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presence
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in Traversing Expanses: The Cambodian-American Diaspora Experience in the Work of Pete Pin, Amy Lee Sanford, and Seoun Som
> Trans Asia Photography
Published: 01 October 2014
Seoun Som, Devoid of Presence 1 , 2009, dye-sublimation on polyester chiffon, 152 x152 cm. Courtesy of the artist and SA SA BASSAC
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Image
in Traversing Expanses: The Cambodian-American Diaspora Experience in the Work of Pete Pin, Amy Lee Sanford, and Seoun Som
> Trans Asia Photography
Published: 01 October 2014
Seoun Som, Devoid of Presence 2 , 2009, dye-sublimation on polyester chiffon, 152 x 152 cm. Courtesy of the artist and SA SA BASSAC
More
Image
in Traversing Expanses: The Cambodian-American Diaspora Experience in the Work of Pete Pin, Amy Lee Sanford, and Seoun Som
> Trans Asia Photography
Published: 01 October 2014
Seoun Som, Devoid of Presence 3 , 2009, dye-sublimation on polyester chiffon, 152 x 152 cm. Courtesy of the artist and SA SA BASSAC
More
Image
in Traversing Expanses: The Cambodian-American Diaspora Experience in the Work of Pete Pin, Amy Lee Sanford, and Seoun Som
> Trans Asia Photography
Published: 01 October 2014
Seoun Som, Devoid of Presence 4 , 2009, dye-sublimation on polyester chiffon, 152 x 152 cm. Courtesy of the artist and SA SA BASSAC
More
Journal Article
Trans Asia Photography (2011) 2 (1)
Published: 01 September 2011
...Murtaza Vali 2011 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Portraits are about presence. Except, that is, when they are not. In the simplest sense a photographic portrait indexes the existence and likeness of its subject...
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in Imperial Images: The Japanese Empress Teimei in Early Twentieth-Century Newspaper Photography
> Trans Asia Photography
Published: 01 October 2016
Chart 1. Number of images in the Asahi Shinbun , 1899–1926, in which the imperial presence is visible. This represents portrait photographs, photojournalistic images, and pictures of vehicles in which the emperor or empress is noted to be present. Total images of Teimei, 41; of Taishō, 67.
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in Photodemos – Citizens of photography: the camera and the political imagination
> Trans Asia Photography
Published: 24 April 2020
Fig. 9. A Photoshopped image of a graduate with Hun Sen, the Prime Minister of Cambodia. Believing that being photographed in the presence of a powerful figure would bring fortune and facilitate a flow of power, many Cambodians desire such images. In an official event or ceremony like graduation
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Journal Article
Trans Asia Photography (2013) 3 (2)
Published: 01 April 2013
...Ayelet Zohar Maki Fukuoka’s new publication is a book that delves into the origins of photography in Japan before its actual presence. While most books considering the history of photography in Japan will start with the moment when the technology, with its unique devices and distinctive...
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Journal Article
Trans Asia Photography (2014) 5 (1)
Published: 01 October 2014
...Seoun Som, Devoid of Presence 1 , 2009, dye-sublimation on polyester chiffon, 152 x152 cm. Courtesy of the artist and SA SA BASSAC ...
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Journal Article
Trans Asia Photography (2012) 3 (1)
Published: 01 September 2012
... to forge their identities while in direct contact with the American soldiers in Dongducheon.” 13 Seen together, the photographs gathered here represent the dominance of the U.S. over Korean lives and politics. The continued U.S. military presence and its attendant sex providers, now mostly foreigners...
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Journal Article
Trans Asia Photography (2016) 7 (1)
Published: 01 October 2016
...Chart 1. Number of images in the Asahi Shinbun , 1899–1926, in which the imperial presence is visible. This represents portrait photographs, photojournalistic images, and pictures of vehicles in which the emperor or empress is noted to be present. Total images of Teimei, 41; of Taishō, 67. ...
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Journal Article
Trans Asia Photography (2013) 3 (2)
Published: 01 April 2013
... on photography, the question to be posed, somewhat counterintuitively, is: What motivates a painter to use his miniature painting style to underscore, not obscure, the shady presence of the photographic emulsion? This essay offers five loosely connected thoughts regarding possible motivations for this choice...
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Journal Article
Trans Asia Photography (2012) 2 (2)
Published: 01 April 2012
... the director’s methodology regarding the family and photography as subjects. Jain clearly departs from the methodology of previous documentary undertakings on the general topic, say by David and Judith MacDougall, who in Photo Wallahs (1991) give no hint of directorial presence in the film, consciously...
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Journal Article
Trans Asia Photography (2020) 10 (2)
Published: 24 April 2020
...Fig. 9. A Photoshopped image of a graduate with Hun Sen, the Prime Minister of Cambodia. Believing that being photographed in the presence of a powerful figure would bring fortune and facilitate a flow of power, many Cambodians desire such images. In an official event or ceremony like graduation...
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Journal Article
Trans Asia Photography (2019) 10 (1)
Published: 18 November 2019
... from amateurs or photojournalists were published in the mass media following the triple disaster, no attempt was made to reveal the radioactive contamination, which is, by nature, invisible to the naked eye. Unveiling its presence through art photography demonstrates other aspects of the nuclear...
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Journal Article
Trans Asia Photography (2022) 12 (1)
Published: 01 May 2022
... likeness is deployed and what kind of presence it tries to evoke. Art historian Jan Stuart argues against the notion that Chinese ancestor portraits, both painted and photographic, only schematically present homogenous types and do not care about the representation of individual physical likeness. She...
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Journal Article
Trans Asia Photography (2013) 3 (2)
Published: 01 April 2013
.... 88. The ability for barami to be conferred through physical or visual presence is indicated by Gray, who writes: “Some men (kings) have barami at birth as signified by the possession of royal blood. Barami can be ‘built’ [ sang ] through acts of personal and ritual generosity or it can...
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Journal Article
Trans Asia Photography (2012) 3 (1)
Published: 01 September 2012
... ( Like Okinawa Sweet , 2004) in a send-up of Japan's policy to provide "sweet compensations" to local citizens for the presence of US military bases in the territory. The work titled Trip to Japan (2004) shows the artist demonstrating in front of the Diet building in Tokyo against policies promoting...
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Journal Article
Trans Asia Photography (2018) 9 (1)
Published: 22 October 2018
..., and hidden in private bedrooms? Which have a more public presence? Singh explores this idea in her Sent a Letter series (2008), with small images in accordion-book format that can be carried around, gifted, given, hidden, exchanged. Samara Chopra appears with her family in one such accordion book, growing...
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