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fig
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in Photographic Praxis in China, 1930s-1980: A Conversation with Chen Shuxia, Shi Zhimin, and Zhou Dengyan about Shi Shaohua and the Friday Salon
> Trans Asia Photography
Published: 12 April 2019
Fig. 23. Zhang Lan’s The Soul of Autumn (fig. 23) was first published in the second issue of Today magazine; in the fourth issue, in 1979, an article reviewed this photo (fig. 24). Courtesy of Cheng Xin.
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in Photographic Praxis in China, 1930s-1980: A Conversation with Chen Shuxia, Shi Zhimin, and Zhou Dengyan about Shi Shaohua and the Friday Salon
> Trans Asia Photography
Published: 12 April 2019
Fig. 24. Zhang Lan’s The Soul of Autumn (fig. 23) was first published in the second issue of Today magazine; in the fourth issue, in 1979, an article reviewed this photo (fig. 24). Courtesy of Cheng Xin.
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in Daubing Titipu: Transnational Material Contexts of Nineteenth-Century Hand-Colored Photography in Japan
> Trans Asia Photography
Published: 01 May 2022
Figure 11. Micrograph at ×50 (left) and ×250 (right) of orange paint in middle of figure 9 . Note the strength of color and the transparency.
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in The Photographer’s New Clothes: An Interview with Cang Xin regarding “Identity Exchange” (2002-2007)
> Trans Asia Photography
Published: 01 September 2011
Fig. 3: Cang Xin, ‘Butcher’, 2002, from the Identity Exchange series. Fig. 4: Cang Xin, ‘Judge’, 2004, from the Identity Exchange series.
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in Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign
> Trans Asia Photography
Published: 01 April 2013
Fig. 5: Chen Wanli 陳萬里 (1892-1969), After Ni Yunlin’s [Ni Zan]Small Landscape of Pines & Rocks (On the Path at Panshan to the East of Beijing) 仿倪雲林松石小景 (京東盤山道中), ca. 1919-1924. Gelatin silver print. From Chen Wanli, Da Feng ji (Great Wind Collection), Courtesy of Chen Shen.
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in Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign
> Trans Asia Photography
Published: 01 April 2013
Fig. 16a: Lang Jingshan 郎静山 (1892-1995), Returning Woodcutter on a Mountain Path 山徑歸樵, 1933. Gelatin silver print. Source: Sheying dashi Lang Jingshan [Lang Jingshan: Master Photographer] (Beijing: Zhongguo Sheying chuban she, 2003), plate 21. Courtesy of Taipei Lang Ching-shan i-shu wen-hua fa
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in Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign
> Trans Asia Photography
Published: 01 April 2013
Fig. 20a: Shui Fuping 水浮萍 (active 1930s), Planks 四十六板板, ca. 1934. Gelatin silver print. From Heibai yingji , No. 1 (1934). Fig. 20b: Ye Qianyu 葉淺予 (1907-1995), New Residence 新居, ca. 1935. Gelatin silver print. From Heibai yingji , No. 2 (1935).
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in Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign
> Trans Asia Photography
Published: 01 April 2013
Fig. 21a: Luo Gusun 羅榖蓀 (active 1930s), Bridge 橋梁, ca. 1935. Gelatin silver print. From Heibai yingji , No. 2 (1935). Fig. 21b: Shang Fu 尚甫 (active 1930s), Melody of Lines 調線, ca. 1934. Gelatin silver print. From Chenfeng , no. 8 (September 1934).
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in Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign
> Trans Asia Photography
Published: 01 April 2013
Fig. 24a: Donald Mennie, Some dim pavilion where my lady dreams . Photogravure. From Glimpses of China: A Series of Vandyck Photogravures illustrating Chinese life and surroundings . Private Collection. Fig. 24b: Donald Mennie, Towards the dim blue hills . Photogravure. From Glimpses
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Journal Article
Trans Asia Photography (2013) 4 (1)
Published: 01 November 2013
... Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Fig. 1. Unidentified and damaged publicity material. Any storyteller embarking on archival research will tell you that the tactile quality of the material is as alluring and elusive as is the method itself. This becomes...
