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Journal Article
Trans Asia Photography (2021) 11 (2)
Published: 21 December 2021
...Yongquan Jin; Jinsheng Zhao The November 1956 issue of Sheying yewu (Photo work) mentioned that Cartier-Bresson once claimed that “in order to choose one [photo], you need to throw away dozens.” 16 This indeed was witnessed by Chen Bo. Cartier-Bresson deserves to be called a “machine...
Journal Article
Trans Asia Photography (2021) 11 (2)
Published: 21 December 2021
...Ying-lung Su; Jinsheng Zhao 9. Face à l’histoire (1933-1996), L’artiste moderne face à l’événement historique. Engagement, Témoignage, Vision , 19 December 1996 – 7 April 1997. Michel Frizot is the curator for photography in this exhibition. 8. For Cartier-Bresson's notes on the Gold...
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Published: 21 December 2021
Figure 2: Notes written by Cartier-Bresson for rolls 281 to 284, ‘Peiping’, December 1948. © Fondation Henri Cartier-Bresson / Magnum Photos.
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Published: 21 December 2021
Figure 3: Telex from Magnum to Cartier-Bresson, 25 November 1948 (first page), transmitting the commission from Life for a reportage in ‘Peiping’. © Fondation Henri Cartier-Bresson / Magnum Photos.
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Published: 21 December 2021
Figure 4: One example of sequencing images. © Fondation Henri Cartier-Bresson / Magnum Photos.
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in (In)visible Subjects: Pranlal Patel's Women at Work in Ahmedabad, India, 1937
> Trans Asia Photography
Published: 01 November 2023
Figure 11. Old City, Ahmedabad, Gujarat, India, 1966. Copyright Henri Cartier-Bresson/Magnum Photographs. Used with permission.
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Journal Article
Trans Asia Photography (2021) 11 (2)
Published: 21 December 2021
...” recontextualizes Julia Margaret Cameron’s photographs of Sri Lankan women in the photographic representation of labourers in tea plantations, which challenges widespread assumptions about Cameron. Similarly, Ying-lung Su and Yongquan Jin ’s accounts of Henri Cartier-Bresson shines new light on another prominent...
Journal Article
Trans Asia Photography (2019) 10 (1)
Published: 18 November 2019
.... 5 And yet Hara is not seeking Cartier-Bresson’s “decisive moment,” which has historically driven street photography. 6 Instead, she tries to “scoop up” the continuous life that surrounds her and practices a less directed, more contemplative gaze: “I don’t depend on coincidence, and it does...
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Journal Article
Trans Asia Photography (2015) 6 (1)
Published: 01 October 2015
.... The last chapter looks at how Chinese press photography defined its own identity through various foreign others from both capitalist and other socialist nations. Jin starts the chapter with a detailed account of French photographer Henri Cartier-Bresson’s 1958 visit to China. Although Cartier-Bresson...
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Journal Article
Trans Asia Photography (2023) 13 (2)
Published: 01 November 2023
...Figure 11. Old City, Ahmedabad, Gujarat, India, 1966. Copyright Henri Cartier-Bresson/Magnum Photographs. Used with permission. ...
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Published: 21 December 2021
Figure 5: Strip of six shots (32 to 37) from roll 295, extracted from the contact sheet. © Fondation Henri Cartier-Bresson / Magnum Photos.
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Published: 21 December 2021
Figure 7: Near the Forbidden City, a simple-minded man whose function is to accompany brides on their palanquin. Peking, December 1948. © Fondation Henri Cartier-Bresson / Magnum Photos.
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Published: 21 December 2021
Figure 6: A beggar in front of the shop window of a wedding photographer, who also offers wedding gowns for rent. Hangzhou, March 1949. © Fondation Henri Cartier-Bresson / Magnum Photos.
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Journal Article
Trans Asia Photography (2015) 6 (1)
Published: 01 October 2015
... in their youth. That’s precisely an idealized reality. The truthful representation of reality in photography during the Mao era is a “reality” of this nature. Gao: When Henri Cartier-Bresson [1908–2004] visited China, in 1957, he went to make photographs at the Miyun Reservoir along with his...
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Journal Article
Trans Asia Photography (2010) 1 (1)
Published: 01 September 2010
... of close framing devices that plunge the viewer directly into the action. Suggesting both the kinetic energy of Cartier-Bresson’s street photography and the rawness of Robert Capa’s combat work, Sha Fei’s photographs enable us to practically smell gunpowder and feel the grit of the battlefield under our...
Journal Article
Trans Asia Photography (2014) 4 (2)
Published: 01 April 2014
... specific national nuances? Surveying the work of Yuki Aoyama (Japanese), Bui Huu Phuoc (Vietnamese), Benz Thanachart (Thai), and Jeongmee Yoon (Korean) suggests answers. First, all four (along with many Western photographers) would say to Cartier-Bresson’s notion of the decisive moment their languages...
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Journal Article
Trans Asia Photography (2016) 6 (2)
Published: 01 April 2016
... Jingshan’s composite landscapes and Cartier-Bresson’s canonical photographs of the revolutionary years, as well as expected themes, among them the development of the cult of personality, from Chiang Kai-shek to Mao Zedong, The Chinese Photobook shows us less-known or virtually unknown works, such as Donald...
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Journal Article
Trans Asia Photography (2014) 5 (1)
Published: 01 October 2014
...-garde.” 10 I interpret this cautionary note to mean that there may indeed be much overlap in the formal elements that make up the photographs of Yasui, Izumi, and Uyeda and of, for example, Brassai, Cartier-Bresson, and Weston, but to frame these works within a set of established narratives...
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Journal Article
Trans Asia Photography (2016) 7 (1)
Published: 01 October 2016
.... Meanwhile, the chemical traces left on the photograph’s surface obscure the image and hinder the viewer from obtaining more information. And because of Aluss’s indifference toward narrative, what Cartier-Bresson calls “the decisive moment” is nowhere to be found. The only kind of change and progression...
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Journal Article
Trans Asia Photography (2011) 1 (2)
Published: 01 May 2011
... the emergence of intimate worlds in the “poetic realism” of senior photographers, such as Raghubir Singh and Raghu Rai. The photographers insert into the firm realism of colonial, ethnographic genre a photographic wit relating to Henri Cartier-Bresson, whose control of timing in the click of a hand-held camera...
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