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early
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Journal Article
Trans Asia Photography (2019) 9 (2)
Published: 12 April 2019
... are early portraits of young King Chulalongkorn (r. 1873–1910) as well as images of the royal “summer palace,” at Bang Pa-In, Ayutthaya, and various temples around Bangkok. The author need not have hedged his bets by saying that “[i]t is probably no exaggeration to say that F. Chit was in a league...
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Journal Article
Trans Asia Photography (2020) 10 (2)
Published: 24 April 2020
...Thy Phu Terry Bennett , Early Photography in Vietnam ( Renaissance Books , 2020 ) ISBN-13: 978-1-912961-04-7 2020 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. There is a growing demand among scholars...
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Journal Article
Trans Asia Photography (2020) 10 (2)
Published: 24 April 2020
... between European settlers and Indigenous Peoples in the early history of what is today Canada. 1 The world these people created was certainly not free of misunderstanding or, even less, bloody conflict; but by looking carefully at the many moments of encounter, in between all the bloodshed...
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Journal Article
Trans Asia Photography (2022) 12 (1)
Published: 01 May 2022
... in photographic self-representations and how these self-representations negotiated the Kemalists' idea of modern citizenship in the early republican era. The desired selves performed in vernacular photographs were influenced not only by the Kemalist revolution but also by class aspirations of the citizens...
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in Modern Family: The Transformation of the Family Photograph in Qajar Iran
> Trans Asia Photography
Published: 22 October 2018
Fig. 8. Anonymous, Untitled, ND (late nineteenth-/early twentieth century), courtesy of Mehrdad Nadjmabadi.
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Published: 01 September 2011
Pushpamala N., ‘Lakshmi (after oleograph from Ravi Varma Press early 20th century)’. From the photo-performance project Native Women of South India: Manners and Customs , 2000-2004. Type C-print on metallic paper, 20 x 24 inches. Courtesy the artist and Bose Pacia, New York.
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Published: 01 April 2013
Fig.2: Double-exposure portrait of Puyi , early 1900s, gelatin silver print on card, photographer unknown.
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in Walking through Ephemeral Archives and Creating Settings for New Memories
> Trans Asia Photography
Published: 01 November 2013
Fig. 7. Nargis, of Mother India (1957) fame, in one of her early productions.
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in Archival Collections of Asia Photographs in Singapore’s National Archives, National Library and National Museum
> Trans Asia Photography
Published: 01 November 2013
Fig. 7. Clog seller, early 1900s, from the Percy Hill Collection. (All rights reserved, Margaret Ryan and National Library Board, Singapore 2009)
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in Archival Collections of Asia Photographs in Singapore’s National Archives, National Library and National Museum
> Trans Asia Photography
Published: 01 November 2013
Fig. 8. Indian family poses by their compound gate, early 1900s, from the Edwin A Brown Collection. (All rights reserved, Celia Mary Ferguson and National Library Board, Singapore 2008)
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in Lineage and Legitimacy: Exploring Royal-Familial Visual Configurations in Cambodia
> Trans Asia Photography
Published: 12 October 2017
Fig. 5. Buddhist Triad, in bronze, height: 49.5 cm. Late twelfth to early thirteenth century, Prei Monti, Roluos (Siem Reap). National Museum of Cambodia, Phnom Penh, Ga.2424 Ga.5470.
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in Following the Box: Exploring an Archive of Anonymous Photographs from India
> Trans Asia Photography
Published: 16 April 2018
Fig. 23. Purkayastha, Prabir, John Miller—The Early Years , triptych #1 from a series of 6, 2015, three 9x12” images on 18x44” paper, archival inkjet prints on Hahnemulhe Bamboo paper, courtesy of the artist.
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in Whatever Happened to Rehana? Homai Vyarawalla’s Photographs of Modern Girls and the Cultural Project of Nationalism
> Trans Asia Photography
Published: 01 April 2012
Fig. 3: A Parsi family outside the Fire Temple at Dhobi Talao, Bombay, early 1940s. Courtesy the Homai Vyarawalla Archive / Alkazi Collection of Photography
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in Whatever Happened to Rehana? Homai Vyarawalla’s Photographs of Modern Girls and the Cultural Project of Nationalism
> Trans Asia Photography
Published: 01 April 2012
Fig. 10: Travelers at the dockyard, Ballard Pier, Bombay, early 1940s. Courtesy the Homai Vyarawalla Archive / Alkazi Collection of Photography
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in Whatever Happened to Rehana? Homai Vyarawalla’s Photographs of Modern Girls and the Cultural Project of Nationalism
> Trans Asia Photography
Published: 01 April 2012
Fig. 11: A traveler at the dockyard, Ballard Pier, Bombay, early 1940s. Courtesy the Homai Vyarawalla Archive / Alkazi Collection of Photography
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in Whatever Happened to Rehana? Homai Vyarawalla’s Photographs of Modern Girls and the Cultural Project of Nationalism
> Trans Asia Photography
Published: 01 April 2012
Fig. 13: A student of the JJ School of the Arts, Bombay, early 1940s. Courtesy the Homai Vyarawalla Archive / Alkazi Collection of Photography
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in A Fragile Past: Exploring One Family’s Narrative Through the Photographs They Buried
> Trans Asia Photography
Published: 24 April 2020
Fig. 9. Dimensions: 2.5 x 2.5 inches, Early 1981. This photograph is of my mother. This was taken at the Panasnikhom Chonburi Transit Centre (Thailand), this was the start of the process of settling in the USA. We had received sponsorship and had moved from Khao-I-Dang Holding Centre on the Thai
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in A Fragile Past: Exploring One Family’s Narrative Through the Photographs They Buried
> Trans Asia Photography
Published: 24 April 2020
Fig. 10. Dimensions: 3.4 x 4.2 inches, Early 1981. This was taken at Panasnikhom Chonburi Transit Centre (Thailand), this would have been made at the same time that we made the individual portrait, we had this group shot made first. When I look at it now I wonder why they chose
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in A Fragile Past: Exploring One Family’s Narrative Through the Photographs They Buried
> Trans Asia Photography
Published: 24 April 2020
Fig. 11. Dimensions: 3.5 x 5.5 inches, Early 1981. This was the final image at Lumpini Refugee Transit Centre in Bangkok, before we left Thailand to go to the Philippines to the Batann Refugee Processing Centre. You can see my Mum holding the immigration paperwork. The photo was taken by one
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Published: 24 April 2020
Fig. 2. Manobina Roy and Debalina Sen Roy, Calcutta, early 1940s. Photo may have been taken by Bimal Roy, courtesy the family of Manobina Roy.
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