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in Trans* (Dis)appearance at the Mexican Frontier: Reading Refusal in Teresa Margolles's Ya basta hijos de puta (2018)
> TSQ: Transgender Studies Quarterly
Published: 01 November 2022
Figure 4. Exhibition view of Pistas de baile in Ya basta hijos de puta , curated by Diego Sileo, Padiglione d'Arte Contemporanea, Milan, March 28–June 10, 2018. Photo by Nico Covre, Vulcano Agency.
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in Provincializing Trans* Modernity: Asterisked Histories and Multiple Horizons in Der Steinachfilm
> TSQ: Transgender Studies Quarterly
Published: 01 May 2021
Figure 1. The Network Wall at the TransTrans Exhibition , Schwules Museum, Berlin 2019–20. © Paul Sleev/Schwules Museum.
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Published: 01 November 2020
Figure 2. ACT UP members stand in front of the exhibition's queer activist AIDS crisis media with information about current issues related to HIV/AIDS, including continued stigmatization and criminalization. Photograph by Michelle Wild.
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Journal Article
TSQ (2020) 7 (2): 274–287.
Published: 01 May 2020
...Laura Horak Abstract This article considers the archival, political, and ethical questions raised by curating a public exhibit of archival trans erotic material through a case study of the author's 2019 exhibit Trans Porn Imaginaries: A Half-Century of Transvestite Lawmen and Gendertrash from Hell...
Journal Article
TSQ (2018) 5 (4): 638–647.
Published: 01 November 2018
...? These questions were central to the process of organizing the exhibition A Third Gender: Beautiful Youths in Japanese Prints at the Royal Ontario Museum (ROM) in Toronto in 2016. The exhibition focused on visual representations of male youths, called wakashu in Japanese, who were the object of sexual desire...
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in Chris Vargas's Consciousness Razing : From Forgetting to Futurity
> TSQ: Transgender Studies Quarterly
Published: 01 February 2020
Figure 1. Devin N. Morris, A Seat for Sitting (2018). Proposal sketch printed in exhibition takeaway material.
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Journal Article
TSQ (2023) 10 (3-4): 247–264.
Published: 01 November 2023
...Lillian Wolf Abstract In this article, the author focuses on Juliana Huxtable's (2019) exhibition Interfertility Industrial Complex: Snatch the Calf Back to theorize a Black trans affective posture toward pleasure. Contextualizing Huxtable's artistry within histories of Black feminine reproductive...
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Journal Article
TSQ (2020) 7 (1): 99–104.
Published: 01 February 2020
...Figure 1. Devin N. Morris, A Seat for Sitting (2018). Proposal sketch printed in exhibition takeaway material. ...
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Journal Article
TSQ (2017) 4 (1): 135–140.
Published: 01 February 2017
.... Production and exhibition of a film provokes engagement with the subject, inviting reading, interpretation, and misinterpretation. Dallas Buyers Club (dir. Jean-Marc Vallee, 2013) sits uneasily with contemporary transliterate (Ford 2014, 2016) audiences. The trans* body is misrepresented through a narrative...
Journal Article
TSQ (2015) 2 (4): 595–606.
Published: 01 November 2015
... in a varied archival collection. This article looks at both materials in the collection and at its 2014 exhibition Archiving Public Sex , which used SRC materials for public programming. It highlights critical advantages to the SRC's approach to trans materials but also showcases the limits of this approach...
Journal Article
TSQ (2014) 1 (4): 539–551.
Published: 01 November 2014
...Eliza Steinbock Abstract The most recent exhibited work of photographer Del LaGrace Volcano is a triptych from the series Herm Body (2011–), which presents Volcano's front and back torso conspicuously pared down, headless, and nude. Whereas in conventional film photography, negatives are used...
Journal Article
TSQ (2018) 5 (4): 691–706.
Published: 01 November 2018
... E. G. Crichton’s exhibit Out/Look and the Birth of the Queer at the GLBT History Museum in San Francisco, which ran from September 2017 to January 2018. Copyright © 2018 by Duke University Press 2018 queer 1990s archives top surgery Lou Sullivan social practice art trans generations...
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Journal Article
TSQ (2015) 2 (4): 553–564.
Published: 01 November 2015
... exhibition by the PQHP, Lucky after Dark , presented a cross-section of this archive, including a newly acquired slide collection from social clubs between 1967 and 1990. Amounting to several thousand photographs taken at three clubs owned by Robert “Lucky” Johns, as well as hundreds of hours of video...
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Journal Article
TSQ (2014) 1 (4): 620–626.
Published: 01 November 2014
... in 1997 at the Lab, a 3,500 foot art space in San Francisco's Mission district. For the visual exhibition Jones included photography, painting, new media, and installation work by artists including Hans Scheirl, Chloe Atkins, Del LaGrace Volcano, and Kent Taylor; Justin Vivian Bond and Rodney O'Neal...
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Published: 01 February 2021
Figure 2. The Papi Project installation, from One day this kid will get larger (2017). DePaul Art Museum. Exhibition curated by Danny Orendorff. Photograph by Lizabeth Applewhite.
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Published: 01 November 2021
Figure 1. Genderpress, Mirha-Soleil Ross, and Xanthra Phillippa MacKay, “TS's against Racism,” the ArQuives Digital Exhibitions n.d. ; see also “TS's against Racism” button n.d.
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in Trans* (Dis)appearance at the Mexican Frontier: Reading Refusal in Teresa Margolles's Ya basta hijos de puta (2018)
> TSQ: Transgender Studies Quarterly
Published: 01 November 2022
Figure 1. Teresa Margolles, Karla, Hilario Reyes Gallegos (2016). Installation view of exhibition Ya basta hijos de puta , curated by Diego Sileo, Padiglione d'Arte Contemporanea, Milan, March 28–June 10, 2018. Photo by Nico Covre, Vulcano Agency.
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Journal Article
TSQ (2021) 8 (2): 257–264.
Published: 01 May 2021
...Sebastian Felten; Rebecca Kahn Copyright © 2021 by Duke University Press 2021 Unboxed: Transgender in a Gay Museum? (January 18–March 1, 2019, Schwules Museum Berlin) was a small exhibition that showed about 150 archival objects in two rooms of the Schwules Museum (SMU) at the beginning...
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Journal Article
TSQ (2018) 5 (2): 268–274.
Published: 01 May 2018
... of a bodily image that is ultimately unsustainable, a perpetual self-fashioning with fleeting moments of fruition captured by the artist's photographs and rosy watercolor renditions. Cassils's reinterpretation of Antin's Carving was initially conceived for an exhibition at LACE (Los Angeles Contemporary...
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Journal Article
TSQ (2019) 6 (2): 156–163.
Published: 01 May 2019
... an exhibition or a contest.” I can see the photo for the part that would interest everyone else, something that I didn't see before. I work on the research pieces: I have to go through old magazines, police reports. Sometimes I'll go through the newspaper archives at the national library, and I enjoy...
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