Fig. 2. Wei Leng Tay, Article 23 protest, Causeway Bay, 1/7/2003. Contact sheet, Kodak 400VC negative, 35mm, 2019. Archival pigment print, 28.125x50cm, edition of 5, © Wei Leng Tay, courtesy the artist. More

Fig. 10. Wei Leng Tay, Article 23 protest, Causeway Bay, 1/7/2003. Contact sheet, Kodak 400VC negative, 35mm, 2019. Archival pigment print, 45x60cm (17.72x23.62 inches), edition of 5, © Wei Leng Tay, courtesy the artist. More

Fig. 17. Amir Doost Mohammad Khan Moʿayyer al-Mamalek (?),ʿEsmat al-Dowleh (right) and Fakhr al-Taj (left), ND, repository unknown, found in this article although the identification is incorrect: https://radiokoocheh.com/article/140895 . More

Fig. 23. Zhang Lan’s The Soul of Autumn (fig. 23) was first published in the second issue of Today magazine; in the fourth issue, in 1979, an article reviewed this photo (fig. 24). Courtesy of Cheng Xin. More

Fig. 24. Zhang Lan’s The Soul of Autumn (fig. 23) was first published in the second issue of Today magazine; in the fourth issue, in 1979, an article reviewed this photo (fig. 24). Courtesy of Cheng Xin. More

Fig. 7. Saigon Harbor. This image was later printed as an engraving in the book France Illustrated , ( La France illustrée ) (1884) by V.A. Malte-Brun 18 and in an article by Dr. Albert Morice in Tour du Monde , 1875. More

Figure 7. Reworked image of Obby Kogoya as a protest poster, with the phrase “Papuans Are Humans. Not Monkeys!” illustrating an article in Wagadei , a West Papua–based online news agency. Wagadei Editor, “Orang Papua Monyet?” Wagadei, August 18, 2019. https://wagadei.com/2019/08/18/orang More

Fig. 6. Amir Doost Mohammad Khan Moʿayyer al-Mamalek (and ʿEsmat al-Dowleh?), ʿEsmat al-Molouk dressed as a man, c.1890s, repository unknown, found in this article although the identification is incorrect: http://cafetarikh.com/News-19478/%DA%98%D8%A7%D9%86%D8%AF%D8%A7%D8%B1%DA%A9-%D8%AA%D8%A8 More