Abstract
Katie Herzog's Transtextuality (Senate Bill 48) is a collection of paintings that functions as a record of transgender history. Herzog's portraits of trans people of letters point to the work we must perform to create documentation of our communities when no trace of our existence shows up in the archives. Her project engages the transformative educational potential of the archives to record, remember, and reinvent our trans histories while it builds imaginings of future articulations of our records.
Copyright © 2015 by Duke University Press
2015
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