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call
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Journal Article
TSQ (2022) 9 (2): 266–288.
Published: 01 May 2022
... mourning and outrage—at North Avenue and N. Charles Street, what is now called the Y-Not Lot and located in Baltimore's gentrifying arts district—renamed since Tyra's death to Station North Arts and Entertainment district. Her vigil included singing, tea candles lit in Dixie cups, and friends, family...
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Journal Article
TSQ (2018) 5 (1): 100–110.
Published: 01 February 2018
...Jamison Green; Dallas Denny; Jason Cromwell Abstract In 1998 the authors circulated a questionnaire asking transgender respondents their reactions to various and assorted terminology and usage, including information about what the respondents did and did not wish to be called ( N = 134...
FIGURES
Journal Article
TSQ (2021) 8 (1): 24–57.
Published: 01 February 2021
...Curran Nault Abstract Call Her Ganda (dir. PJ Raval, 2018) chronicles the murder of transpinay Jennifer Laude by a US marine, and the subsequent court case. This essay draws from theories of necropolitics and hauntology, as well as the author's experience as a documentary producer of Call Her Ganda...
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in Documenting the Dead: Call Her Ganda and the Trans Activist Afterlife of Jennifer Laude
> TSQ: Transgender Studies Quarterly
Published: 01 February 2021
Figure 2. Jennifer Laude hails us with a wistful wave in Call Her Ganda .
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in Documenting the Dead: Call Her Ganda and the Trans Activist Afterlife of Jennifer Laude
> TSQ: Transgender Studies Quarterly
Published: 01 February 2021
Figure 5. Investigative journalist Meredith Talusan, mind and voice of Call Her Ganda , reads from one of her essays.
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in Documenting the Dead: Call Her Ganda and the Trans Activist Afterlife of Jennifer Laude
> TSQ: Transgender Studies Quarterly
Published: 01 February 2021
Figure 11. Photo from the first Call Her Ganda brain trust, which took place in New York City, following the premiere of the film at the Tribeca Film Festival in April 2018. Director PJ Raval appears in the center of the first row. I am behind him.
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in Documenting the Dead: Call Her Ganda and the Trans Activist Afterlife of Jennifer Laude
> TSQ: Transgender Studies Quarterly
Published: 01 February 2021
Figure 13. Jennifer Laude hails us with a wistful wave in Call Her Ganda .
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Journal Article
TSQ (2019) 6 (4): 620–634.
Published: 01 November 2019
... of names articulate a relational self-indulgence in their proposed call-and-response. Copyright © 2019 by Duke University Press 2019 pronouns naming poetry self-indulgence Trans poets practice naming as a form of productive self-indulgence; and trans names and pronouns are forms of poetry...
Journal Article
TSQ (2017) 4 (2): 266–274.
Published: 01 May 2017
... a speculative function in foregrounding the problem of black ontology. The black transgender lacks any being-in-the-world, and the lure of gendered embodiment functions as a foil to black muteness. In other words, the body is called upon to speak being where there is none. Black bodily experience is charged...
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in The Collective Scene: Transvestite Cabaret during the End of Francoist Spain
> TSQ: Transgender Studies Quarterly
Published: 01 November 2021
Figure 3. The grandmother calls Ocaña's attention to introduce him to the child's father in Ocaña: Intermittent Portrait (dir. Ventura Pons, 1978, min. 4:00). Courtesy of Ventura Pons.
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in Collective Memory and the Transfeminist 1970s: Toward a Less Plausible History
> TSQ: Transgender Studies Quarterly
Published: 01 February 2018
Figure 1. Beth Elliott, on stage, awaits the outcome of a spontaneously called vote about whether she can continue with her invited performance at the West Coast Lesbian Conference. Los Angeles Free Press , April 20, 1973
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Published: 01 November 2023
Figure 1. Jan van der Straet, called Stradanus, Allegory of America (ca. 1587–89). Drawing, 7½ × 10 9/16 in. The Metropolitan Museum of Art, New York.
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in Documenting the Dead: Call Her Ganda and the Trans Activist Afterlife of Jennifer Laude
> TSQ: Transgender Studies Quarterly
Published: 01 February 2021
Figure 7. Nanay Julita, the “heart,” pleads for justice on the streets of Manila in Call Her Ganda .
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in Documenting the Dead: Call Her Ganda and the Trans Activist Afterlife of Jennifer Laude
> TSQ: Transgender Studies Quarterly
Published: 01 February 2021
Figure 10. Members of GABRIELA hold up a #Justice4Jennifer sign following a discussion of Call Her Ganda .
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in Documenting the Dead: Call Her Ganda and the Trans Activist Afterlife of Jennifer Laude
> TSQ: Transgender Studies Quarterly
Published: 01 February 2021
Figure 1. The camera glides across the floor like a ghost, approaching the memorial altar in Call Her Ganda .
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in Documenting the Dead: Call Her Ganda and the Trans Activist Afterlife of Jennifer Laude
> TSQ: Transgender Studies Quarterly
Published: 01 February 2021
Figure 9. An eerily empty bed creepily clashes with a voice-over on the violence of Jennifer's death in Call Her Ganda .
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in Documenting the Dead: Call Her Ganda and the Trans Activist Afterlife of Jennifer Laude
> TSQ: Transgender Studies Quarterly
Published: 01 February 2021
Figure 8. Transpinay activist Naomi Fontanos speaks to a crowd gathered to hear the verdict in the Laude case in Call Her Ganda .
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in Documenting the Dead: Call Her Ganda and the Trans Activist Afterlife of Jennifer Laude
> TSQ: Transgender Studies Quarterly
Published: 01 February 2021
Figure 6. Attorney Virgie Suarez, the “brawn,” speaks to reporters after the verdict in the Jennifer Laude case is announced in Call Her Ganda .
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in Documenting the Dead: Call Her Ganda and the Trans Activist Afterlife of Jennifer Laude
> TSQ: Transgender Studies Quarterly
Published: 01 February 2021
Figure 3. A working woman stares ahead in an army training video extolling the pleasures on offer to military men in the Philippines—as repurposed and repeated in Call Her Ganda .
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