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Journal Article
Trans Asia Photography (2012) 3 (1)
Published: 01 September 2012
... ratified it. The United States, Russia, China, and Israel, however, did not sign the treaty. Fig. 2.11: Vegetables being grown in bomb casing. Fig. 2.10: Storage hut supported by bomb casings. Fig. 2.9: Handicap International sign supported by bomb casings. Fig. 2.8...
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Journal Article
Trans Asia Photography (2012) 2 (2)
Published: 01 April 2012
...Sabeena Gadihoke Fig. 7: A sketching session at the JJ School of Arts, Bombay, late 1930s. Courtesy the Homai Vyarawalla Archive / Alkazi Collection of Photography Fig. 8: Rehana Mogul and Mani Turner in sculpture class at the J.J. School of the Arts, Bombay, late 1930s. Courtesy...
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Journal Article
Trans Asia Photography (2014) 4 (2)
Published: 01 April 2014
.... The passages in this article are my adaptations of Ms. Yamada’s original. Takahashi Sayaka, director of Photo Gallery International, provided the images. Fig. 12. Kon Michiko, Dizzy Dress , 2013, © Kon Michiko, courtesy Photography Gallery International, Tokyo. Kon’s vision remains unique...
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Journal Article
Trans Asia Photography (2013) 4 (1)
Published: 01 November 2013
..., and physical landscape ( fig 1 ). Fig. 1. Post-colonial political campaigning in 1964. Deputy Prime Minister Dr Toh Chin Chye (centre) and Minister for Culture S Rajaratnam (right) thank residents for their support in Kampong Glam. (Ministry of Communications and Information Collection, courtesy...
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Journal Article
Trans Asia Photography (2017) 8 (1)
Published: 12 October 2017
... Studio ( Hongdou zhaoxiang , 红都照相), the Daqing Road Studio, in Qingdao ( Daqing zhaoxiangguan, 大庆路照相馆), and the Red City Studio ( Hongcheng zhaoxiang, 红城照相). 2017 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Fig.1. Tian’anmen...
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Journal Article
Trans Asia Photography (2020) 10 (2)
Published: 24 April 2020
...Jamie Maxtone-Graham 2020 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Fig. 1. Dao, Ha, Untitled, from the All Things Considered series, 2019, © Ha Dao. Prior to moving to Hanoi where I have lived since 2007, I...
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Journal Article
Trans Asia Photography (2012) 2 (2)
Published: 01 April 2012
... privately, and whose descendants now have the desire to preserve their histories. In the words of Subhamita Chaudhuri “these photographs are a part of my life. I have grown up looking at them” ( Fig. 1 , Family Album , Chapter 10). Shelly Deb of the Nabakrishna Deb family, one of the oldest families...
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Journal Article
Trans Asia Photography (2011) 2 (1)
Published: 01 September 2011
...Namiko Kunimoto 2011 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Fig.1: ‘Theos Bernard and Tibetans’, 1936, from Penthouse of the Gods . Stories of Tibet in the West are at once diverse and predictable: they work...
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Journal Article
Trans Asia Photography (2020) 10 (2)
Published: 24 April 2020
..., their existence in a particular time and place. As their aspiration to inform is denied, they ironically assume a new materiality, in the present flux, rightly reflecting a past as only so many fragmentary glimpses, which can no longer be readily wrought into a nostalgic whole. Fig. 10. Wei Leng Tay...
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Journal Article
Trans Asia Photography (2020) 10 (2)
Published: 24 April 2020
... and domestic photography. For this reason, although there will be many gaps, as photographers of the era have passed away, their archives will continue to raise important questions. Fig. 28. Manobina and Debalina could be either subject or photographer in these pictures. Courtesy the family of Manobina...
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