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in Photographic Praxis in China, 1930s-1980: A Conversation with Chen Shuxia, Shi Zhimin, and Zhou Dengyan about Shi Shaohua and the Friday Salon
> Trans Asia Photography
Published: 12 April 2019
Fig. 4. Cover page of The Study of Methods of Collecting Materials for Photo-Reportage , lecture notes by Shi Shaohua. Preserved by Li Feng (1929–2016), scanned by Shi Zhimin in 2009. Courtesy of Shi Zhimin.
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in Contemporary Photography Magazines in Korea and Taiwan: Vostok and Voices of Photography in Context
> Trans Asia Photography
Published: 24 April 2020
Fig. 5. “A Study of Photo Publications,” special issue, Voices of Photography , no. 21, 2018.
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Journal Article
Trans Asia Photography (2016) 7 (1)
Published: 01 October 2016
...-nineteenth century were rarely captioned. 48 Anna Dahlgren discusses possibilities of reading the captionless album in her study of mid-nineteenth-century family albums, and posits that the text-less independence of the photographs suggests continuity with the tradition of portrait painting. Just...
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Published: 01 October 2016
Zhang Dali, Study of Daumier’s Sketches , 1977, carbon on paper, 19 x 27 cm, © Zhang Dali.
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in The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng
> Trans Asia Photography
Published: 16 April 2018
Fig. 2. Jin Shisheng, Drawing in his study in Darmstadt, 1939, self-portrait, gelatin silver print, courtesy of the estate of Jin Shisheng.
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in Camouflage, Photography and [In]visibility: Yamashiro Chikako’s Chorus of the Melodies Series (2010) and Beyond
> Trans Asia Photography
Published: 01 September 2012
Figure 9: Abbott Handerson Thayer and others, Zebras, study folder for book Concealing Coloration in the Animal Kingdom , n.d., various media and collage on paperboard, approx.,12 x 9 in. Smithsonian American Art Museum.
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Journal Article
Trans Asia Photography (2017) 7 (2)
Published: 01 May 2017
... making use of the overview perspective since it gained momentum in the 1920s, when decommissioned military planes were repurposed and became a tool for capturing images from the bird’s-eye view to use for study, recording, documenting, and exciting the imagination. Until recently, the cost of hiring...
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Trans Asia Photography (2013) 3 (2)
Published: 01 April 2013
.... Archaeologists in Angkor: Photographic Archives of the École Française d’Extrême-Orient (French School of Asian Studies) ( Paris : École française d’Extrême-Orient ) 2010 . 239 p. ISBN 9782855391212 ...
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Journal Article
Trans Asia Photography (2013) 4 (1)
Published: 01 November 2013
... their prominence in Mao’s China, neither their careers nor their works have enjoyed in-depth studies that go beyond generalized analysis of “propaganda.” As most of them began their work during the Second Sino-Japanese War (1937–45), their photography played an important role in mass mobilization, either...
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Published: 01 May 2011
Shapoor N. Bhedwar, 'Gool Guli- A Rose Bud' from Art Studies album, carbon print, c. 1890s, 275 x 362 mm., Courtesy of the Alkazi Collection of Photography. Published in The Artful Pose- Early Studio Photography in Mumbai, c. 1855-1940 , with a foreword by Tasneem Zakaria Mehta
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in Telling Her Story: Filming Women in Photographs: A commentary on the film Family Album, directed by Nishtha Jain (2011; 66 minutes)
> Trans Asia Photography
Published: 01 April 2012
Fig. 13c. Annapurna Dutta, from the private collection of Late Amitabha (Siddhartha) Ghosh; courtesy of the Urban History Documentation Archive, Centre for Studies in Social Sciences, Calcutta
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in Modern Family: The Transformation of the Family Photograph in Qajar Iran
> Trans Asia Photography
Published: 22 October 2018
Fig. 12. ʿEsmat al-Dowleh (?), Fakhr al-Taj and Her Father Doost Mohammad Khan Moʿayer al-Mamalek, ND, Institute for Iranian Contemporary Historical Studies (IICHS), Tehran.
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in Modern Family: The Transformation of the Family Photograph in Qajar Iran
> Trans Asia Photography
Published: 22 October 2018
Fig. 11. Amir Doost Mohammad Khan Moʿayyer al-Mamalek, ʿEsmat al-Dowleh, Institute for Iranian Contemporary Historical Studies (ع 3-5234), http://iichs.org/index.asp?id=1582&doc_cat=9 .
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in Modern Family: The Transformation of the Family Photograph in Qajar Iran
> Trans Asia Photography
Published: 22 October 2018
Fig. 10. Amir Doost Mohammad Khan Moʿayyer al-Mamalek, ʿEsmat al-Dowleh, ND, Institute for Iranian Contemporary Historical Studies (ع 3-5216), http://iichs.org/index.asp?id=1582&doc_cat=9 .
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in “Zenana Studio: Early Women Photographers of Bengal”, from Taking Pictures: The Practice of Photography by Bengalis, by Siddhartha Ghosh
> Trans Asia Photography
Published: 01 April 2014
Fig. 3. Debalina Majumdar, Bride dressing for her wedding, Mumbai , 1975, reproduced from the digital copy stored at the Urban History Documentation Archives, Centre for Studies in Social Sciences, Calcutta, by permission of the Estate of Debalina Majumdar.
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in “Zenana Studio: Early Women Photographers of Bengal”, from Taking Pictures: The Practice of Photography by Bengalis, by Siddhartha Ghosh
> Trans Asia Photography
Published: 01 April 2014
Fig. 4. Debalina Majumdar, Two children (son and nephew), Mahabaleswar , 1964, reproduced from the digital copy stored at the Urban History Documentation Archives, Centre for Studies in Social Sciences, Calcutta, by permission of the Estate of Debalina Majumdar.
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in Modern Family: The Transformation of the Family Photograph in Qajar Iran
> Trans Asia Photography
Published: 22 October 2018
Fig. 4. Nasir al-Din Shah Qajar, Nasir al-Din Shah in his inner quarters, c.1860, Institute for Iranian Contemporary Historical Studies (ب 195-180), http://www.qajarwomen.org/en/items/1261A58.html.
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in “Zenana Studio: Early Women Photographers of Bengal”, from Taking Pictures: The Practice of Photography by Bengalis, by Siddhartha Ghosh
> Trans Asia Photography
Published: 01 April 2014
Fig. 2. Annapurna Dutta, Photograph of an old lady and a woman , 1920, bromide print (reproduced from the digital copy stored at the Urban History Documentation Archives, Centre for Studies in Social Sciences, Calcutta), courtesy the private collection of Siddhartha Ghosh.
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in Modern Family: The Transformation of the Family Photograph in Qajar Iran
> Trans Asia Photography
Published: 22 October 2018
Fig. 18. Amir Doost Mohammad Khan Moʿayyer al-Mamalek (?), ʿEsmat al-Moluk and Hassan Mostowfi al-Mamalek , early 1890s, Institute for Iranian Contemporary Historical Studies (IICHS), Tehran, http://www.qajarwomen.org/en/items/1261A218.html .
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in Modern Family: The Transformation of the Family Photograph in Qajar Iran
> Trans Asia Photography
Published: 22 October 2018
Fig. 19. Amir Doost Mohammad Khan Moʿayyer al-Mamalek (?), ʿEsmat al-Moluk and Hassan Mostowfi al-Mamalek , early 1890s, Institute for Iranian Contemporary Historical Studies (IICHS), Tehran, http://www.qajarwomen.org/en/items/1261A219.html .
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