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Journal Article
Trans Asia Photography (2018) 9 (1)
Published: 22 October 2018
... about fatherly love and the bond with their children, but rather about documentation, lineage, enforcing patriarchy, and sexual prowess, all of which reflected both the familial and the social duties as men of the family. This is not to say the depicted men did not love their children, but to represent...
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Journal Article
Trans Asia Photography (2012) 2 (2)
Published: 01 April 2012
... now But the sari would come loose and fall anyhow With older boys around I had to hide my face With a veil, and to speak to them was not my place I was supposed to chat with girls alone, no other Men but my husband and his father and brother...” —LobonyabalaChaudhuri, Calcutta. Private family...
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Journal Article
Wuhan’s Family Photographs
Open Access
Trans Asia Photography (2020) 10 (2)
Published: 24 April 2020
...Laura Wexler 2020 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Family Photographs, Wang Jia Zui, 2014, © Laura Wexler. I have just clicked SEND for “Urban Albums, Village Forms: Chinese Family Photographs and the Cold...
FIGURES
Journal Article
Trans Asia Photography (2018) 9 (1)
Published: 22 October 2018
... context. 18 There is also growing body of research that examines the advertising of domestic commodities and pastimes, such as teas, tonics, home decor, and entertainment, in the subcontinent, but none focuses on cameras for the family. 19 However, the existing studies on advertising in South Asia...
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Journal Article
Trans Asia Photography (2021) 11 (1)
Published: 10 June 2021
...LiLi Johnson 2021 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. In a personal photograph of the Somerset family, a group of adults and children snuggle together shoulder-to-shoulder on the family couch ( Figure 1 ). Alan...
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Journal Article
Trans Asia Photography (2018) 9 (1)
Published: 22 October 2018
... revealed the hidden complexities of the editing process, the most absorbing and challenging part of her work. The edit of our family portrait is still ongoing as I write this essay. For Singh, it is achieved only at the right moment - displaced from the moment that the photograph is taken onto the moment...
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Journal Article
Trans Asia Photography (2018) 9 (1)
Published: 22 October 2018
... time and place to connect to a family member and fellow immigrant. 2 Photographs of Miki make him part of the landscape despite his legal standing in the country. As a first-generation Asian immigrant to the United States, Miki was not able to attain citizenship until after World War II. 19...
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Journal Article
Trans Asia Photography (2014) 5 (1)
Published: 01 October 2014
... Spectatorship in the Time of Cold War Human Rights.” Paper presented at the “Doing Photography” conference, Durham, UK, January 2013. 16. Marianne Hirsch, ed., The Familial Gaze (Hanover, NH, and London: Dartmouth College, 1999). 15. Exchange, via e-mail, between the author and Michelle Kumata...
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Image
Published: 22 October 2018
Fig. 1. Singh, Dayanita, view of test image of Sinha family portrait on WhatsApp, 2018, © Dayanita Singh, courtesy of Dayanita Singh.
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in Photodemos – Citizens of photography: the camera and the political imagination
> Trans Asia Photography
Published: 24 April 2020
Fig. 4. A Tamil family mourns before a portrait at Mullivaikkal Remembrance Day that marks the end of the war, 2018. In the postwar, these humble everyday photographs, made for the most part by local photography studios during the course of the conflict, photographs spanning from NIC portraits
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in Photodemos – Citizens of photography: the camera and the political imagination
> Trans Asia Photography
Published: 24 April 2020
Fig. 5. Protest of the Families of the Disappeared In Maruthankerny, Jaffna: family members hold up photographs of their loved ones, 2018. Most prominent among the various acts of resistance undertaken by the Tamil community are the protests of the Families of the Disappeared in the North
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in Photodemos – Citizens of photography: the camera and the political imagination
> Trans Asia Photography
Published: 24 April 2020
Fig. 6. A photograph of the first Chinese migrant family, taken in a photo studio in Phnom Penh around the 1930s during the French colonial period. The photograph was restored from black and white in order to reprint and share with relatives (years after they passed away). It survived through
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in Photodemos – Citizens of photography: the camera and the political imagination
> Trans Asia Photography
Published: 24 April 2020
Fig. 8. A wedding photograph from a family album of grandfather “Aspara” taken in the early 2000s in Battambang province, North-western Cambodia. His daughter-in-law was cut out of the photograph when he realised that she communicated HIV to his son. Although both of them passed away
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Published: 24 April 2020
Fig. 7. Masahisa Fukase, Family ( Kazoku ), Tokyo: Inter Press Corporation, 1991.
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in A Fragile Past: Exploring One Family’s Narrative Through the Photographs They Buried
> Trans Asia Photography
Published: 24 April 2020
Fig. 4. Dimensions: 5.25 x 3.5 inches, Circa 1966. When I make family photos now this type of picture is what I tend to avoid, these big group pictures, but then they are the ones I end up valuing the most. It shows the size of our family and this holds the most importance and significance to us
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Published: 24 April 2020
Fig. 1. Bimal Roy, 1966. Photo by Manobina Roy, courtesy the family of Manobina Roy.
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Published: 24 April 2020
Fig. 6. Aparajita Roy, Bombay, 1952. Photo by Manobina Roy, courtesy the family of Manobina Roy.
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Published: 24 April 2020
Fig. 7. Aparajita Roy, Bombay, 1953. Photo by Manobina Roy, courtesy the family of Manobina Roy.
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Published: 24 April 2020
Fig. 8. Rana Sen Roy, Bombay, 1940. Photo by Manobina Roy, courtesy the family of Manobina Roy.
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