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Published: 01 May 2023
Figure 8. AR Japanese American father with his two sons awaiting relocation, Japanese American National Museum Plaza, May 19, 2022. Photograph by Elena Creef.
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Image
Published: 01 May 2023
Figure 10. AR Japanese American actress portraying evacuee, Japanese American National Museum Plaza, May 19, 2022. Photograph by Elena Creef.
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Journal Article
Trans Asia Photography (2011) 1 (2)
Published: 01 May 2011
...Geoffrey Batchen; Yoshiaki Kai; Masashi Kohara 2011 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Among the first photographs to be made by Japanese photographers exclusively for Japanese clients, ambrotypes—collodion negatives...
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Journal Article
Trans Asia Photography (2011) 2 (1)
Published: 01 September 2011
...: Conceptual and Theoretical Notes”, the introductory text in this issue, for a fuller discussion of this phenomenon). Along these lines, contemporary Japanese photographers have produced particularly interesting work using strategies of mimicry, masquerade, camouflage, disguise, multiplicity, juxtaposition...
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Journal Article
Trans Asia Photography (2013) 3 (2)
Published: 01 April 2013
... in this article are those used in New Japanese Photography and they may have been changed afterward. 43. Yamagishi, “Introduction,” 12. 44. Szarkowski, “Introduction,” 9 . 45. [F. McD.], “Photography,” Village Voice , 11 April 1974. A photocopy of this review, like others I will cite...
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Journal Article
Trans Asia Photography (2015) 6 (1)
Published: 01 October 2015
...Tessa Hite Anne Nishimura Morse and Anne E. Havinga , In the Wake: Japanese Photographers Respond to 3/11 ( Boston : Museum of Fine Arts , 2015 ) 208 pp. ISBN: 978-0-87846-827-0 2015 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0...
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Journal Article
Trans Asia Photography (2021) 11 (2)
Published: 21 December 2021
... of Japanese Photography), Volume 2 (Tokyo: Shogakukan, 1986), 158-60. 7. For more on the Tsukuba Museum of Photography 1985, see Aota and Kobayashi, eds, 1985/Shashin ga āto ni natta toki . 6. Aota and Kobayashi, eds, 1985/Shashin ga āto ni natta toki , 48. 5. Kaneko Ryūichi...
Journal Article
Trans Asia Photography (2016) 6 (2)
Published: 01 April 2016
...Allen Hockley David Odo , The Journey of a “Good Type”: From Artistry to Ethnography in Early Japanese Photographs ( Cambridge, MA : Peabody Museum Press , 2015 , dist. Harvard University Press ) 2016 This work is licensed under a Creative Commons Attribution-NonCommercial...
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Journal Article
Trans Asia Photography (2016) 6 (2)
Published: 01 April 2016
...Paul D. Barclay 2016 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. This essay examines corporal-punishment imagery in early-twentieth-century Japanese print media, with a focus on pictures from colonial Taiwan and Korea. Its purpose...
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Journal Article
Trans Asia Photography (2016) 7 (1)
Published: 01 October 2016
... to the throne during a time of domestic and global uncertainty. This was also the first time that the Japanese imperial family began its reign with pronouncements in the media — and with the use of photographs. Although Teimei appears timid and young, over the course of the next decade her image would...
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Journal Article
Trans Asia Photography (2017) 8 (1)
Published: 12 October 2017
...Russet Lederman This paper uses Asian naming conventions: that is, last name preceding first name. Yoko Ono is the exception, as she is well known in the West by that name. Unless otherwise noted, all translations of Japanese texts are by Tomomitsu Megumi. 2017 This work is licensed under...
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Journal Article
Trans Asia Photography (2019) 10 (1)
Published: 18 November 2019
...Amandine Davre 2019 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. This article will examine the works of three prolific Japanese artists — Masamichi Kagaya, Shimpei Takeda, and Yoi Kawakubo — who use analog photography or camera...
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in Exhibition Review: North Korean Perspectives (curated by Marc Prüst and Natasha Egan)
> Trans Asia Photography
Published: 01 April 2016
Fig. 10. Hyounsang Yoo, When Kim Il-Sung fought against the Japanese colonial power, he is said to have used two guns that were originally his father’s. Archival pigment print, 40 x 48 in.
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Published: 01 April 2016
Fig. 19. Japanese illustration of the finger press. “Sasshi,” in Taiwan kanshū kiji 1, vol. 2.
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Published: 01 April 2016
Fig. 24. Photographs of floggings with Japanese officers present. Left: “S 41 The Convict About [sic] to Be Flagged [sic].” http://digital.lafayette.edu/collections/eastasia/imperial-postcards/ip0855 . Right: “Rioters Penalty Execution at Korea,” East Asia Image Collection , http
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Published: 01 April 2016
Fig. 28. Japanese army executes Korean rebels. Nihon no Chōsen, 97. 57
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in Photography as State Apparatus: Resident Registration Card Photography in South Korea
> Trans Asia Photography
Published: 12 October 2017
Fig 2. Bertillon card of Yu Gwansoon, who was arrested and killed by Japanese police for demonstrating for the independence of Korea, ⓒ National Institute of Korean History.
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Journal Article
Trans Asia Photography (2020) 10 (2)
Published: 24 April 2020
...Russet Lederman Editor’s Note: The text below is a response to the following question posed by the TAP Review : Do you think national, regional, or cultural frameworks (e.g. Japanese photography, Southeast Asian photography, Arab photography) are useful at this point? What might be the alternatives...
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Journal Article
Trans Asia Photography (2017) 7 (2)
Published: 01 May 2017
..., and printmaking. Covering the period before and after his famed Nemuri no riyu series, this bilingual exhibition catalogue serves to further introduce an important prewar Japanese photographer to an English-speaking audience. In 2008, photographer, writer, and educator Kyoji...
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