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Search Results for courtesy
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in Nuclear Waste Out of Lanyu: Indigenous Indignation in Taiwan Seen through Guan Xiao-rong’s Photographs
> Trans Asia Photography
Published: 01 April 2015
Guan Xiao-rong, The storage room , © Guan Xiao-rong, courtesy the artist.
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in Spotlight on Environmental and Social Concerns in Hong Kong: the WYNG Masters Award
> Trans Asia Photography
Published: 01 April 2015
Nim Wan Road, Lung Kwu Tan , © Siu Wai Hang, courtesy of the artist and WYNG Masters Award.
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in Spotlight on Environmental and Social Concerns in Hong Kong: the WYNG Masters Award
> Trans Asia Photography
Published: 01 April 2015
Lung Kwu Tan Road, Lung Kwu Tan , © Siu Wai Hang, courtesy of the artist and WYNG Masters Award.
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in Spotlight on Environmental and Social Concerns in Hong Kong: the WYNG Masters Award
> Trans Asia Photography
Published: 01 April 2015
Container Port Road, Kwai Chung 1 , © Siu Wai Hang, courtesy of the artist and WYNG Masters Award.
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in Spotlight on Environmental and Social Concerns in Hong Kong: the WYNG Masters Award
> Trans Asia Photography
Published: 01 April 2015
Nathan Road, Mong Kok , © Siu Wai Hang, courtesy of the artist and WYNG Masters Award.
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in Spotlight on Environmental and Social Concerns in Hong Kong: the WYNG Masters Award
> Trans Asia Photography
Published: 01 April 2015
Hennessy Road, Causeway Bay , © Siu Wai Hang, courtesy of the artist and WYNG Masters Award.
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in Spotlight on Environmental and Social Concerns in Hong Kong: the WYNG Masters Award
> Trans Asia Photography
Published: 01 April 2015
Container Port Road, Kwai Chung 2 , © Siu Wai Hang, courtesy of the artist and WYNG Masters Award.
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in Spotlight on Environmental and Social Concerns in Hong Kong: the WYNG Masters Award
> Trans Asia Photography
Published: 01 April 2015
Causeway Road, Causeway Bay , © Siu Wai Hang, courtesy of the artist and WYNG Masters Award.
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in Gray Pastoral: Critical Engagement with Idyllic Nature in Contemporary Photography from China
> Trans Asia Photography
Published: 01 April 2015
Fig. 2. Wang Qingsong, Romantique (2003), 120 x 650 cm., ©Wang Qingsong, courtesy of Galerie Paris-Beijing.
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Published: 01 May 2017
Fig. 2. Moving of the Ha Bik Chuen Archive, July 2016, Courtesy of Luke Casey.
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Published: 01 May 2017
Fig. 3. Materials from the AAA Collection on China, Courtesy of Going Merry Design Company.
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Published: 01 May 2017
Fig. 5. The word ‘Action’ written in Kalpana’s diary, 2013, courtesy of Shahidul Alam/Drik/Majority World.
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Published: 01 May 2017
Fig. 6. The word ‘fear’ written in Bangla, in Kalpana’s diary, 2013, courtesy of Shahidul Alam/Drik/Majority World.
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in Ways of Looking: Studying the Architecture of Hanoi’s Ngoc Ha Neighborhood via Drone Photography
> Trans Asia Photography
Published: 01 May 2017
Fig. 2. Plan of Ngoc Ha (c. 2010), courtesy of Hanoi Municipality.
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in Modern Family: The Transformation of the Family Photograph in Qajar Iran
> Trans Asia Photography
Published: 22 October 2018
Fig. 2. ʿAbdollah Qajar, Untitled, ND, courtesy of Mehrdad Nadjmabadi.
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in Creating a Space for Performing Tibetan Identies: A Curatorial Commentary
> Trans Asia Photography
Published: 12 April 2019
Fig. 3. Native of Thibet , “type” postcard, Darjeeling, India, 1890s, courtesy of Clare Harris.
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Published: 12 April 2019
Fig. 7. Yasui Nakaji, Gaze , 1931. Courtesy of Taka Ishii Gallery Photography / Film.
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Published: 12 April 2019
Fig. 6. Sha Fei, Lu Xun at the woodcut exhibition, 1936, courtesy of Wang Yan.
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Published: 12 April 2019
Fig. 7. Sha Fei, Lu Xun at the woodcut exhibition, 1936, courtesy of Wang Yan.
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Published: 12 April 2019
Fig. 8. Sha Fei, Lu Xun at the woodcut exhibition, 1936, courtesy of Wang Yan.
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