C. Buttre, The American Portrait Gallery: With Biographical Sketches of Presidents, Statesmen, Military and Naval Heroes, Clergymen, Authors, Poets, Etc. Etc. , vol. 2 (New York: J. C. Buttre, 1877), n.p. More