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in Photography and Diaspora: A roundtable with Pok Chi Lau, Surendra Lawoti, and Wei Leng Tay
> Trans Asia Photography
Published: 01 October 2014
Fig. 13. Wei Leng Tay, Kirk and Karen, Hong Kong , 2013, from Hong Kong Living , courtesy the photographer.
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Journal Article
Trans Asia Photography (2015) 5 (2)
Published: 01 April 2015
...Lisa Botos Ducky TSE Chi Tak’s photographs have been exhibited in Hong Kong, Japan, the Netherlands, Singapore, China, and France. In 2009, Tse was one of the organizers of the first Hong Kong International Photo Festival. He has received many accolades, including, for multiple years...
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Journal Article
Trans Asia Photography (2020) 10 (2)
Published: 24 April 2020
... February 2020. “Stories of the past never catch up with the ever-vanishing present,” observed the Hong Kong writer P. K. Leung. 3 While based on photographs with specific referents, some personal some societal, Tay’s apparent abstractions in fact reinstate the objecthood of these images...
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Journal Article
Trans Asia Photography (2023) 13 (1)
Published: 01 May 2023
...Nadine Attewell Abstract This article thinks with and against photographs taken by British military photographers in Hong Kong at the end of World War II, during the transition from Japanese back to British colonial rule. Building on Lisa Yoneyama's account of the “postwar settlements” through...
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in Contemporary Photography Magazines in Korea and Taiwan: Vostok and Voices of Photography in Context
> Trans Asia Photography
Published: 24 April 2020
Fig. 3. “Hong Kong: Now or Never,” special issue, Vostok , no. 19, 2020.
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in Photographing the Invisible: Immortal Spirit Photography and China's En(light)enment
> Trans Asia Photography
Published: 01 May 2022
Figure 6c. A contemporary fuji group's temple in Hong Kong; the Wushan Society's “Fuyou Dijun Spirit Photograph” is placed on the central altar. Image courtesy of Shiga Ichiko.
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in Hong Kong in Transition: Photography and Liberation at the End of the Pacific War
> Trans Asia Photography
Published: 01 May 2023
Figure 1. Hong Kong Surrender Ceremony, September 16, 1945. Photographer unknown. Glass. Admiralty Official Collection, A 30592, Imperial War Museum, London.
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in Hong Kong in Transition: Photography and Liberation at the End of the Pacific War
> Trans Asia Photography
Published: 01 May 2023
Figure 3. The British reoccupation of Hong Kong, February 20, 1946. Photograph by Sgt. Oakes. Nitrate. War Office, Central Office of Information and American Second World War Official Collection, SE 6828, Imperial War Museum.
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in Hong Kong in Transition: Photography and Liberation at the End of the Pacific War
> Trans Asia Photography
Published: 01 May 2023
Figure 4. The British reoccupation of Hong Kong, September 24, 1945. Photograph by Sgt. R. Watson. Nitrate. War Office, Central Office of Information and American Second World War Official Collection, SE 5062, Imperial War Museum.
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in Hong Kong in Transition: Photography and Liberation at the End of the Pacific War
> Trans Asia Photography
Published: 01 May 2023
Figure 5. Liberation of Hong Kong, ca. August–September 1945. Photographer unknown. Nitrate. Admiralty Official Collection, A 30545, Imperial War Museum.
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in Hong Kong in Transition: Photography and Liberation at the End of the Pacific War
> Trans Asia Photography
Published: 01 May 2023
Figure 6. Liberation of Hong Kong, ca. August–September 1945. Photographer unknown. Nitrate. Admiralty Official Collection, A 30546, Imperial War Museum.
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in Hong Kong in Transition: Photography and Liberation at the End of the Pacific War
> Trans Asia Photography
Published: 01 May 2023
Figure 7. The British reoccupation of Hong Kong, September 18, 1945. Photograph by Sgt. R. Watson. Nitrate. War Office, Central Office of Information and American Second World War Official Collection, SE 5017, Imperial War Museum.
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Journal Article
Trans Asia Photography (2016) 7 (1)
Published: 01 October 2016
...Wing Ki Lee Another layer of skepticism emerged after I read the background of the book project in Edward Stokes’s chapter “One Man’s Legacy.” In a nutshell, this is a story of the encounters between two photographers, the Singapore-born and Hong Kong–based Lee Fook Chee and the Australia-born...
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Journal Article
Trans Asia Photography (2021) 11 (2)
Published: 21 December 2021
...Wing Ki Lee Clean Hong Kong Action (2019), a photobook in a concertina format handmade by Siu Wai Hang (b. 1986), features photographs of hundreds and thousands of protestors, whose faces were represented by cut-out holes. 16 ( Figure 4 ) This technique of hiding identity through...
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in Kowloon Walled City Revisited: Photography and Postcoloniality in the City of Darkness
> Trans Asia Photography
Published: 01 April 2016
Fig. 7. Ian Lambot, Installation View at M+, Hong Kong , 2014 © Ian Lambot.
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in Kowloon Walled City Revisited: Photography and Postcoloniality in the City of Darkness
> Trans Asia Photography
Published: 01 April 2016
Fig. 9. Eunsoo Lee, Gloucester Road, Admiralty, Hong Kong , 2014 © Eunsoo Lee.
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in Kowloon Walled City Revisited: Photography and Postcoloniality in the City of Darkness
> Trans Asia Photography
Published: 01 April 2016
Fig.10. Eunsoo Lee, House on Nathan Road #1, Hong Kong , 2014 © Eunsoo Lee.
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in Disobedient Photobooks: Photobooks and the Protest Image in Contemporary Hong Kong
> Trans Asia Photography
Published: 21 December 2021
Figure 3: Tse Ming Chong and Tam Hong Ming, 1989 We Will Not Forget (postcard album, 1989).
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in Disobedient Photobooks: Photobooks and the Protest Image in Contemporary Hong Kong
> Trans Asia Photography
Published: 21 December 2021
Figure 4: A page from Siu Wai Hang, Clean Hong Kong Action (photobook dummy, 2019)
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in Disobedient Photobooks: Photobooks and the Protest Image in Contemporary Hong Kong
> Trans Asia Photography
Published: 21 December 2021
Figure 5: Cover and a page from Paul Tak Ming Yeung, Yes Madam, Sorry Ah Sir (Hong Kong: Brownie Publishing, 2016.)
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