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Journal Article
TSQ (2020) 7 (3): 332–344.
Published: 01 August 2020
... something of a mercy that Mick Jagger hasn't made an appearance. While this material may serve to help make Females marketable across generations, there's a played-out air that seems at odds with Females ’ billing as the cutting edge of a “second wave” in trans thinking. Did the world truly need another...
Journal Article
TSQ (2020) 7 (3): 479–488.
Published: 01 August 2020
...—and cuts it up, hacks it to bits, leaving only an un-language, which is precisely what might allow for other ways, trans ways, to be. Narrative, in simplistic terms, is the conveyance of a beginning, middle, and end. Narratives operate under an implicit teleology in which readers or listeners come...
Image
Published: 01 May 2018
Figure 1. Cassils, Cuts: A Traditional Sculpture , time lapse (front), 2017. Courtesy Ronald Feldman Fine Arts More
Image
Published: 01 November 2020
Figure 1. Cecilia Gentili, in her one-woman show, The Knife Cuts Both Ways . Dixon Place Theater, New York, July 24–26, 2018. Styling and makeup by Gogo Graham. Photograph by Serena Jara. Courtesy of the artist. More
Journal Article
TSQ (2019) 6 (4): 539–555.
Published: 01 November 2019
...; it is made for cutting.” In disturbing what was previously considered immobile, fragmenting what was thought unified, and not hiding the cuts with which it does so, vidding produces affective surplus. It is not only that a vid disassembles source media, but that its reassembly produces more than a new text...
Journal Article
TSQ (2017) 4 (2): 191–194.
Published: 01 May 2017
...Eva S. Hayward Abstract This note represents an effort to think together Afro-pessimism and trans studies. Copyright © 2017 by Duke University Press 2017 transsexual cut Afropessimism ontology psychoanalysis “Don't exist” is an imperative, a sanctioned foreclosure. “Don't exist...
Journal Article
TSQ (2020) 7 (2): 288–295.
Published: 01 May 2020
... the past while imagining futures that include trans* and gender-nonconforming bodies. The rapid jump-cuts draw attention to this flawed continuity (in documentary as well as in life) and emphasize the fragility of trans* time. Spectrums ’ characters disrupt linearity by wasting time, purposely delaying...
Journal Article
TSQ (2019) 6 (4): 667–675.
Published: 01 November 2019
...Harper Shalloe Abstract This article jumps off and theorizes out from the viral meme “I Sexually Identify as an Attack Helicopter” to think trans as a cut across diagrams of control and counterinsurgency. Terming the set of digital and discursive technologies for capturing the threat of trans...
FIGURES
Journal Article
TSQ (2021) 8 (3): 386–393.
Published: 01 August 2021
... not only to their own community but also to other marginal groups impacted in similar ways. Harsh lockdown measures imposed to respond to COVID-19 disproportionately affected waria, cutting off access to economic and community support. This was particularly acute for the many waria without state-issued...
Journal Article
TSQ (2020) 7 (4): 625–630.
Published: 01 November 2020
...Figure 1. Cecilia Gentili, in her one-woman show, The Knife Cuts Both Ways . Dixon Place Theater, New York, July 24–26, 2018. Styling and makeup by Gogo Graham. Photograph by Serena Jara. Courtesy of the artist. ...
FIGURES
Image
Published: 01 May 2022
Figures 4 and 5. Ramiro slices meat in the kitchen while taking carnal pleasure in the act, smelling his fingers as he does so. Néstor cuts open the body of a dead turtle to determine its sex as a part of his marine conservation work. More
Journal Article
TSQ (2018) 5 (2): 268–274.
Published: 01 May 2018
...Figure 1. Cassils, Cuts: A Traditional Sculpture , time lapse (front), 2017. Courtesy Ronald Feldman Fine Arts ...
FIGURES
Journal Article
TSQ (2018) 5 (3): 394–403.
Published: 01 August 2018
...” and cut to a closer shot, and Itt will “wake up.” The end of the film will trouble this even more. After this scene of “awakening,” the audience will see Jen from a distance through what appears to be a window. This scene calls attention to our own spectatorship, given the way that we are framed within...
Journal Article
TSQ (2014) 1 (4): 517–522.
Published: 01 November 2014
... of patriarchy. The connections made between FTM and MTF experiences evidences the challenges facing transmen, who are often left out of LGBT Indian discourses, and articulates hijra narratives within a specifically trans optic. The hijra 's threat to cut off the NGO head's genitalia echoes the policeman...
Journal Article
TSQ (2015) 2 (2): 297–316.
Published: 01 May 2015
... thinkers. What regenerative cuts can open possibilities of transformation for a human engineer who yearns against the totalizing assumptions of the Anthropocene? Can such a human translate physical transsexual survival techniques into psychological trans-species survival invitations, finding some way...
Journal Article
TSQ (2022) 9 (4): 563–586.
Published: 01 November 2022
... Ludovic as the feminine persona they present. The first post-credits image arrives via a hard cut to a close-up of an adult woman's back, accompanied by a sudden stop in the nondiegetic music from the credits and a loud zipper sound as a hand efficiently zips up the woman's dress. This is the first...
Journal Article
TSQ (2015) 2 (2): 189–194.
Published: 01 May 2015
... with the journal and in the field, but point rather to deeper problematics in the field's constitution and development and to the ways identity politics and identity-oriented scholarship can be made to operate. Cuts in the body politic that produce hierarchized categories of personhood create conditions...
Journal Article
TSQ (2020) 7 (2): 208–221.
Published: 01 May 2020
.... Through voice-over, we are privy to what she writes—how happy she's been since she met Les Nichols. Sprinkle delights in the fact that Nichols is “really . . . different than the other guys.” The scene immediately cuts from the pastoral, in black and white, to the saturated colors of the city. Replacing...
Journal Article
TSQ (2019) 6 (2): 269–273.
Published: 01 May 2019
... and becomes part of the collection of textures that shape the lushness of the original painting and Rodriguez's reimagining. The harness further cuts through the romance of the genre of the nude painting itself, signaling an intentionality that casts doubt on the “surprise” being captured...
Journal Article
TSQ (2022) 9 (1): 126–128.
Published: 01 February 2022
..., constitutive of actual populations, is achieved in part through the text's triadic structure—three conceptual models, each which evokes a cinematic/surgical practice and is indicated by an associated verb and typographic symbol: cut (/), suture (-), and multiply (*). Applying this dynamic organizing principle...