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Cassils
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Journal Article
TSQ (2018) 5 (2): 268–274.
Published: 01 May 2018
...Julia Steinmetz Abstract Artists Cassils and Yishay Garbasz offer up a series of material enactments on and through the body that articulate a transformational aesthetics of trans subjectivity, one less concerned with representation than with actions and their indexical impacts. Both artists seek...
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in Material Enactments: The Transformational Aesthetics of Cassils and Yishay Garbasz
> TSQ: Transgender Studies Quarterly
Published: 01 May 2018
Figure 1. Cassils, Cuts: A Traditional Sculpture , time lapse (front), 2017. Courtesy Ronald Feldman Fine Arts Figure 1. Cassils, Cuts: A Traditional Sculpture, time lapse (front), 2017. Courtesy Ronald Feldman Fine Arts
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in Melting Muscles: Cassils's Tiresias at the Intersection of Affect and Gendered Embodiment
> TSQ: Transgender Studies Quarterly
Published: 01 February 2020
Figure 1. Cassils, Tiresias , 2013. Performance for the camera. Photographs by Clover Leary. Courtesy the artist and Ronald Feldman Gallery, New York. Figure 1. Cassils, Tiresias, 2013. Performance for the camera. Photographs by Clover Leary. Courtesy the artist and Ronald Feldman Gallery
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Journal Article
TSQ (2020) 7 (1): 5–19.
Published: 01 February 2020
...Figure 1. Cassils, Tiresias , 2013. Performance for the camera. Photographs by Clover Leary. Courtesy the artist and Ronald Feldman Gallery, New York. Figure 1. Cassils, Tiresias, 2013. Performance for the camera. Photographs by Clover Leary. Courtesy the artist and Ronald Feldman Gallery...
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Journal Article
TSQ (2020) 7 (1): 1–4.
Published: 01 February 2020
..., objects, concepts, and narratives that confront the bitter disappointments gestured to by Chu and Drager, and that in other ways expand the concept of “world” itself to better accommodate trans desires, life, and politics. S. Brook Corfman's article, “Melting Muscles: Cassils's Tiresias...
Journal Article
TSQ (2018) 5 (4): 712–719.
Published: 01 November 2018
... the gendered body, rather than its assumed tendency to alienate the viewer or refuse “reality” through reference to nonrepresentational forms. Writing about the innovative sculptural work of the contemporary transgender artist Cassils in his conclusion, Getsy sums up his position this way: “As the artists...
