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1970s
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Journal Article
Trans Asia Photography (2017) 8 (1)
Published: 12 October 2017
..., when a new and distinctly Japanese photographic idea emerged in direct response to the political and social constraints that dominated postwar Japan in the shadow of the atomic-bomb attacks on Hiroshima and Nagasaki. During the 1970s, the United States discovered postwar Japanese photography...
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Published: 01 September 2011
Pushpamala N., ‘Cracking the Whip (after 1970s Tamil film still)’. From the photo-performance project Native Women of South India: Manners and Customs , 2000-2004. Type C-print on metallic paper, 20 x 24 inches. Courtesy the artist and Bose Pacia, New York.
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Published: 01 November 2023
Figure 4. Anonymous colored studio photo, 1970s. Jin, Yi ming zhao.
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in Photographic Praxis in China, 1930s-1980: A Conversation with Chen Shuxia, Shi Zhimin, and Zhou Dengyan about Shi Shaohua and the Friday Salon
> Trans Asia Photography
Published: 12 April 2019
Fig. 9. Lü Xiaozhong’s notebook, late 1970s, courtesy of Lü Xiaozhong.
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in Photographic Praxis in China, 1930s-1980: A Conversation with Chen Shuxia, Shi Zhimin, and Zhou Dengyan about Shi Shaohua and the Friday Salon
> Trans Asia Photography
Published: 12 April 2019
Fig. 14. Yu Genquan, late 1970s, courtesy of Yu Genquan.
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in Photographic Praxis in China, 1930s-1980: A Conversation with Chen Shuxia, Shi Zhimin, and Zhou Dengyan about Shi Shaohua and the Friday Salon
> Trans Asia Photography
Published: 12 April 2019
Fig. 15. Yu Genquan, late 1970s, courtesy of Yu Genquan.
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in Field Notes, Fluidities, and Fictional Archives: Transmedial Photography and Singapore's Altered Coastlines
> Trans Asia Photography
Published: 10 June 2021
Figure 6: Robert Zhao Renhui, Changi, Singapore, possibly 1970s, from The Land Archive , 2014, courtesy of Robert Zhao Renhui.
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Published: 01 November 2022
Figure 18. The same Mao statue in the 1970s. Photographer unknown, private collection, Toronto.
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Published: 12 October 2017
Fig. 15. Back handwriting reads “1970” © Beijing Silvermine / Thomas Sauvin Archive
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Published: 12 October 2017
Fig. 30. Tian’anmen, Beijing, November 1970 © Beijing Silvermine / Thomas Sauvin Archive
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Published: 01 September 2010
William Gedney, Street at Night with Man Sleeping, 1970. © William Gedney Collection, Duke University Rare Book,Manuscript, and Special Collections Library
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Journal Article
Trans Asia Photography (2024) 14 (1)
Published: 01 May 2024
...Kasahara Michiko; Kelly Midori McCormick Abstract In the 1970s, the Japanese photographic world was dominated by men, and Japanese society grappled with changing gender norms. Women photographers raised their cameras in response and challenge to the status quo, carving out a space for new forms...
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Trans Asia Photography (2023) 13 (2)
Published: 01 November 2023
...Figure 4. Anonymous colored studio photo, 1970s. Jin, Yi ming zhao. ...
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in Photography and the Appropriation of Kodak Dye Transfer in Socialist China
> Trans Asia Photography
Published: 01 May 2017
Fig. 6. Shi Shaohua, “Mao zhuxi zai yanan he Yangjialing nongmin tanhua” [Mao Talks with Peasants at Yangjialing, Yan’an], 1939, originally black-and-white, ranyin fa print made in 1970–71, 36.5 cm x 49.8 cm. Private collection
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in The Elu[va]sive Japanese Portrait: Repetition, Difference and Multiplicity
> Trans Asia Photography
Published: 01 September 2011
Fig. 6: Morimura Yasumasa, ‘Seasons of Passion/ A Requiem: Mishima 2006’. Still from HDTV, 7 minutes 47 seconds. © Morimura Yasumasa 2006; Courtesy ShugoArts Gallery, Tokyo. Fig. 7 Mishima Yukio on the Ichigaya Self-Defense Forces Headquarters balcony, Nov. 25th, 1970.
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in Photographic Praxis in China, 1930s-1980: A Conversation with Chen Shuxia, Shi Zhimin, and Zhou Dengyan about Shi Shaohua and the Friday Salon
> Trans Asia Photography
Published: 12 April 2019
Fig. 21 (left). Shi Shaohua, stage photograph of Sunrise performed by the Front Line Troupe 火线剧社, Central Hebei, 1941, courtesy of Shi Zhimin. Fig. 22 (right). Shi Shaohua, stage photograph of the revolutionary Peking opera Taking Tiger Mountain by Strategy , Beijing, 1970, courtesy of Shi
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in Photography and the Appropriation of Kodak Dye Transfer in Socialist China
> Trans Asia Photography
Published: 01 May 2017
Fig. 7. Qian Sijie, “Mao zhuxi changyou changjiang” [Chairman Mao at the Yangtzi River], 1966. Left: Black-and-white photograph, courtesy of the photographer. Right: A ranyin fa color print made in 1970–71, 49.8 cm x 37.9 cm. Private collection. The image on the left was displayed in the Red
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Journal Article
Trans Asia Photography (2017) 7 (2)
Published: 01 May 2017
...Fig. 6. Shi Shaohua, “Mao zhuxi zai yanan he Yangjialing nongmin tanhua” [Mao Talks with Peasants at Yangjialing, Yan’an], 1939, originally black-and-white, ranyin fa print made in 1970–71, 36.5 cm x 49.8 cm. Private collection ...
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Journal Article
Trans Asia Photography (2019) 9 (2)
Published: 12 April 2019
...Fig. 9. Lü Xiaozhong’s notebook, late 1970s, courtesy of Lü Xiaozhong. ...
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Journal Article
Trans Asia Photography (2015) 6 (1)
Published: 01 October 2015
... develop the films and then print them for the archives; sometimes I would send images to newspapers for publicity, if requested. In the late 1970s, we mainly used black-and-white film; color film was rare. I spent a lot of time in the darkroom processing film and printing photographs. The darkroom also...
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