Search Results for wood

...George Tabori; Kevin S. Wood, translated by Copyright © Theater 1996 1996 THE KISS THE FIRST TIME I encountered him was a quarter-century ago, In the B.E. at the premier of Woyzeck. During the intermission I sat with Ekkehard Schall...

... and presented here onWest video, Side Colo Highway raced downwith Newfifty- York­one piecesCity’s of wood attached to his body, each bear- ing...

.... That tribute ing, “Hello, Bom, what’s new?”3 “No, tell me what’s new with entitles The Laugh to join the satires of Mayakovsky, Bulgakov you,” says Bom, and Bim does, informing his partner, while and Platonov, as Russian humor which was condemned in the laughing, that he went for a walk in the woods...

... section of the pany in Uncle Vanya (also at the Kennedy and gowns before the black, lighted music orchestra. Center) that this is not a new norm. The stands bearing their white scores; the bur• occasion was Brian Clark's play, Whose life nished woods of nine double basses reflect Now, predictably...

... to which people adjust, tant difference, though. While Swift’s Drapier letters con- rather than it adjusting to them. stituted a call for an economic boycott of Wood’s coinage, the I would go further than Kenner, and argue that art galleries, Guerrilla Girls’ posters...

...Zora Howard Zora Howard the master s tools Cast of Characters tituba (F): Black witch of Salem (tituba is not a witch) The woods. Nighttime. Moonlight on tituba at work. She is in the middle of something. tituba I was . . . umm . . . She clicks her mouth; searching for something. I...

... IN THEIR MOMENT OF THEIR HAVEN'T I SEEN YOU SOME PLACE STAR STUDDED. CARRY ME BACK DAY. RUSSIA YOU. AND HUNGARY BEFORE . IN A PROCESS SHOT . TO THE PRIME TIME STAR STUDD- YOUR MOUTH. YOU FRENCH EYE. THROUGH A SNOWY WINDOW . ED . YOU NATALIE WOOD YOU . YOU...

... a revolutionary army with laughter Bim: Hello, Bom. What’s new? can probably stop other armies, too. Sensing the prospective Born: No, tell me what’s new with you. power of laughter in 1923, Soviet cultural commissar Anato- Bim: Listen, listen. I go out for a walk in the woods and I see ly Lunacharsky...

... 2010 Yale School of Drama/Yale Repertory Theatre 2010 Jacob Gallagher-Ross Babes in the Woods Big Art Group’s SOS The financial catastrophe of September 2008 was caused by a crisis of representation. As the new century’s housing bubble inflated, replacing the 1990s infotech boom...

... TIMES. seminary/lopez/noriega/woods/ kaplan/fish (On video) My name is and I approved this message. LOOK AT THE AUDIENCE. COUGH. (On video) People ask me how we’re going...

... The smell of this sock reminds me of the time join the tribe. All right, I said, but first you that a couple of other fosters and I filled Coke have to pass their test. You have to arrange the bottles with gasoline and went off into the lawn ornaments into the correct order. woods behind Mr. Phinney’s...

... of life in 1940s Hollywood it fictionalizes. Commis- Holly-wood: sioned by the Mark Taper Forum under a It's true to say that none of us was really happy...

... colinette (singing a naive song) Colinette entered the woods colinette...

.... A golden plaque on the aging wood reads: Zum 30. Hochzeitstag 20.3.1964 20.3.1994 Bench in Nisenan Territory, Placerville, ca, 2021. Photo: Indira Allegra A close-u­ p of the back of a wooden bench sitting in a wooded clearing. The wood is worn and has some moss growing in its cracks. A brass plaque...

... of the moors and forests, among the animals and birds.” What is simply a “waste and wilderness” to his son Hjalmar is to old Ekdal a place of beauty, mastery, ful- fillment. Ekdal takes nature seriously, literally. In response to the news that the woods of his...

... ing a bit, it's bearing into the wood, over the cells of my body and breathe I'm breathing to it, and it sets up a from my toes going back up to my brain. passage making me able to be in contact And then spending the next half hour lis- with my toe. Which means I'm able...

... and other media).1 A valuable characteristic of the work of Milena Marković, especially of the plays Simeon the Foundling and The Wood Glitters, is their very expressive poetic language and strong archetypal images. Con- temporary playwriting, especially drama written by women, stands out, indisputably...