Abstract
Special issue editors Leah DeVun and Zeb Tortorici interview Maya Mikdashi and Carlos Motta about their collaborative film, Deseos /رغبات (Desires, 2015), which places queer and gender-variant historical characters within a fluid chronological framework. In this interview, Mikdashi and Motta discuss issues such as imperial and colonial temporality, queer networks of community, and a desire for happy endings in history.
decoloniality, queer temporality, film and video art, Ottoman Empire, Spanish Empire, transgender studies, imagination, historical narration
Copyright © 2018 by Duke University Press
2018
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