Marlene Wayar is an internationally recognized and leading figure in the Latin American travesti-trans activist movement with over forty years of experience in the TTTLGBI community. Since the 1990s and the movement's emergence in Argentina, she has confronted the federal police and, alongside Nadia Echazú and Lohana Berkins, formed part of this foundational activist trio in the Argentine travesti struggle. She is the founder of Futuro Trans, a critical hub for T thinking, the cofounder of the Nadia Echazú Textile Cooperative, and the creator of El Teje: Primer periódico travesti de Latinoamérica (El Teje: First Latin American Travesti Newspaper). She has pioneered the development of Latin American travesti-trans theory as an independent field, distinct from other theoretical frameworks, with the publication of her foundational books Travesti: Una teoría lo suficientemente buena (2018) (Travesti: A Good Enough Theory) and Furia travesti: Diccionario de la T a la...
In My Mind There Is a Cemetery/Tengo un cementerio en la cabeza
Marlene Wayar is an Argentine public intellectual and the recipient of numerous awards, including two doctorate honoris causa from the National University of Rosario (2020) and the National University of Mar del Plata (2022). She was awarded the Lola Mora Prize in 2011, granted by the Buenos Aires City Legislature in recognition of her work developing El teje. In her current position, she is the director of educational programming for the Palais de Glace Museum in Buenos Aires. With travesti artist Susy Shock, she cohosts a weekly radio program titled La cotorral: Voces travas, voces disidentes (The Parrots: Travesti Voices, Dissident Voices) on the national radio station Nacional Rock, and she serves as an honorary member of the advisory board to the Institute of Human Rights and Memory for their collaborative educational project with the human rights organization Hijos por la Identidad y la Justicia, contra el Olvido y el Silencio (HIJOS).
Tania Libertad Balderas is an Andrew W. Mellon Postdoctoral Fellow within the Department of English and Creative Writing at Dartmouth College. She holds a PhD in English literature from the University of New Mexico. Her field of study is twentieth-century comparative literature, centering on Chicanx, Latin American, Francophone Caribbean, and Native American literature. She specializes in Marxism, feminism, theater studies, social movements, and decolonial theories.
Marlene Wayar, Tania Libertad Balderas; In My Mind There Is a Cemetery/Tengo un cementerio en la cabeza. TSQ 1 February 2024; 11 (1): 135–140. doi: https://doi.org/10.1215/23289252-11131741
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