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japanese
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Journal Article
Trans Asia Photography (2011) 1 (2)
Published: 01 May 2011
...Geoffrey Batchen; Yoshiaki Kai; Masashi Kohara 2011 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Among the first photographs to be made by Japanese photographers exclusively for Japanese clients, ambrotypes—collodion negatives...
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Journal Article
Trans Asia Photography (2011) 2 (1)
Published: 01 September 2011
...: Conceptual and Theoretical Notes”, the introductory text in this issue, for a fuller discussion of this phenomenon). Along these lines, contemporary Japanese photographers have produced particularly interesting work using strategies of mimicry, masquerade, camouflage, disguise, multiplicity, juxtaposition...
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Journal Article
Trans Asia Photography (2013) 3 (2)
Published: 01 April 2013
...Yoshiaki Kai 2013 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. It is no longer unusual for Japanese photographers to show their work outside of their country. Major art museums in the United States and Europe now organize solo...
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Journal Article
Trans Asia Photography (2015) 6 (1)
Published: 01 October 2015
...Tessa Hite Anne Nishimura Morse and Anne E. Havinga , In the Wake: Japanese Photographers Respond to 3/11 ( Boston : Museum of Fine Arts , 2015 ) 208 pp. ISBN: 978-0-87846-827-0 2015 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0...
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Journal Article
Trans Asia Photography (2020) 10 (2)
Published: 24 April 2020
...Russet Lederman Editor’s Note: The text below is a response to the following question posed by the TAP Review : Do you think national, regional, or cultural frameworks (e.g. Japanese photography, Southeast Asian photography, Arab photography) are useful at this point? What might be the alternatives...
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Journal Article
Trans Asia Photography (2017) 7 (2)
Published: 01 May 2017
..., and printmaking. Covering the period before and after his famed Nemuri no riyu series, this bilingual exhibition catalogue serves to further introduce an important prewar Japanese photographer to an English-speaking audience. In 2008, photographer, writer, and educator Kyoji...
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Journal Article
Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century
Trans Asia Photography (2017) 7 (2)
Published: 28 April 2017
... described Ogawa’s life-long project of introducing and expanding photographic technologies in Japan and showed how, indeed, Ogawa’s story of many “firsts” illustrates the history of Japanese photography at the turn of the twentieth century. In 1889 he became a founding member of the Japan Photographic...
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Journal Article
Trans Asia Photography (2021) 11 (2)
Published: 21 December 2021
... reported on the website of the Taiwanese photography journal Voices of Photography is indicative of his international reputation. Anyone who pursued a career in the field of Japanese photography would have been encouraged to speak with Mr. Kaneko. He always had a welcoming attitude towards the young...
Journal Article
Trans Asia Photography (2016) 6 (2)
Published: 01 April 2016
...Allen Hockley David Odo , The Journey of a “Good Type”: From Artistry to Ethnography in Early Japanese Photographs ( Cambridge, MA : Peabody Museum Press , 2015 , dist. Harvard University Press ) 2016 This work is licensed under a Creative Commons Attribution-NonCommercial...
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Journal Article
Trans Asia Photography (2016) 6 (2)
Published: 01 April 2016
...Paul D. Barclay The mimesis thesis has an important shortcoming, however. As shown above, Japanese colonialists did not reproduce Western rhetoric about the “Oriental despot” in their publications about Taiwan, its Chinese population, or its former Qing overlords. This divergence, which I...
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Journal Article
Trans Asia Photography (2016) 7 (1)
Published: 01 October 2016
... as the primary visual representative of the imperial family was a necessity of circumstance, but it was also revolutionary in the context of the public image of the Japanese royals. Taishō’s weakened state made him unable to act as the photographic face of the monarchy, and Crown Prince Hirohito had turned...
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Journal Article
Trans Asia Photography (2017) 8 (1)
Published: 12 October 2017
...Russet Lederman This paper uses Asian naming conventions: that is, last name preceding first name. Yoko Ono is the exception, as she is well known in the West by that name. Unless otherwise noted, all translations of Japanese texts are by Tomomitsu Megumi. 2017 This work is licensed under...
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Journal Article
Trans Asia Photography (2019) 10 (1)
Published: 18 November 2019
... exhibited internationally. In the aftermath of the nuclear accident, the Japanese photographer Masamichi Kagaya conducted substantial research on radioactivity released into the atmosphere by the damaged reactors of the Fukushima plant and the consequences for humans, fauna, and flora. Considering...
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Image
Published: 01 May 2011
Fig. 4: John Gulick, 'Japanese street scene; barber and customer,' 1862-63, illustrated in Addison Gulick's Evolutionist and Missionary .
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Image
Published: 01 May 2011
Makers Unknown (Japan), Japanese Soldier With Sword, Suspenders, Walking Stick, Bakumatsu Period , ca. 1867, 4.5 x 3.5 inches, Collection of Charles Schwartz, New York
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Image
Published: 01 May 2011
Makers unknown (Japan), Seated Japanese soldier, flanked by two women , c.1904, ambrotype with decorated paper mat, 9.5 × 6.9 × 0.5 cm (closed), Collection of Izu Photo Museum, Shizuoka, Japan
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Image
in Distinctiveness versus Universality: Reconsidering New Japanese Photography
> Trans Asia Photography
Published: 01 April 2013
Fig. 1: Installation view of the exhibition ‘New Japanese Photography’. MoMA, New York, March 27, 1974 through May 19, 1974. New York, Museum of Modern Art (MoMA). Photographer: Katherine Keller. Digital Image © 2013, The Museum of Modern Art, New York/Photo SCALA, Florence.
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Image
in Distinctiveness versus Universality: Reconsidering New Japanese Photography
> Trans Asia Photography
Published: 01 April 2013
Fig. 2: Installation view of the exhibition ‘New Japanese Photography’. MoMA, NY, March 27, 1974 through May 19, 1974. New York, Museum of Modern Art (MoMA). Photographer: Katherine Keller. Copyright: The Museum of Modern Art, New York. Digital Image © 2013, The Museum of Modern Art, New York
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Image
Published: 01 November 2013
Fig. 7. Yaichi Aizu, Poet, Calligrapher, and Japanese Art Critic (1947), by Hiroshi Hamaya, gelatin silver print, © Keisuke Katano, Estate of Hiroshi Hamaya, Oiso, Japan.
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Image
in Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century
> Trans Asia Photography
Published: 28 April 2017
Fig. 3. The Russo-Japanese War: Taken by the Photography Department of the Imperial Headquarters . No. 8. ( Nichiro seneki shashinjō 日露戦役写真帖 陸地測量部藏版 第八巻) Tokyo: K. Ogawa, 1904. 27 x 38 cm. Getty Special Collections, Internet Archive.
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