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Journal Article
Trans Asia Photography (2016) 7 (1)
Published: 01 October 2016
... Area,” 1938 1 Ethnicity has been of critical importance to China’s frontier security since early imperial times, and it is one of the defining issues in the formation of China’s nation-state in the twentieth century. The ruling house of the last imperial dynasty Qing (1644–1911) hailed from...
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Journal Article
Trans Asia Photography (2017) 8 (1)
Published: 12 October 2017
... citizenship. Despite numerous controversies over the resident registration card system as a form of state surveillance, almost no questions have been raised regarding the function and legitimacy of the photographs within it. The small, seemingly innocent format of the South Korean national ID card photo...
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Journal Article
Trans Asia Photography (2019) 10 (1)
Published: 18 November 2019
... the state denies the individual’s right to life and justice through violence and impunity, the photograph in Duggleby’s scene talks back at the state — the reproduction of that individual’s photograph in a location that is a place in Thailand is a visual imprint of the being (that once was) in the state...
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Image
Published: 01 November 2013
Shan women planting a field of paddy at Yaunghwe, Federated Shan States [today’s Shan State]. Every plant is transplanted by hand. The American lady in the background is Miss Mary E. Phillips, American Baptist missionary from Rangoon. April 27, 1927.
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Image
Published: 01 November 2013
Fig. 5. The United States–Japan Security Treaty Protest, May 20 (1960), by Hiroshi Hamaya, gelatin silver print, © Keisuke Katano, The J. Paul Getty Museum, Los Angeles.
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Published: 01 November 2013
Fig. 6. The United States–Japan Security Treaty Protest, May 26 (1960), by Hiroshi Hamaya, gelatin silver print, © Keisuke Katano, The J. Paul Getty Museum, Los Angeles.
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Image
Published: 01 November 2013
Funeral procession of the Sawbwa of Yaunghwe, in Yaunghwe, Federated Shan States [today’s Shan State]. The royal funeral car, bearing the Sawbwa's body. March 3, 1927.
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Image
Published: 01 November 2013
Four girls from the American Baptist Mission Karen Mission School in Daingwunkwin, Moulmein [Mon State], leaving Pa-an [Karen State] for a 20-mile bullock cart ride to Mowko [village]. February 3, 1922.
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Image
Published: 01 November 2013
A Pa-Oh man threshing wheat by hand, at a threshing floor near Loikong, Federated Shan States [today’s Shan State]. Note the pile of wheat and chaff under the threshing table, and the unthreshed bundles. March 4, 1927.
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Image
Published: 01 November 2022
Figure 4. Two Jewish settlers milk a cow. Zoltan Kluger, 1942. Photograph courtesy of Israel State Archives.
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Image
Published: 01 November 2022
Figure 7. Jewish settlers dance the Hora Agadati, an early Hebrew folk dance. Zoltan Kluger, 1945. Courtesy of the Israel State Archives.
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Image
Published: 01 November 2013
Sainbaung Chin women and children in native garb, at Ainbu Ywathit (the new Ainbu village), in Kyaukphyu District [Arakan State]. Note the carrying slings for infants. December 24, 1935.
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in Going “Native” in an American Borderland: Frank S. Matsura’s Photographic Miscegenation
> Trans Asia Photography
Published: 01 October 2014
Fig. 5. Frank Matsura, Chiliwhist Jim , ca. 1910. Frank Matsura Photographs (35-14-09), Manuscripts, Archives, and Special Collections (MASC), Washington State University Libraries.
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in Going “Native” in an American Borderland: Frank S. Matsura’s Photographic Miscegenation
> Trans Asia Photography
Published: 01 October 2014
Fig. 3. Frank Matsura, Matsura in Clown Costumes , ca. 1908. Frank Matsura Photographs (35-01-02), Manuscripts, Archives, and Special Collections (MASC), Washington State University Libraries.
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in Going “Native” in an American Borderland: Frank S. Matsura’s Photographic Miscegenation
> Trans Asia Photography
Published: 01 October 2014
Fig. 1. Frank Matsura, Matsura and Susan Timento Pose at Studio , ca. 1912. Frank Matsura Photographs (35-01-99), Manuscripts, Archives, and Special Collections (MASC), Washington State University Libraries.
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in Going “Native” in an American Borderland: Frank S. Matsura’s Photographic Miscegenation
> Trans Asia Photography
Published: 01 October 2014
Fig. 2. Frank Matsura, Matsura and Norma Dillabough Studio Portraits , ca. 1910. Frank Matsura Photographs (35-01-21), Manuscripts, Archives, and Special Collections (MASC), Washington State University Libraries.
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Image
in Photodemos – Citizens of photography: the camera and the political imagination
> Trans Asia Photography
Published: 24 April 2020
to family snaps, feature in a vibrant political re-routing. The mobilisation of personal and official photographs within spaces of defiant commemoration where the state’s unease about Tamil nationalism endures, as well as spaces of protest have underscored the state’s prevarications on reconciliation
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in Going “Native” in an American Borderland: Frank S. Matsura’s Photographic Miscegenation
> Trans Asia Photography
Published: 01 October 2014
Fig. 9. Frank Matsura, Matsura, Cecil Jim, and Young Men Pose for Portraits at Matsura’s Studio , ca. 1910. Frank Matsura Photographs (35-19-69), Manuscripts, Archives, and Special Collections (MASC), Washington State University Libraries.
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in Going “Native” in an American Borderland: Frank S. Matsura’s Photographic Miscegenation
> Trans Asia Photography
Published: 01 October 2014
Fig. 4. Frank Matsura, Matsura with Orril Gard and Mathilda Schaller at His Studio and Gallery During the Christmas Rush , 1910. Frank Matsura Photographs (35-01-95), Manuscripts, Archives, and Special Collections (MASC), Washington State University Libraries.
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Journal Article
Trans Asia Photography (2023) 13 (1)
Published: 01 May 2023
... and framing of contradictory nationalist imaginaries by competing ethnic and state actors. In northern Sri Lanka, portraits of gun-bearing women fighters were wielded to signal revolutionary possibilities for the future of the Tamil nation-state as well as to inform the political socialization of its hopeful...
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