Search Results for young

... 5/2/01 10:50 AM Page 35 Thomas Irmer Collateral Damage on the German Mind, or, How Young German Directors Became More Involved with the Issue of War During the Gulf War the old means...

...Jonathan Kalb © 2003 by Yale School of Drama/Yale Repertory Theatre 2003 Jonathan Kalb The Death (and Life) of American Theater Criticism Advice to the Young Critic A Lecture to Students at Barnard College and New York University, Fall 2002 Theater criticism is an art (some...

...Eric Bentley Copyright © THEATER 1982 1982 Stark Young Eric Bentley The aesthetic princ@&sare at bottom such axioms as that a note soundr good with its third andj?h, or that potatoes lucd salt. AU intellectual work is the same - the artistjetis the public...

...Charles Swoope Copyright © by yale/theatre 1973 1973 37 Images in a Vast World: An Appreciation of Stark Young Charles Swoope A quarter of a century ago, at the publication of the final collection of Stark Young's dramatic criticism, Immortal Shadows, Eric...

...) is a game of questions and answers in which the characters, Julia and Peter, detail increasing levels of political despair and personal hopelessness. The pair impassively recite the creed of a cult inspired by Julia s ennui: Do nothing. Die young. End the world. 1 The duo makes comedies that explore what...

...Mikhail Shvidkoi; Vladimir Klimenko, translated by The young playwrights who will share their concerns and hopes with you have thus far not established a foothold in all Soviet theaters. Perhaps in the bottom of their souls they envy or feel anger against playwrights from the older generation...

...Ann Liv Young Copyright © 2019 Yale School of Drama/Yale Repertory Theatre 2019 ...

...Milena Bogavac; Miloš Lolić Tom Sellar speaks with two of Serbia's leading young theater artists—playwright Milena Bogavac and director Miloš Lolić, both in their twenties. In this interview, he asks them about the aesthetic and political aspirations of the next generation of theatermakers...

..., Branden Jacobs-Jenkins, Ann Liv Young, and Robert Woodruff, Bruin combines Benjamin, Aristotle, and the art criticism of Hal Foster, using theory to illuminate how the depiction of abjection, what Aristotle called “the scene of suffering,” prepares the spectator for end-times and civilizational...

..., almost as if time were susceptible to simplicity. The Young Man decides to wait five years before gravitational pull? Dali jams together sequentiality and marrying the Fiancee, and spurns the Typist after she simultaneity, and the result is both disorienting and admits her love for him...

... by Newton Moreno 2008 Moreno Newton Moreno Translated by Elizabeth Jackson The Meal Dramatic Essays on Cannibalism Characters 1st Movement young woman young man Scene One: In the Jungle...

...John Pikington Copyright © by yale/theatre 1973 1973 42 Letters of a Southern Drama Critic Edited by John Pilkington From 1919 to 1947, with the exception of a year as critic for the New York Times, Stark Young wrote drama criticism for the New Republic. During...

... ask questions to myself, try to sort it out, try to figure it out, says Sherry, Ann Liv Young’s alter ego, in her solo performance piece Cinderella, pre- sented at the Issue Project Room in September 2010. This, in a nutshell, is the show: self-­reflective, base, confounding, and yes, fasci...

... Theatre Festival, Stockbridge, taken a young man my age. A lot of peo• Massachusetts, in July, 1968. It was di• ple I wouldn't have taken. I wanted a girl. rected by Gordon Rogoff and performed (Girl struggles) by Spencer L. Trova and Joan Pape. Sub...

..., just lies there. with red mouth and eyes and diabolically pointed eyebrows, Back in the theater, the proscenium arch is carved to resem- looks like a mask. ble a curtain. The columns on either side of the arch are The other is a young man. He wears a white suit, no socks covered...

... of the Year — presented recently in New York but with long international touring histories behind them — create circumstances where the young, awkward, growing bodies of older children collide with the hypertheatri- cality of dress-­up and formalized choreography. Both productions — with children...

..., “that [Gambaro] will time, anguished screams reverberate off stage. The Young soon be recognized as one of the world’s major [emphasis Man’s keepers (an Usher and a Functionary) explain, ”The Taylor’s] playwrights. She combines several of the factors walls are falling in on somebody.” The Young Man doesn’t...

.... provided a subsidy of DM 200,000: the More than half the plays were designed for very same amount as in 1979 and truly a and addressed to young people from 14 pittance, considering that West Berlin’s years upward...

..., and after a few moments it hits me: they are performing, or rather paraphrasing in a post-Brando mumble, Summer and Smoke. Were the characters too lurid, was the lan- guage too lyrical, the story too passionate, for these young actors to take seriously...

...- nahmeThe Measures Taken. The best known of the “learning plays” (Lehrstiicke) written between 1928 and 1930, its obvious difficulty is its content. That Brecht ratifies the Agitators’ killing of the Young Comrade because it is done, in accord with Communist doctrine...