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studio
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in “Ummijaan’s Pictures Were Nice”: Thinking about Haleema Hashim’s Photography
> Trans Asia Photography
Published: 18 November 2019
Journal Article
Trans Asia Photography (2014) 4 (2)
Published: 01 April 2014
... of only those who could afford it. But Ghosh’s book draws attention to the ways in which a photographic studio, along with other institutions, such as railways and English schools, became an important feature of colonized Bengali lives. Photographs were the clearest images of the interface between the two...
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Journal Article
Trans Asia Photography (2017) 8 (1)
Published: 12 October 2017
... print, which predicated the expectations of many of his sitters. Focusing on Ouyang Shizhi’s Powkee Studio in Shanghai, Yi Gu’s contribution is an extraordinarily close examination of the popular large-scale photography studios that operated in China between 1890 and 1920. In addition...
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Journal Article
Trans Asia Photography (2015) 6 (1)
Published: 01 October 2015
...Yi GU Jin Yongquan , Red Flag Studio: Debates on photography in China, 1956–1959 ( Beijing : Jincheng chubanshe , 2014 ) 303 p. ISBN 978-7-5155-0898-6 2015 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. At first...
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Published: 22 October 2018
Fig. 8. Phan Rang studio, Portrait of Long, Thủ Đức Military Academy album, November 19, 1955, 3.5 x 2.75 inches, gelatin silver print, courtesy of the author.
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Published: 12 April 2019
Fig. 2. Photographer unknown [Powkee Studio], Portrait of Kang Youwei, inscribed as a gift from Kang to Qu Hongji, 1917, courtesy of Shanghai Library.
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Published: 12 April 2019
Fig. 4. The China Studio (Amoy), Lu Xun among graves in Xiamen, 1927. Shanghai Lu Xun Museum, photo by Yichun Xu.
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Published: 12 April 2019
Fig. 3. Cubbon Park, published by Wiele’s Studio, Bangalore, from the private collection of Dr Emily Stevenson. Message reads: “Just here for a few days holiday. I am high up in the hills and the climate is almost like Scotland only we have sun at midday. Trust you are well and your wife
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Published: 12 April 2019
Fig. 29. Decorated Car , published by Doveton’s Studio, Bangalore. From the private collection of Dr Stephen P. Hughes. Dated July 1916. Message reads: “This is the juggernaut car, under which the fanatics were crushed to death. The car is kept in an enormous building built especially for its
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Published: 12 April 2019
Fig. 34. Street in the City , published by Wiele’s Studio, Bangalore. From the private collection of Dr Emily Stevenson. Sent from Madras to Edinburgh on January 31, 1907. Message reads: “After I finish my mail Ella asks me to say regarding photo enclosed that it is a puzzle photo
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in Photodemos – Citizens of photography: the camera and the political imagination
> Trans Asia Photography
Published: 24 April 2020
Fig. 1. Sample identity card photographs display at a Jaffna studio, 2018. Jaffna was the base for early local photographers such Swaminathar Kanagaratnam Lawton (1851-1919), and is locally claimed as the birthplace of photography not only in the island, but ‘the East’, following its
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in Photodemos – Citizens of photography: the camera and the political imagination
> Trans Asia Photography
Published: 24 April 2020
Fig. 6. A photograph of the first Chinese migrant family, taken in a photo studio in Phnom Penh around the 1930s during the French colonial period. The photograph was restored from black and white in order to reprint and share with relatives (years after they passed away). It survived through
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in Transpacific Rizalistas: Portrait Photography and the Filipino Becoming-Subject
> Trans Asia Photography
Published: 10 June 2021
Figures 1 and 2: Studio portraits of young men in Rizalista mutual aid societies, presumably Dimas-Alang, most likely taken in the 1930s, when the photographer did most of his work, and when the lodges were most prominent. Source: Mancao Collection, Filipino American National Historical Society
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in Transpacific Rizalistas: Portrait Photography and the Filipino Becoming-Subject
> Trans Asia Photography
Published: 10 June 2021
Figures 5 and 6: Family portraits taken in the Mancao Studio in Carcar, Cebu. Source: Mancao Collection, FANHS.
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in Toward Understanding the Photogenic New Citizen: Performance in Vernacular Photography from the Early Turkish Republic, 1920s–1940s
> Trans Asia Photography
Published: 01 May 2022
Figure 3. Studio portrait of a girl named Nermin, with a small bust of Atatürk, ca.1930s. Gelatin silver print, 13.7 × 8.7 cm; AD_MC_007_ref1237. Courtesy of Akkasah, the photography archive at al Mawrid, NYUAD. Copyright al Mawrid.
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in Toward Understanding the Photogenic New Citizen: Performance in Vernacular Photography from the Early Turkish Republic, 1920s–1940s
> Trans Asia Photography
Published: 01 May 2022
Figure 16. Studio portrait of a young woman, March 10, 1931. Gelatin silver print; AD_MC_007_ref6526. Courtesy of Akkasah, the photography archive at al Mawrid, NYUAD. Copyright al Mawrid.
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in Daubing Titipu: Transnational Material Contexts of Nineteenth-Century Hand-Colored Photography in Japan
> Trans Asia Photography
Published: 01 May 2022
Figure 19. Baron von Stillfried (attributed), Studio Portrait of a Woman with Fan (1885–95). A pink paper tint is visible, especially in highlights. Hand-painted albumen print.
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