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in Concubines with Cameras: Royal Siamese Consorts Picturing Femininity and Ethnic Difference in Early 20 th Century Siam
> Trans Asia Photography
Published: 01 April 2012
Figure 9. Lady Khanomdom Amatyakul using sewing machine at Vimanmek Mansion.
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Journal Article
Memory of the Dead and Responsibility of the Living: Noh Suntag’s “Forgetting Machines” (2006-2007)
Open Access
Trans Asia Photography (2011) 2 (1)
Published: 01 September 2011
...Jeehey Kim 2011 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Fig. 1: Noh Suntag, ‘Hwang Ho-gol’, Forgetting Machines , 140x100cm, Pigment Print, 2006-7. Noh Suntag made The Forgetting Machines series (2006-2007...
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Published: 01 November 2022
Figure 10. Members of the Jewish Settlement Police during a field lesson with a machine gun at the Kfar Yeladim training base in the Jezreel Valley. Zoltan Kluger, 1942. Courtesy of the National Photo Collection of Israel, Photography Department, Government Press Office.
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in Memory of the Dead and Responsibility of the Living: Noh Suntag’s “Forgetting Machines” (2006-2007)
> Trans Asia Photography
Published: 01 September 2011
Fig. 2: Noh Suntag, ‘Park In-bae’, Forgetting Machines , 140x100cm, Pigment Print, 2006-7.
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in Memory of the Dead and Responsibility of the Living: Noh Suntag’s “Forgetting Machines” (2006-2007)
> Trans Asia Photography
Published: 01 September 2011
Fig. 11: Noh Suntag, Unknown/Lost, Forgetting Machines , 140x100cm, Pigment Print, 2006-7.
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in Memory of the Dead and Responsibility of the Living: Noh Suntag’s “Forgetting Machines” (2006-2007)
> Trans Asia Photography
Published: 01 September 2011
Fig. 1: Noh Suntag, ‘Hwang Ho-gol’, Forgetting Machines , 140x100cm, Pigment Print, 2006-7.
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Image
in Memory of the Dead and Responsibility of the Living: Noh Suntag’s “Forgetting Machines” (2006-2007)
> Trans Asia Photography
Published: 01 September 2011
Fig. 3: Noh Suntag, ‘Park Gui-ju’, Forgetting Machines , 140x100cm, Pigment Print, 2006-7.
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in Memory of the Dead and Responsibility of the Living: Noh Suntag’s “Forgetting Machines” (2006-2007)
> Trans Asia Photography
Published: 01 September 2011
Fig. 4: Noh Suntag, ‘Yang Hee-tae’, Forgetting Machines , 140x100cm, Pigment Print, 2006-7.
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in Memory of the Dead and Responsibility of the Living: Noh Suntag’s “Forgetting Machines” (2006-2007)
> Trans Asia Photography
Published: 01 September 2011
Fig. 5: Noh Suntag, ‘Yang Gyun’, Forgetting Machines , 140x100cm, Pigment Print, 2006-7.
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in Memory of the Dead and Responsibility of the Living: Noh Suntag’s “Forgetting Machines” (2006-2007)
> Trans Asia Photography
Published: 01 September 2011
Fig. 6: Noh Suntag, ‘Kim Young-muk’, Forgetting Machines , 140x100cm, Pigment Print, 2006-7.
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in Memory of the Dead and Responsibility of the Living: Noh Suntag’s “Forgetting Machines” (2006-2007)
> Trans Asia Photography
Published: 01 September 2011
Fig. 7: Noh Suntag, ‘Kim Wan-bong’, Forgetting Machines , 140x100cm, Pigment Print, 2006-7.
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in Memory of the Dead and Responsibility of the Living: Noh Suntag’s “Forgetting Machines” (2006-2007)
> Trans Asia Photography
Published: 01 September 2011
Fig. 8: Noh Suntag, ‘Kim Dong-jin’, Forgetting Machines , 140x100cm, Pigment Print, 2006-7.
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in Memory of the Dead and Responsibility of the Living: Noh Suntag’s “Forgetting Machines” (2006-2007)
> Trans Asia Photography
Published: 01 September 2011
Fig. 9: Noh Suntag, ‘Ryu Young-sun’, Forgetting Machines , 140x100cm, Pigment Print, 2006-7.
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in Memory of the Dead and Responsibility of the Living: Noh Suntag’s “Forgetting Machines” (2006-2007)
> Trans Asia Photography
Published: 01 September 2011
Fig. 10: Noh Suntag, ‘Kim Jong-yeon’, Forgetting Machines , 140x100cm, Pigment Print, 2006-7.
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in Memory of the Dead and Responsibility of the Living: Noh Suntag’s “Forgetting Machines” (2006-2007)
> Trans Asia Photography
Published: 01 September 2011
Fig. 12: Noh Suntag, ‘Yoon Soon-ae’, Forgetting Machines , 140x100cm, Pigment Print, 2006-7.
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in Memory of the Dead and Responsibility of the Living: Noh Suntag’s “Forgetting Machines” (2006-2007)
> Trans Asia Photography
Published: 01 September 2011
Fig. 13: Noh Suntag, ‘Choi Gang-sik’, Forgetting Machines , 140x100cm, Pigment Print, 2006-7.
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Journal Article
Trans Asia Photography (2015) 6 (1)
Published: 01 October 2015
... with spray guns. I see. People in the village traveled and made contacts, so they picked up information. Whenever they discovered something challenging, they would come and talk to me and we would work things out. At first we used ordinary machine-made cloth but didn’t paint many. We gradually...
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Journal Article
Trans Asia Photography (2024) 14 (1)
Published: 01 May 2024
... the book's fonts and layout reworked standard typeface, modernist lettering, and machine-aesthetic photomontages in shaping readers’ sensorium of mechanized warfare. During this process of making sense of war, typographic design in Records played a role in abstracting individual victims into categorical...
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Journal Article
Trans Asia Photography (2019) 9 (2)
Published: 12 April 2019
... elements. Two early multiple-exposure photographs by Yasui Nakaji provide something of a deterrent to the dehumanizing tendencies latent in the machine aesthetic of Horino or Fuchikami, as they juxtapose towering mechanical forms with images of workers’ body movements and emotions and thereby more...
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Journal Article
Trans Asia Photography (2010) 1 (1)
Published: 01 September 2010
...? Pemberton’s standout essay on colonial sugar factories in Java says it best: there is a ghost in the machine that cannot be seen. And it is this haunting sense that lingers in the photograph. In Morris’s words, “Foreignness, whether temporal, social, or spatial, is that principle which permits the image...
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