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lee
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in Kowloon Walled City Revisited: Photography and Postcoloniality in the City of Darkness
> Trans Asia Photography
Published: 01 April 2016
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in Kowloon Walled City Revisited: Photography and Postcoloniality in the City of Darkness
> Trans Asia Photography
Published: 01 April 2016
Journal Article
Trans Asia Photography (2014) 5 (1)
Published: 01 October 2014
.... Amy Lee Sanford lives and works in Phnom Penh and New York City. She holds a BA in Visual Arts from Brown University. Recent solo exhibitions and performances include Break Pot Performance: Gertrude Street , at Seventh Gallery, Melbourne (2013); 40 Pots + 4 Sketches (2013) and Full Circle (2012...
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Journal Article
Trans Asia Photography (2016) 7 (1)
Published: 01 October 2016
...Wing Ki Lee Another layer of skepticism emerged after I read the background of the book project in Edward Stokes’s chapter “One Man’s Legacy.” In a nutshell, this is a story of the encounters between two photographers, the Singapore-born and Hong Kong–based Lee Fook Chee and the Australia-born...
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Journal Article
Trans Asia Photography (2014) 4 (2)
Published: 01 April 2014
...) Kikuta Shin (菊田眞) Takahashi Tsunesaburō (高橋常三郎) Iwata Kanae (岩田鼎) Fujita Shōzaburō (藤田庄三郎) Names of Photography Associations Association of Photographers in Gyeongseong (경성사진사협회; 京城寫眞師協會) Joseon Photography Association (조선사진협회; 朝鮮寫眞協會) 1. Dr. Lee Kyungmin wrote his...
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Image
Published: 01 May 2023
Figure 5. Iconic photograph by Russell Lee of two-year-old Yuki Okinaga Hayakawa waiting for the train to Manzanar War Relocation Center, Los Angeles, April 1942.
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in Going “Native” in an American Borderland: Frank S. Matsura’s Photographic Miscegenation
> Trans Asia Photography
Published: 01 October 2014
Fig. 6. Lee Moorhouse, Nez Perce Chief Joseph poses in blanket outdoors, 1901. University of Washington Libraries, Special Collections, NA 605.
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in Traversing Expanses: The Cambodian-American Diaspora Experience in the Work of Pete Pin, Amy Lee Sanford, and Seoun Som
> Trans Asia Photography
Published: 01 October 2014
Amy Lee Sanford, Fragments , 2013, archival pigment print, variable dimensions. Courtesy of the artist and SA SA BASSAC
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in Traversing Expanses: The Cambodian-American Diaspora Experience in the Work of Pete Pin, Amy Lee Sanford, and Seoun Som
> Trans Asia Photography
Published: 01 October 2014
Amy Lee Sanford, Jan. 28 , 1974, 2013, archival pigment print, 60 x 30 cm. Courtesy of the artist and SA SA BASSAC
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in Traversing Expanses: The Cambodian-American Diaspora Experience in the Work of Pete Pin, Amy Lee Sanford, and Seoun Som
> Trans Asia Photography
Published: 01 October 2014
Amy Lee Sanford, School Children , 2013, archival pigment print, 25.5 x16.5 cm. Courtesy of the artist and SA SA BASSAC
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in Traversing Expanses: The Cambodian-American Diaspora Experience in the Work of Pete Pin, Amy Lee Sanford, and Seoun Som
> Trans Asia Photography
Published: 01 October 2014
Amy Lee Sanford, Oct. 27, 1972 , 2013, archival pigment print, 30.5 x 40.5 cm. Courtesy of the artist and SA SA BASSAC
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in Traversing Expanses: The Cambodian-American Diaspora Experience in the Work of Pete Pin, Amy Lee Sanford, and Seoun Som
> Trans Asia Photography
Published: 01 October 2014
Amy Lee Sanford, 300 Rockets on Phnom Penh , 2013, archival pigment print, 44 x 17 cm. Courtesy of the artist and SA SA BASSAC
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in Traversing Expanses: The Cambodian-American Diaspora Experience in the Work of Pete Pin, Amy Lee Sanford, and Seoun Som
> Trans Asia Photography
Published: 01 October 2014
Amy Lee Sanford, video still from Cascade (36) , 2014, single-channel, 11 min, 47 s. Courtesy of the artist and SA SA BASSAC
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Published: 01 September 2010
Lee, Sunja's House #1 -Ancestral Rites, 2004, from the series Woman's House II (2003-4) © Sunmin Lee
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Published: 01 April 2013
Fig. 5: Lee Hyungrok, Muddy Street , 1954, Collection of Dong Gang Museum of Photography, © Lee Hyungrok, Courtesy of Dong Gang Museum of Photography and The Korea Society, New York.
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