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Spring - Volume 11, Issue 1
Fall - Volume 11, Issue 2
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Volume 11, Issue 2
Fall 2021
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EISSN
2158-2025
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In this Issue
Introduction
Articles
Translation
Critical Reflection
Curatorial Reflection
Translation
Commemoration
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Asia
Introduction
“Asia”: An Introduction
Yi Gu
Extract
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titled, “Asia”: An Introduction
Articles
Two Leaves and a Bud: Tea and The Body Through a Colonial Lens
Leila Anne Harris
Extract
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titled, Two Leaves and a Bud: Tea and The Body Through a Colonial Lens
Disobedient Photobooks: Photobooks and the Protest Image in Contemporary Hong Kong
Wing Ki Lee
Extract
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titled, Disobedient Photobooks: Photobooks and the Protest Image in Contemporary Hong Kong
Translation
Photojournalism and Social Movement as “Theatre”: A Critical Reading of “The Sunflower Movement” Photographs
Li-Hsin Kuo
;
Zinan Jiang
Extract
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titled, Photojournalism and Social Movement as “Theatre”: A Critical Reading of “The Sunflower Movement” Photographs
Critical Reflection
Why Trans People Stand: The Performance of Postcoloniality and Power in Portraiture
Jun Zubillaga-Pow
Extract
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titled, Why Trans People Stand: The Performance of Postcoloniality and Power in Portraiture
Curatorial Reflection
The Making of “Henri Cartier-Bresson: China 1948-1949, 1958”
Ying-lung Su
;
Jinsheng Zhao
Extract
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titled, The Making of “Henri Cartier-Bresson: China 1948-1949, 1958”<sup></sup>
Translation
Cartier-Bresson is Here
Yongquan Jin
;
Jinsheng Zhao
Extract
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titled, Cartier-Bresson is Here
Commemoration
Kaneko Ryūichi and the History of Japanese Photography
Yoshikai Kai
Extract
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titled, Kaneko Ryūichi and the History of Japanese Photography
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Vengeance Aesthetics: Type in
Records of the Japanese Army's Atrocities
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Taking a Book for a Walk: A Conversation with Dayanita Singh
Sexual Politics: Photobooks by Japanese Women, 1976–79
Dayanita Singh's World of Books
Centralia
by Poulomi Basu
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